{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Origin Place", "value": "Hlāṃ vihāra (Lhom Hit in Tangal Tol in Patan according to Petech 1984: 36-7; Lām Bāhā in Kathmandu according to Locke 1985: 421)." }, { "label": "Provenance", "value": "Bought by Dr. D. Wright on behalf of the Cambridge University Library in 1876." }, { "label": "Extent", "value": "223 ff. (222 palm-leaf folios + 1 paper folio as a replacement)." }, { "label": "Funding", "value": "AHRC" }, { "label": "Date of Creation", "value": "135 Nepāla / Thursday, March 31st, 1015 CE (Petech 1984: 37)." }, { "label": "Classmark", "value": "MS Add.1643" }, { "label": "Additions", "value": "
Marginalia<\/b><\/p> Wood cover original binding.<\/p> On the outer side of the front cover<\/a> and of the back cover<\/a>, traces of materials smeared on the manuscript during worship rites.<\/p>"
},
{
"label": "Condition",
"value": "Complete, in good condition."
},
{
"label": "Script",
"value": " Scribe:<\/b>Sujātabhadra<\/p><\/div><\/div>"
},
{
"label": "Physical Location",
"value": "Cambridge University Library"
},
{
"label": "Abstract",
"value": " An 11th-century composite and multi-text manuscript containing three texts: Rāhulabhadra's Prajñāpāramitāstotra<\/i>, the Aṣṭasāhasrikā Prajñāpāramitā<\/i> and the Vajradhvajapariṇāmanā<\/i>. The \"Perfection of Wisdom in Eight Thousand Lines\" (Aṣṭasāhasrikā Prajñāpāramitā<\/i>) is one of the earliest Mahāyāna scriptures. This foundational sūtra<\/i> of Mahāyāna Buddhism developed gradually over a period of about two hundred years, from the first century BCE to the first century CE (some of its earliest recensions were translated into Chinese during the Han dynasty, 206 BC \u2013 220 CE). There is still no scholarly consensus as to the provenance of the text, but the most widespread view is that it was probably written in central or southern India. The \"Perfection of Wisdom in Eight Thousand Lines\" presents its doctrine in the form of a dialogue between the Buddha and one of his disciples, the arhat<\/i> Subhūti. In this dialogue \"the principal ontological message (message concerning what ultimately exists) [\u2026] is an extension of the Buddhist teaching of not-Self to equal no essential unchanging core, therefore no fundamentally real existence, as applied to all things without exception\" (Williams 2009; 52). This sūtra<\/i> belongs to the early stratum of the so-called \"Perfection of Wisdom (prajñāpāramitā<\/i>) literature,\" subsequently expanded between the second and fourth centuries CE into other huge scriptures, for instance the \"Perfection of Wisdom in One Hundred Thousand Lines\" (the Śatasāhasrikāprajñāpāramitā<\/i>). The \"Perfection of Wisdom in Eight Thousand Stanzas\" enjoyed a central role in the Buddhist cult of the book, and particularly in Newar Buddhism. \"This Nepalese palm-leaf manuscript of the Aṣṭasāhasrikā Prajñāpāramitā is a unique item under many aspects. It is an important historical document that provides valuable information about the dynastic history of medieval Nepal. According to the colophon, it was written by a scribe named Sujātabhadra in 1015 CE during the joint reign of three kings, Bhojadeva, Rudradeva and Lakṣmīkāmadeva in the Hlāṃ vihāra<\/i> (on the joint reign of these three kings cf. Petech 1984: 36-9). The identification of this monastery is still open: according to L. Petech it might be a misreading for Hloṃ, and is \"perhaps connected with present-day Lhom Hit in Tangal Tol, Patan\" (Petech 1984: 36-7); on the other hand, J. Locke identifies it with the Lām Bāhā in Kathmandu (Locke 1985: 421). Moreover, it is decorated with 85 miniatures occurring at chapter ends and at the beginning of the entire manuscript (probably the miniatures were originally 