{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Origin Place", "value": "Gujarat." }, { "label": "Provenance", "value": "Bought by Prof. C. Bendall from Bhagvāndās Kevaldās in 1885" }, { "label": "Extent", "value": "6 ff." }, { "label": "Funding", "value": "AHRC" }, { "label": "Date of Creation", "value": "18th-19th century" }, { "label": "Classmark", "value": "MS Add.2305" }, { "label": "Donor(s)", "value": "Bendall, Cecil" }, { "label": "Additions", "value": "

Second hand<\/b><\/p>

On f.6v4<\/a>: savīrāgurāṃ paṭhaṇārathaṃ<\/i>. <\/div><\/div>

Third hand<\/b><\/p>

On f. 6v5<\/a>: śrīvimalaharṣavācakaśiṣyair muni vimalavācakottaṃsaiḥ | śreyorthaṃ citkośe | muktvā pratir iyam analpaguṇaiḥ || 1<\/i>. <\/div><\/div>

Note<\/b><\/p>

On f. 6v<\/a>po.<\/i> 25 pra.<\/i> 19, meaning manuscript 19 in the bundle 25. <\/div><\/div>" }, { "label": "Subject(s)", "value": "Manuscripts, Sanskrit; Manuscripts, Prakrit; Jaina; Śvetāmbara, Stotra" }, { "label": "Associated Name(s)", "value": "Vimalavācaka; Vimalaharṣavācaka" }, { "label": "Format", "value": "Pothī" }, { "label": "Data Source(s)", "value": "LVP Add.2305, direct inspection." }, { "label": "Author(s)", "value": "Jinavallabha; Vijayasiṃha; Jinaprabhasūri; Abhayadevasūri" }, { "label": "Scribe(s)", "value": "Unknown" }, { "label": "Binding", "value": "

Paper envelope, no binding<\/p>

<\/p>" }, { "label": "Condition", "value": "Complete, in good condition." }, { "label": "Script", "value": "

Jaina Devanāgarī in black ink.

Scribe:<\/b>Unknown<\/p><\/div><\/div>" }, { "label": "Physical Location", "value": "Cambridge University Library" }, { "label": "Abstract", "value": "

Five different hymns have been collected in this manuscript, for which a proper collective title would be Jinastavanasaṃgraha<\/i> : 1) Jinavallabha's Mahāvīrastavana<\/i> in Sanskrit, 30 stanzas, known as bhāvārivāraṇivāraṇam<\/i> was composed in the 12th century by this famous author from the Kharataragaccha. His name is concealed in the last stanza līlābhāṃji na vallabha praṇayinīvṛndāni<\/i>.This hymn is an instance of bhāṣāśleśa<\/i> as it can be read both in Sanskrit and Prakrit (samasaṃskṛta<\/i>). 2) Vijayasiṃha's Nemijinastavana<\/i>, in Sanskrit, in 24 stanzas, is similarly signed by the author, with his name included in the last stanza: duritavijayasiṃhaḥ so stu nemiḥ<\/i>. Several authors of this name are known, but this one could be a monk of the lineage of Āryakhapaṭa. The first words of this hymn are quoted in the 14th-c. Prabhāvakacaritra<\/i>, verse 119 showing its celebrity (Caturvijaya Muni, Jainastotrasandoha, Part I, 1932, Introduction p. 9-10). 3) Each of the 25 stanzas of Jinaprabhasūri's Mahāvīrastavana<\/i> illustrates the use of a different Sanskrit meter, the name of which is mentioned in the stanza: upajāti<\/i> (3), svāgatā<\/i> (4), rathoddhatā<\/i> (5), dhakadhāṃ<\/i> (? 6), bhramaravilasita<\/i> (7), śālinī<\/i> (8), toṭaka<\/i> (9), sragviṇī<\/i> (10), bhujaṃgaprayāta<\/i> (11), drutavilambita<\/i> (12), pramitākṣarā<\/i> (13), vaṃśastha<\/i> (14), praharṣiṇī<\/i> (15), siṃhoddhatā<\/i> (16), mālinī<\/i> (17), vāṇinī<\/i> (18), śikhariṇī<\/i> (19), hariṇī<\/i> (20), mandākrāntā<\/i> (21), prabhā<\/i> or mahāmālikā<\/i> (22), śārdūlavikrīḍita<\/i> (23), suvadanā<\/i> (24), sragdharā<\/i> (25). This author, who was active in the 14th century, is known for his sophisticated handling of languages, whether Prakrit or Sanskrit, which are displayed in particular in the numerous hymns he composed, making use of figurative poetry citrakāvya<\/i> and other devices. He even wrote a hymn in Apabhramsha and Persian as a way to honour Sultan Muhammed Bin Tugluq (Balbir 2006 and Vose). 4) Abhayadevasūri's Jayatihuyaṇastotra<\/i> in Prakrit, 27 stanzas, is the work of the famous Jaina commentator and is dedicated specifically to the image of the 23rd Jina Pārśvanātha located in Cambay, Gujarat (old name: Sthambhana). 5) The last text is the Ṛṣimaṇḍalastava<\/i>, a Tantric-like hymn in Sanskrit, here in 56 stanzas. This is only the last text, hence the title of the whole manuscript as Ṛṣimaṇḍala<\/i> given in Bendall (1886: 50) is not correct. This hymn starts with eight homage formulas and then goes on with the procedure of 'assignment' to the various body parts, the drawing of magic diagrams, and the benefits from all these procedures in order to remove all sorts of obstacles. It is a teaching which should remain hidden from undeserving people. The ṛṣi<\/i>s are the 24 Jinas. Neither the date of copy nor the name of the scribe are given. But there are two later final remarks which show that the manuscript was used: 1) the name of a reader (understanding difficult) is mentioned, 2) a monk named Vimalavācaka, pupil of Vimalaharṣavācaka, put it into his manuscript collection. There are many small errors (omission of letters for instance) which have been corrected by whoever read it.<\/p><\/p>" }, { "label": "Title", "value": "Jinastavanasaṃgraha, Mahāvīrastavana, Nemijinastavana, Prabhāvakacaritra, Jayatihuyaṇastotra, Ṛṣimaṇḍalastava, Ṛṣimaṇḍala" }, { "label": "Author(s) of the Record", "value": "Nalini Balbir., CUDL PID Workflow" }, { "label": "Material", "value": "Indian paper.

