{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Origin Place", "value": "Gujarat." }, { "label": "Provenance", "value": "Bought by Bendall, Cecilfrom Bhagvāndās Kevaldās in 1884-5." }, { "label": "Extent", "value": "27 ff." }, { "label": "Funding", "value": "AHRC" }, { "label": "Date of Creation", "value": "" }, { "label": "Classmark", "value": "MS Add.2376" }, { "label": "Donor(s)", "value": "Bendall, Cecil" }, { "label": "Additions", "value": "

Marginalia<\/b><\/p>

Running title (vipā° sūtraṃ<\/i> or vipākaśrutaṃ sūtraṃ<\/i>), top left margin, verso (?).<\/div><\/div>" }, { "label": "Subject(s)", "value": "Manuscripts, Prakrit; Jaina; Śvetāmbara, canonical" }, { "label": "Format", "value": "Pothī" }, { "label": "Data Source(s)", "value": "Direct inspection." }, { "label": "Language(s)", "value": "Ardhamāgadhī Prakrit." }, { "label": "Author(s)", "value": "Unknown" }, { "label": "Alternative Title(s)", "value": "Vivāgasuya; Vipākaśrutaṃ sūtraṃ" }, { "label": "Binding", "value": "

Paper envelope, original binding.<\/p>" }, { "label": "Condition", "value": "Complete, in good condition." }, { "label": "Script", "value": "

Jaina Devanāgarī in black ink.<\/div><\/div>" }, { "label": "Excerpts", "value": "
Rubric:<\/b> [1v1]<\/a>|| ||oṃ namo vītarāgāya namaḥ|| <\/div>
Incipit:<\/b> [1v1]<\/a> || ℔ || || namo arihaṃtāṇaṃ namo siddhā[1v2]ṇaṃ namo āyariyāṇaṃ | namo uvajjhāyāṇaṃ | namo loe sa[1v3]vvasāhūṇaṃ | eso paṃcanamukkāro | savvapāvappaṇāsaṇo [1v4] maṃgalāṇaṃ ca savvesiṃ | paḍhamaṃ havai maṃgalaṃ [1v5] tenaṃ kāleṇaṃ | teṇaṃ samaeṇaṃ | caṃpā nāma nayarī hotthā | [1v6] vaṇao puṇṇabhaddaceti | teṇaṃ kāleṇaṃ | teṇaṃ samaeṇaṃ samaṇa[1v7]ssa bhagavao mahāvīrassa aṃtevāsī ajjasuhamme jāva jeṇeva [1v8] punnabhadde ceīe ahāpaḍirūvaṃ jāva viharati | parisā niggayā dhammaṃ soccā<\/div>
Explicit:<\/b> [27r13]<\/a> bhaṃte suhavivāgā || || ekkārasamaṃ aṃgaṃ samattaṃ || || namo śrutadevāyai | de<\/i>(!)<\/i>vāgasuyassa | do suyakhaṃdhā duhavivāgo dasa ajjha[27r14]yaṇā ekkārasagā | dasasu ceva divasesu uddisaṃti | eva suhavivāgo vi sesaṃ jahā āyarassa || cha || <\/div>
Colophon:<\/b> [27r14]<\/a>|| graṃthāgraṃ 1216 || || cha ||<\/div>" }, { "label": "Physical Location", "value": "Cambridge University Library" }, { "label": "Abstract", "value": "