88, since the first palm-leaf folio is missing and has been replaced with a paper supplement). The subjects of these miniatures 'are in general different from their Indian Pāla counterparts. Apart from the last eight on the colophon folio [\u2026] they are all of specific iconographic representations of the Buddha or Bodhisattvas or other divinities, or of important stūpas or caityas. The majority of places designated are in eastern India, but there are some from far off places-China, Java, Ceylon, Gujarat, southern India' (Losty 1992: 31). Moreover, the manuscript contains notes for the illuminator added by the first scribe, each of which describes the Buddha or the Bodhisattva and the location to be depicted in the miniature. The importance of this manuscript is furthermore confirmed by an additional colophon in verses, added in 1139 by a certain Karuṇavajra, who states that he rescued the Prajñāpāramitā<\/i> from falling in the hands of unbelievers (most probably, people of Brahmanical affiliation). Last but not least, the last folio of this manuscript is the only surviving witness of the Sanskrit original of the Vajradhvajapariṇāmanā<\/i>, a short hymn hitherto considered to have survived only in its Tibetan translation, the (\u2019Phags pa) Rdo rje rgyal mtshan gyi yongs su bsngo ba<\/i>\" (Formigatti 2014: 14). The Vajradhvajapariṇāmanā<\/i> is fully transcribed in the excerpts. <\/p> This item featured in an article in the Kathmandu Post<\/a> on 26 February 2019. It mentions our manuscript also features in a Nepali \u201ctextbook titled Chitrakala (Painting) published by the Education Ministry for students of grades 9 and 10.\u201d<\/p> This item was included in the Library\u2019s 600th anniversary exhibition Lines of Thought: Discoveries that changed the world<\/i><\/a>.<\/p>"
},
{
"label": "Title",
"value": "Prajñāpāramitāstotra, Aṣṭasāhasrikā Prajñāpāramitā, Vajradhvajapariṇāmanā"
},
{
"label": "Author(s) of the Record",
"value": "Camillo Formigatti"
},
{
"label": "Material",
"value": "Palm leaf (Corypha) and Nepalese paper. Folio height: 5.5 cm, width: 54.5-55 cm. <\/p>"
},
{
"label": "Physical Description",
"value": " Composite manuscript consisting of three codicological units: a palm-leaf kernel (ff. 2-108<\/a> and 110-223<\/a>), and two dependent codicological units, the first one on paper (f. 1<\/a>) and the second one on palm-leaf (f. 109<\/a>). <\/p>"
},
{
"label": "Decoration",
"value": "The ends of the various chapters (parivarta<\/i>s) are decorated with eighty-five polichrome miniatures. The string-hole areas of the illuminated folios is further decorated with polichrome vajra<\/i>s. Sixty-six miniatures are provided with what apparently is a caption, but more probably was an instruction for the artist about the content of the miniature to be painted. The description of the miniatures follows Foucher (1900, 189-204). 6 lines per page, approximately 35 akṣara<\/i>s per line in the first pseudocolumn, 38 akṣara<\/i>s in the second pseudocolumn, and 35 akṣara<\/i>s in the third pseudocolumn.<\/p> Akṣara height: 4 mm. Interlinear space height: 1-2 mm. Two string holes approximately in the middle of a column-like space. String hole spaces width: 2.1-2.8 cm, depth: 19.1 cm. The marginal frame lines consist of two parallel vertical lines in black ink. On the outermost margins, similar lines have been drawn, and the foliation is written between these and the frame lines. The string holes and miniatures are framed on both sides by three or four parallel vertical lines in black ink. The string holes are decorated with polychrome vajra<\/i>s filling the whole string hole space. No ruling.<\/p>"
},
{
"label": "Date of Acquisition",
"value": "26 April 1876 (ULIB 7/3/55 and University Library stamp)."