Folio height: 12 cm, width: 28.5 cm. <\/p>" }, { "label": "Layout", "value": "Written area height: 9 cm, width: 24 cm.

15 lines per page, approximately 60 akṣara<\/i>s per line.<\/p> Akṣara height: 3 mm. Interlinear space height: 2 mm. Three red discs on versos, one in the centre of rectos.

Double lined black margins filled with red. Red pigment over numbers, titles, colophons, up to fol. 4v.<\/p>" }, { "label": "Foliation", "value": "

1. Original: Devanāgarī numerals, bottom right margin, verso, seem to be from a more recent hand than the rest. On f. 6v<\/a> folio number written twice, as 6 and below as 5; only 6 is correct.<\/p>" }, { "label": "Bibliography", "value": "

Descriptions of the manuscript<\/b><\/p>

List of Oriental MSS. Class Catalogue of Oriental MSS.<\/i> (Cambridge: 1900\u2013).<\/div>
LVP = de La Vallée Poussin, Louis and Caroline Mary Ridding, U[niversity.L[ibrary].C[ambridge]. Catalogue of Sanskrit MSS [unpublished card catalogue]<\/i> (Cambridge: 1916).<\/div><\/div>

Manuscripts<\/b><\/p>

Mahāvīrastavana<\/i> by Jinavallabha: Berlin, Staatsbibliothek zu Berlin: Schubring 1944: Ms. or. fol. 1800 (Avacūri), Cat. No. 616; Ms. or. fol. 2634, Cat. No. 615 (vṛtti<\/i> by Jayasāgara). <\/div>
Mahāvīrastavana<\/i> by Jinavallabha: London, British Library: Balbir 2006: Or. 2131, Cat. No. 997 (with Kṣemasundaragaṇi's Vṛtti). <\/div>
Mahāvīrastavana<\/i> by Jinavallabha: Pune, Government Manuscripts Library: BORI 19.1.2: No. 405, Nos. 406 and 408 for mss. with Avacūri<\/i>s. <\/div>
Mahāvīrastavana<\/i> by Jinavallabha: Velankar 1944: p. 297 and p. 307. <\/div>
Nemijinastavana<\/i>: Berlin, Staatsbibliothek zu Berlin: Schubring 1944: Ms. or. fol. 2030, Cat. No. 538. <\/div>
Nemijinastavana<\/i>: Ahmedabad, L.D. Institute of Indology: LDI: No. 1577 (Shelfmark 8225/3). <\/div>
Nemijinastavana<\/i>: Velankar 1944: p. 218 (only one ms. in Limbdi is recorded). <\/div>
Jayatihuyaṇastotra<\/i>: Cambridge, Cambridge University Library: Add. 2559 (Jayatihuyaṇastotravṛtti). <\/div>
Jayatihuyaṇastotra<\/i>: Berlin, Staatsbibliothek zu Berlin: Schubring 1944: Ms. or. fol. 2289, Cat. No. 600; Ms. or. fol. 2325, Cat. No. 601. <\/div>
Jayatihuyaṇastotra<\/i>: London, British Library: Balbir 2006: Or. 5192, Cat. No. 904 (with a Sanskrit commentary). <\/div>
Jayatihuyaṇastotra<\/i>: Pune, Government Manuscripts Library: BORI 19.1.1 Nos. 172-183 (with reference to editions). <\/div>
Jayatihuyaṇastotra<\/i>: Velankar 1944: p. 133 (with reference to editions). <\/div>
Ṛṣimaṇḍalastotra:<\/i>Pune, Government Manuscripts Library: BORI 19.1.1 No. 59. <\/div><\/div>