This is a manuscript of the eleventh Aṅga of the Jain Śvetāmbara canon known as Vivāgasuya<\/i> in Prakrit or Vipākaśruta<\/i> in Sanskrit. This narrative work deals with the consequences of actions in terms of rebirths. The first part, the longest, is about sufferings resulting from bad behaviours duhavivāga<\/i> and the second part about happiness resulting from good behaviours suhavivāga<\/i>. It is a lively work staging a variety of characters, including, in the first part, people belonging to non-approved professions or lower strata of the society, such as butchers or fishermen who are parangons of violence. The first part ends on f. 23v<\/a> line 8. It is divided into ten chapters which are distributed as follows: 1 ends on f. 6r6<\/a>; 2 on f. 9r10<\/a>; 3 on f. 13v12<\/a>; 4 on f. 4r9-10 <\/a> but there is a portion of text missing and chapter 5 starts abruptly; 5 on f. 15r11<\/a>; 6 on f. 16r7<\/a>; 7 on f. 18r13<\/a>; 8 on f. 20v15<\/a>; 9 on f. 24v13<\/a>; 10 on f. 23v8<\/a>. The second part has also ten sections, but each of them is very short. It is a repetition of a basic pattern with only variations in name. This Cambridge manuscript has a nice layout and script, but is rather faulty. It has no colophon. It is remarkable on the account of a fine painting of the sixteenth Jina Śāntinātha seated in padmāsana<\/i> within a pavilion on f. 1v<\/a>. The Jina can be identified through his lāñchana<\/i>, the antelope depicted on the pedestal. He is being worshipped by two devotees, a man and a woman. Neither the picture nor the Jina have any connection with the text copied but they act as a visual maṅgala<\/i> supplementing the textual maṅgala<\/i> opening the text, namely the pañcanamaskāramantra<\/i>. This page is enhanced by decorative borders as well. This manuscript also offers two fine examples of pages decorated with floral and geometrical motives as opening and closure, known as citrapṛṣṭhikā<\/i>, both of them different from each other. From f. 2v<\/a> onwards each verso folio of this manuscript has three different foliations: 1 to 27, 33 to 57 and 155 to 179, written above one another or side by side. Reading the manuscript, it appears that only the foliation 33 to 57 corresponds to a correct sequence of the text. For example, trusting the two other foliations is misleading in the following case: 11/42/164, 12/44/166, 13/165/43: the proper sequence is given by the foliation 42, 43, 44; 11 - 12 - 13 looks correct but is not. The foliation 1 to 27 is probably later. The presence of the other two numberings would suggest that the manuscript originally belonged to a larger multi-text manuscripts, containing perhaps other narrative Aṅgas of the Śvetāmbara canon.<\/p>" }, { "label": "Title", "value": "Vipākaśruta" }, { "label": "Author(s) of the Record", "value": "Nalini Balbir, CUDL PID Workflow" }, { "label": "Material", "value": "Paper

Folio height: 11.2 cm, width: 25.3 cm. <\/p>" }, { "label": "Decoration", "value": "On folio 1v<\/a>, the sixteenth Jina Śāntinātha in padmāsana<\/i> seated in a pavilion, being worshipped by two devotees, a man and a woman. He can be identified through his emblem lāñchana<\/i>, the antelope, visible on the pedestal.
On folio 1r<\/a> are floral and geometrical motives in red fully occupying the page. This type of page, known as citrapṛṣṭhikā<\/i>, is found at the opening or closure of manuscripts and functions as covers.
On folio 27v<\/a> are floral and geometrical motives in red fully occupying the page. This citrapṛṣṭhikā<\/i>, closes the manuscript." }, { "label": "Layout", "value": "Written area height: ca. 8.5 cm, width: ca. 21.5 cm.

10 to 18 lines per page, approximately 52 akṣara<\/i>s per line.<\/p> Akṣara height: 3 mm. Interlinear space height: 2 mm. One central red disc on rectos, one central and one in each margin on versos. Central blank space as a lozenge.

Left and right margins delineated by black lines and filled with red. Orange pigment on key phrases such as taṃ jahā<\/i>. <\/p>" }, { "label": "Date of Acquisition", "value": "XX July XXXX (University Library stamp)." }, { "label": "Foliation", "value": "

1. Original: Devanāgarī numerals, right-hand margin, verso, from 1 to 27<\/p>

2. Original: Devanāgarī numerals, right-hand margin, verso, from 33 to 57<\/p>

3. Modern: Devanāgarī numerals, right-hand margin, verso, from 155 to 179.<\/p>" }, { "label": "Bibliography", "value": "