},
{
"label": "Foliation",
"value": " 1. Original: Nepālākṣarā letter numbers, mid-left margin, verso.<\/p> 2. Additional: Nepālākṣarā numerals, top right margin, verso.<\/p> 3. Additional: Nepālākṣarā numerals, bottom right corner, verso.<\/p> 3. Modern: Arabic numerals, top left margin, verso.<\/p>"
},
{
"label": "Bibliography",
"value": " Descriptions of the manuscript<\/b><\/p> Manuscripts<\/b><\/p> Editions<\/b><\/p> Secondary Literature<\/b><\/p> An 11th-century composite and multi-text manuscript containing three texts: Rāhulabhadra's Prajñāpāramitāstotra<\/i>, the Aṣṭasāhasrikā Prajñāpāramitā<\/i> and the Vajradhvajapariṇāmanā<\/i>. The \"Perfection of Wisdom in Eight Thousand Lines\" (Aṣṭasāhasrikā Prajñāpāramitā<\/i>) is one of the earliest Mahāyāna scriptures. This foundational sūtra<\/i> of Mahāyāna Buddhism developed gradually over a period of about two hundred years, from the first century BCE to the first century CE (some of its earliest recensions were translated into Chinese during the Han dynasty, 206 BC \u2013 220 CE). There is still no scholarly consensus as to the provenance of the text, but the most widespread view is that it was probably written in central or southern India. The \"Perfection of Wisdom in Eight Thousand Lines\" presents its doctrine in the form of a dialogue between the Buddha and one of his disciples, the arhat<\/i> Subhūti. In this dialogue \"the principal ontological message (message concerning what ultimately exists) [\u2026] is an extension of the Buddhist teaching of not-Self to equal no essential unchanging core, therefore no fundamentally real existence, as applied to all things without exception\" (Williams 2009; 52). This sūtra<\/i> belongs to the early stratum of the so-called \"Perfection of Wisdom (prajñāpāramitā<\/i>) literature,\" subsequently expanded between the second and fourth centuries CE into other huge scriptures, for instance the \"Perfection of Wisdom in One Hundred Thousand Lines\" (the Śatasāhasrikāprajñāpāramitā<\/i>). The \"Perfection of Wisdom in Eight Thousand Stanzas\" enjoyed a central role in the Buddhist cult of the book, and particularly in Newar Buddhism. \"This Nepalese palm-leaf manuscript of the Aṣṭasāhasrikā Prajñāpāramitā is a unique item under many aspects. It is an important historical document that provides valuable information about the dynastic history of medieval Nepal. According to the colophon, it was written by a scribe named Sujātabhadra in 1015 CE during the joint reign of three kings, Bhojadeva, Rudradeva and Lakṣmīkāmadeva in the Hlāṃ vihāra<\/i> (on the joint reign of these three kings cf. Petech 1984: 36-9). The identification of this monastery is still open: according to L. Petech it might be a misreading for Hloṃ, and is \"perhaps connected with present-day Lhom Hit in Tangal Tol, Patan\" (Petech 1984: 36-7); on the other hand, J. Locke identifies it with the Lām Bāhā in Kathmandu (Locke 1985: 421). Moreover, it is decorated with 85 miniatures occurring at chapter ends and at the beginning of the entire manuscript (probably the miniatures were originally 88, since the first palm-leaf folio is missing and has been replaced with a paper supplement). The subjects of these miniatures 'are in general different from their Indian Pāla counterparts. Apart from the last eight on the colophon