Edition(s)<\/b><\/p>

Mahāvīrastavana<\/i> by Jinavallabha:
Dvivedī, Durgāprasād (ed.), Kāvyamālā. A Collection of old and rare Sanskrit Kāvyas, Nātakas, Champūs, Bhāṇas, Prahasanas, Chhandas Alankāras etc., vol. 7<\/i> (Varanasi: Chaukhambha Bharati Academy, 1988) vol. 7 pp. 97-101.<\/div>Nemijinastavana<\/i>:
Muni, Amaravijaya (ed.), Jainastotrasandohe (prācīnastotra-saṃgraha) prathamo bhāgaḥ<\/i> (Amadāvād: Sārābhāi Maṇilāl Navab, 1932) vol. 1 pp. 190-195.<\/div>Mahāvīrastavana<\/i> by Jinaprabhasūri:
Dvivedī, Durgāprasād (ed.), Kāvyamālā. A Collection of old and rare Sanskrit Kāvyas, Nātakas, Champūs, Bhāṇas, Prahasanas, Chhandas Alankāras etc., vol. 7<\/i> (Varanasi: Chaukhambha Bharati Academy, 1988) vol. 7 pp. 112-115.<\/div>Ṛṣimaṇḍalastotra<\/i>:
Yaśovijayajī (ed.), Śrīṛṣimaṇḍala stotra choṭā tathā baṛā saṃkṣipta vidhi tathā yantrakoṣṭhaka sahita<\/i> (Baḍodarām: Shrimuktimala Jain Mohanamala, V.S. 2042/Vīra s. 2512).<\/div><\/div>

Secondary Literature<\/b><\/p>

Mahāvīrastavana<\/i> by Jinavallabha:
Balbir, Nalini, \"A propos des hymnes jaina multilingues (sanskrit, prakrit, persan)\", in Konrad Klaus and Jens-Uwe Hartmann (eds), Indica et tibetica: Festschrift für Michael Hahn, zum 65. Geburtstag von Freunden und Schülern überreicht<\/i>, Wiener Studien zur Tibetologie und Buddhismuskunde vol. 66 (Wien: Arbeitskreis für Tibetische und Buddhistische Studien, 2007) pp. 39-61.<\/div>
Vose, Steven M., The making of a medieval Jain monk: Language, power, and authority in the works of Jinaprabhasuri (c. 1261-1333)<\/i> (Dissertation thesis Ann Arbor: University of Pennsylvania, 2013).<\/div><\/div>