Descriptions of the manuscript<\/b><\/p>

List of Oriental MSS. Class Catalogue of Oriental MSS.<\/i> (Cambridge: 1900\u2013).<\/div><\/div>

Manuscripts<\/b><\/p>

Cambridge, Cambridge University Library: Add. 2255 (with Abhayadeva's commentary)<\/a><\/div>
Velankar 1944: 356-357; Berlin: Weber Nos. 1818 to 1821; Strasbourg: Tripathi 1975 No. 10. <\/div><\/div>

Edition<\/b><\/p>

Ballini, Ambrogio, \"L\u2019undecimo Aṅga dei Jaina chiamato la sacra dottrina del frutto delle opere meritorie e peccaminose, Sezione prima, lettura prima.\", Atti del Reale Instituto Veneto di Scienze, Lettere ed Arti,<\/i> vol. 84 issue. 2 pp. 645-684 (1925).<\/div>
Muni, Uppravartak Shri Amar and Srichand Surana Saras (eds), Illustrated Nirayavalika & Vipaak Sutra. Original Text with Hindi and English Translations, Elaboration and Multicoloured Illustrations.<\/i> (Delhi: Padma Prakashan, 2003).<\/div>
Muni Nathmal (ed.), Aṅgasuttāni.<\/i> (Ladnun: Jain Vishva Bharati, 1974) vol. 3 pp. 715-813.<\/div>
Pupphabhikku (ed.), Suttāgame.<\/i> (Gurgaon: 1953-54) pp. 1241-1287.<\/div>
Vaidya, Paraśurāma Lakṣmaṇa (ed.), The Vivāgasuya. The eleventh Anga of the Jain Canon: edited for the use of university students, with introduction, glossary and notes.<\/i> (Poona: Vaidya, 1935).<\/div><\/div>

Secondary Literature<\/b><\/p>

Bruhn, Klaus, \"Repetition in Narrative Jaina Literature.\", Proceedings of the International Symposium on Canonical and Narrative Jaina Literature organized in Strasbourg Strasbourg, 16.-19. June 1981.<\/i> pp. 27-75, Indologica Taurinensia ; 11 (Torino: Ed. Jollygrafica, 1983).<\/div>
Dīkṣita, Kṛṣṇa Kumāra, \"The five Aṅga texts of the form of a story-collection.\", Early Jainism.<\/i> pp. 62-75, LD Series ; 64 (Ahmedabad: L. D. Institute of Indology, 1978).<\/div><\/div>
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This is a manuscript of the eleventh Aṅga of the Jain Śvetāmbara canon known as Vivāgasuya<\/i> in Prakrit or Vipākaśruta<\/i> in Sanskrit. This narrative work deals with the consequences of actions in terms of rebirths. The first part, the longest, is about sufferings resulting from bad behaviours duhavivāga<\/i> and the second part about happiness resulting from good behaviours suhavivāga<\/i>. It is a lively work staging a variety of characters, including, in the first part, people belonging to non-approved professions or lower strata of the society, such as butchers or fishermen who are parangons of violence. The first part ends on f. 23v<\/a> line 8. It is divided into ten chapters which are distributed as follows: 1 ends on f. 6r6<\/a>; 2 on f. 9r10<\/a>; 3 on f. 13v12<\/a>; 4 on f. 4r9-10 <\/a> but there is a portion of text missing and chapter 5 starts abruptly; 5 on f. 15r11<\/a>; 6 on f. 16r7<\/a>; 7 on f. 18r13<\/a>; 8 on f. 20v15<\/a>; 9 on f. 24v13<\/a>; 10 on f. 23v8<\/a>. The second part has also ten sections, but each of them is very short. It is a repetition of a basic pattern with only variations in name. This Cambridge manuscript has a nice layout and script, but is rather faulty. It has no colophon. It is remarkable on the account of a fine painting of the sixteenth Jina Śāntinātha seated in padmāsana<\/i> within a pavilion on f. 1v<\/a>. The Jina can be identified through his lāñchana<\/i>, the antelope depicted on the pedestal. He is being worshipped by two devotees, a man and a woman. 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