folio [\u2026] they are all of specific iconographic representations of the Buddha or Bodhisattvas or other divinities, or of important stūpas or caityas. The majority of places designated are in eastern India, but there are some from far off places-China, Java, Ceylon, Gujarat, southern India' (Losty 1992: 31). Moreover, the manuscript contains notes for the illuminator added by the first scribe, each of which describes the Buddha or the Bodhisattva and the location to be depicted in the miniature. The importance of this manuscript is furthermore confirmed by an additional colophon in verses, added in 1139 by a certain Karuṇavajra, who states that he rescued the Prajñāpāramitā<\/i> from falling in the hands of unbelievers (most probably, people of Brahmanical affiliation). Last but not least, the last folio of this manuscript is the only surviving witness of the Sanskrit original of the Vajradhvajapariṇāmanā<\/i>, a short hymn hitherto considered to have survived only in its Tibetan translation, the (\u2019Phags pa) Rdo rje rgyal mtshan gyi yongs su bsngo ba<\/i>\" (Formigatti 2014: 14). The Vajradhvajapariṇāmanā<\/i> is fully transcribed in the excerpts. <\/p>
On f. 5v<\/a>, a representation of the Bodhisattva Vajrasattva. Caption: [<\/i>sumero vajasatvaḥ | āriṣasthāna<\/i>]<\/i><\/i>
On f. 8v<\/a>, a representation of the Buddha Dīpaṅkara with two assistants, Avalokiteśvara (white, to his right) and Vajrapāṇi (green, to his left). Caption: sinhaladvīpe dīpāṅkara | āriṣasthāna |<\/i>
On f. 11v<\/a>, a representation of the Bodhisattva Lokanātha. Caption: magadhe kāpotaparvate lokanāthaḥ | ◎āriṣasthāniḥ<\/i>(!)<\/i> |<\/i>
On f. 2v<\/a>, a representation of the goddess Prajñāpāramitā. Caption now almost completely faded, but still legible for Foucher (who read \"(Gṛdhrakûṭa)parvate (Prajñâpârami)tâ. âri◎ṣasthâna\"; Foucher 1900: 189): [<\/i>Gṛdhrakūṭaparvate Prajñāpāramitā āri◎ṣasthāna |<\/i>]<\/i><\/i>
On f. 14r<\/a>, a representation of the Bodhisattva Lokanātha. Caption: nepāle svayaṃbhūlokanāthaḥ | prathama◎sthāna āriṣa<\/i>
On f. 20v<\/a>, two miniatures. On the left paracolumn, a representation of the Buddha Abhayapāṇi. Caption: mahāsamudre rāhukṛta abha<\/i>[miniature<\/i>]<\/i>yapāṇi | āriṣasthāna |<\/i> On the right paracolumn, a representation of the Buddha Śākyamuni. Caption: puṇḍavarddhane trisaraṇa buddhabhaṭṭa<\/i>[miniature<\/i>]<\/i>rakaḥ | dvitīya āriṣasthāna<\/i>
On f. 40v<\/a>, two miniatures. On the left paracolumn, a representation of the Bodhisattva Lokanātha. Caption: magadhe [<\/i>macchītivahni<\/i>]<\/i> loka<\/i>[miniature<\/i>]<\/i>nāthaḥ | āriṣasthāna |<\/i> On the right paracolumn, a representation of the future Buddha Maitreya. Caption: tuṣitabhavane maitreya | <\/i>[miniature<\/i>]<\/i> tṛtīya āriṣasthāna<\/i>
On f. 44r<\/a>, two miniatures. On the left paracolumn, a representation of the Buddha Śākyamuni. Caption: kalaṣavarapure gandhavatyā <\/i>[miniature<\/i>]<\/i> bhagavān || \\<\/i>1<\/i>/<\/i><\/i> On the right paracolumn, a second representation of the Buddha Śākyamuni. Caption: trayatriṃse<\/i>(!)<\/i> bhagavān_ || \\<\/i>2<\/i>/<\/i><\/i>[miniature<\/i>]<\/i> caturtha āriṣasthāna ||<\/i>