Manuscript Catalogues<\/b><\/p>

Balbir, Nalini, Kanhaiyalal Sheth, Kalpana Sheth and C. B. Tripathi, Catalogue of the Jain manuscripts of the British Library: including the holdings of the British Museum and the Victoria & Albert Museum<\/i> (London: British Library & The Institute of Jainology, 2006).<\/div>
Kapadia, Hiralal R. (ed.), BORI = Descriptive catalogue of the government collections of manuscripts, 19, Jaina literature and philosophy. Section I: Hymnology, part I: Śvetāmbara works<\/i> (Poona: Bhandarkar Oriental Research Institute, 1957).<\/div>
Kapadia, Hiralal R., BORI = Descriptive catalogue of the government collections of manuscripts Bhandarkar Oriental Research Institute; Vol. 19 ; Section 1, Hymnology ; Pt. 2: Śvetāmbara & Digambara works along with appendices I-X<\/i> (Bombay: 1962) vol. Vol. 19; Section 1, Hymnology; Pt. 2.<\/div>
Punyavijaya and Jitendra B. Shah (eds), LDI = Catalogue of Sanskrit and Prakrit Manuscripts in the L. D. Institute of Indology, vol. 1<\/i> (Ahmedabad: 1963) vol. 1.<\/div>
Schubring, Walther (ed.), Die Jaina-Handschriften der Preussischen Staatsbibliothek. Neuerwerbungen seit 1891.<\/i> (Leipzig: Harrassowitz, 1944).<\/div>
Velankar, Hari D. (ed.), Jinaratnakosa: an alphabetical register of Jain works and authors : Vol. I. works<\/i>, Government oriental series C ; 4 (Poona: Bhandarkar Oriental Research Institute, 1944).<\/div><\/div>
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Five different hymns have been collected in this manuscript, for which a proper collective title would be Jinastavanasaṃgraha<\/i> : 1) Jinavallabha's Mahāvīrastavana<\/i> in Sanskrit, 30 stanzas, known as bhāvārivāraṇivāraṇam<\/i> was composed in the 12th century by this famous author from the Kharataragaccha. His name is concealed in the last stanza līlābhāṃji na vallabha praṇayinīvṛndāni<\/i>.This hymn is an instance of bhāṣāśleśa<\/i> as it can be read both in Sanskrit and Prakrit (samasaṃskṛta<\/i>). 2) Vijayasiṃha's Nemijinastavana<\/i>, in Sanskrit, in 24 stanzas, is similarly signed by the author, with his name included in the last stanza: duritavijayasiṃhaḥ so stu nemiḥ<\/i>. Several authors of this name are known, but this one could be a monk of the lineage of Āryakhapaṭa. The first words of this hymn are quoted in the 14th-c. Prabhāvakacaritra<\/i>, verse 119 showing its celebrity (Caturvijaya Muni, Jainastotrasandoha, Part I, 1932, Introduction p. 9-10). 3) Each of the 25 stanzas of Jinaprabhasūri's Mahāvīrastavana<\/i> illustrates the use of a different Sanskrit meter, the name of which is mentioned in the stanza: upajāti<\/i> (3), svāgatā<\/i> (4), rathoddhatā<\/i> (5), dhakadhāṃ<\/i> (? 6), bhramaravilasita<\/i> (7), śālinī<\/i> (8), toṭaka<\/i> (9), sragviṇī<\/i> (10), bhujaṃgaprayāta<\/i> (11), drutavilambita<\/i> (12), pramitākṣarā<\/i> (13), vaṃśastha<\/i> (14), praharṣiṇī<\/i> (15), siṃhoddhatā<\/i> (16), mālinī<\/i> (17), vāṇinī<\/i> (18), śikhariṇī<\/i> (19), hariṇī<\/i> (20), mandākrāntā<\/i> (21), prabhā<\/i> or mahāmālikā<\/i> (22), śārdūlavikrīḍita<\/i> (23), suvadanā<\/i> (24), sragdharā<\/i> (25). This author, who was active in the 14th century, is known for his sophisticated handling of languages, whether Prakrit or Sanskrit, which are displayed in particular in the numerous hymns he composed, making use of figurative poetry citrakāvya<\/i> and other devices. He even wrote a hymn in Apabhramsha and Persian as a way to honour Sultan Muhammed Bin Tugluq (Balbir 2006 and Vose). 4) Abhayadevasūri's Jayatihuyaṇastotra<\/i> in Prakrit, 27 stanzas, is the work of the famous Jaina commentator and is dedicated specifically to the image of the 23rd Jina Pārśvanātha located in Cambay, Gujarat (old name: Sthambhana). 5) The last text is the Ṛṣimaṇḍalastava<\/i>, a Tantric-like hymn in Sanskrit, here in 56 stanzas. This is only the last text, hence the title of the whole manuscript as Ṛṣimaṇḍala<\/i> given in Bendall (1886: 50) is not correct. This hymn starts with eight homage formulas and then goes on with the procedure of 'assignment' to the various body parts, the drawing of magic diagrams, and the benefits from all these procedures in order to remove all sorts of obstacles. It is a teaching which should remain hidden from undeserving people. The ṛṣi<\/i>s are the 24 Jinas. Neither the date of copy nor the name of the scribe are given. But there are two later final remarks which show that the manuscript was used: 1) the name of a reader (understanding difficult) is mentioned, 2) a monk named Vimalavācaka, pupil of Vimalaharṣavācaka, put it into his manuscript collection. There are many small errors (omission of letters for instance) which have been corrected by whoever read it.<\/p><\/p>", "logo": "http://cudl.lib.cam.ac.uk/themeui/theme/images/logo.svg", "@id": "http://cudl.lib.cam.ac.uk/iiif/MS-ADD-02305", "label": "Jinastavanasaṃgraha, Mahāvīrastavana, Nemijinastavana, Prabhāvakacaritra, Jayatihuyaṇastotra, Ṛṣimaṇḍalastava, Ṛṣimaṇḍa... 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