On f. 59r<\/a>, two miniatures. On the left paracolumn, a representation of two stūpa<\/i>s with two figures in veneration. Caption: tulākṣetravarddhamānastūpaḥ | <\/i>[miniature<\/i>]<\/i> āriṣasthāna ||<\/i> On the right paracolumn, a representation of the female Bodhisattva Tārā (green). Caption: varemdrā vāṇā icchāmahattarā<\/i>[miniature<\/i>]<\/i>yī<\/i>(!)<\/i> || pañcamaparivartta āriṣa |<\/i>
On f. 74v<\/a>, two miniatures. On the left paracolumn, a miniature divided in two parts: on the left a representation of the Buddha Śākyamuni with five attendant Bodhisattvas, and on the right a Bodhisattva with a mongoose in his hand and two birds on his head. Caption: yānavyūhabhagavān_ | āriṣa<\/i> On the right paracolumn, a representation of the female Bodhisattva Tārā (green), with five female attendants. Caption: potalake bhagavī<\/i>(!)<\/i> tārā || <\/i>[miniature<\/i>]<\/i> ṣaṣṭaparivartta āriṣa ||<\/i>
On f. 80v6<\/a>, two miniatures. On the left paracolumn, a representation of the female Bodhisattva Tārā (green), with eight female attendants on her left and right sides, in square frames. Caption: candradvīpe bhagavatī tārā || <\/i>[miniature<\/i>]<\/i> āriṣasthāna ||<\/i> On the right paracolumn, a representation of the Bodhisattva Jambhala (or Kubera) in fierce aspect, with two attendants. Caption: sinhaladvīpe jaṃbalaḥ<\/i>(!)<\/i> || āri<\/i>[miniature<\/i>]<\/i>ṣasaptamaparivarttaḥ ||<\/i>
On f. 86r<\/a>, two miniatures. On the left paracolumn, a representation of the Bodhisattva Campitalā-Lokanātha (white), with four attendants. Caption: campitalālokanāthaḥ || sa<\/i>[miniature<\/i>]<\/i>mātaṭe || āriṣasthāna ||<\/i> On the right paracolumn, a representation of the Bodhisattva Ārogaśālā-Lokanātha (white), with two attendants. Caption: sinhaladvīpe ārogaśālā<\/i>[miniature<\/i>]<\/i>lokanāthaḥ | ama<\/i>(!)<\/i> āriṣa<\/i>
On f. 89r<\/a>, two miniatures. On the left paracolumn, a representation of a Bodhisattva Lokanātha (white), sitting in a temple surrounded by mountains. Caption: gandhāramaṇḍale kūṭaparvate lo<\/i>[miniature<\/i>]<\/i>kanāthaḥ || āriṣa ||<\/i> On the right paracolumn, a representation of the Bodhisattva Maṅgakoṣṭa-Vajrapāṇi (green), sitting in a temple. Caption: oḍḍiyāne maṅgakoṣṭavajapā<\/i>[miniature<\/i>]<\/i>ni | navamaparivartta āriṣaḥ<\/i>
On f. 99v<\/a>, two miniatures. On the left paracolumn, a representation of a Bodhisattva Lokanātha (white), with two attendants. Caption: suvarṇṇapure śrīvijayapure <\/i>[miniature<\/i>]<\/i> lokanātha || āriṣasthāna | <\/i> On the right paracolumn, a representation of the female Bodhisattva Tārā (green), with two attendants. Caption: lāhtadise<\/i>(!)<\/i> tārapure tārā | <\/i>[miniature<\/i>]<\/i>ni | dasamaparivartta āriṣaḥ ||<\/i>
<\/div>
The added folio contains the end of the chapter 12, and is decorated with two polichrome miniatures on the verso<\/a>.
<\/div>
"
},
{
"label": "Layout",
"value": "Pseudocolumn 1:<\/b> Written height: 3.6 cm, width: 14.2 cm. Pseudocolumn 2:<\/b> Written height: 3.6 cm, width: 17.7 cm. Pseudocolumn 3:<\/b> Written height: 3.6 cm, width: 14.2 cm.
"
}
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"attribution": "Provided by Cambridge University Library. Zooming image © Cambridge University Library, All rights reserved. Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License (CC BY-NC 3.0) This metadata is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.",
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