{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Origin Place", "value": "England" }, { "label": "Provenance", "value": "

Nothing is known of the provenance of the lute book from which these fragments survive.<\/p>

The pages were cut up by a bookbinder in the 17th century and incorporated into the bindings of printed books. Robert Spencer, who discovered some of the fragments in 1965, suggests that all the books in which the fragments were found came from the library of Richard Holdsworth (1590-1649), Master of Emmanuel College.<\/p>" }, { "label": "Extent", "value": "Eighteen fragments of 12 leaves. Fragment height: 65-133 mm, width: 155-164 mm. Staff height: 15 mm, width: 152-162 mm." }, { "label": "Funding", "value": "" }, { "label": "Date of Creation", "value": "c. 1585-1590" }, { "label": "Classmark", "value": "Cambridge, University Library, MS Add. 2764(2)" }, { "label": "Additions", "value": "

The classmarks of the printed volumes from which the fragments were removed are written in pencil on each fragment.<\/p>" }, { "label": "Subject(s)", "value": "Lute music" }, { "label": "Format", "value": "Codex" }, { "label": "Data Source(s)", "value": "This catalogue entry is based on an inventory prepared by John H. Robinson of the Lute Society." }, { "label": "Language(s)", "value": "English" }, { "label": "Binding", "value": "

The fragments were mounted in the University Library in 1979 on paper leaves measuring 150 x 243 and bound in an oblong volume of pasteboard covered with marbled paper with an alum-tawed spine. <\/p>" }, { "label": "Condition", "value": "The fragments were trimmed and shaped for use in binding. At the edges of many of the fragments glue stains obscure the text. There are losses in the centre of most of the fragments around the fold area." }, { "label": "Script", "value": "

Titles written in an Italic<\/i> hand.<\/p><\/div><\/div>" }, { "label": "Physical Location", "value": "Cambridge University Library" }, { "label": "Abstract", "value": "

Cambridge, University Library, MS Add. 2764(2) is a collection of fragments of pages from a single lute manuscript that was cut up, of which half-pages were reused in the seventeenth century as strengthening material in the bindings of other books now in Cambridge University Library. The first fragments were discovered in 1915, more in 1942 and then the remainder during a further search by Robert Spencer. He assembled them all in order as far as possible and they were bound together in 1972 and rebound in 1979. The number of folios in the original lute book is not now known, but fragments survive of 12 folios and at least 21 lute solos, two duet or consort parts and a song accompaniment, including settings of a few popular ballads and psalms as well as music by Francis Cutting (2), and two Elizabethan court lutenists, John Dowland (5) and John Johnson (2). All but two (Dowland's Captain Candish's galliard<\/i> and Cutting's A Toy<\/i>) are incomplete although other versions are known for all of the music except for one lute solo (f. 9r<\/a>) and an unidentified psalm setting (f. 12r<\/a>). The music was copied by a single hand in French tablature for a 6-course renaissance lute, probably c. 1585-90. There is no clue to the manuscript's owner or its provenance, yet its contents seem to belong to the mainstream of Elizabethan lute music, since they include the music of some of England's greatest lute composers.<\/p>

John H. Robinson, Lute Society<\/p>" }, { "label": "Former Owner(s)", "value": "Holdsworth, Richard, 1590-1649" }, { "label": "Title", "value": "Lute manuscript fragments" }, { "label": "Author(s) of the Record", "value": "Suzanne Paul (December 2013), revised and updated by James Freeman (June 2025)" }, { "label": "Material", "value": "Paper" }, { "label": "Collation", "value": "It is not possible to estimate the collation of the original manuscript from which the fragments are taken. Spencer (1994) notes that ff. 1-6 and 7-8 form consecutive sequences." }, { "label": "Acquisition", "value": "Presumably acquired by the University Library in July 1664 as part of Holdsworth's library." }, { "label": "Layout", "value": "

Although all the leaves are incomplete, it is possible to determine that the original volume was an oblong quarto measuring approximately 135 high and at least 170 wide with four six-line staves per page (Spencer 1994).<\/p>" }, { "label": "Foliation", "value": "

Modern pencil foliation in the top right hand corner of each recto.<\/p>" }, { "label": "Bibliography", "value": "

Modern Editions<\/b><\/p>

Simpson, Claude M., The British broadside ballad and its music<\/i> (New Brunswick, NJ: Rutgers University Press, 1966).<\/div>
Poulton, Diana and Basil Lam (eds), The collected lute music of John Dowland<\/i> 3rd (London: Faber & Faber, 1981).<\/div>
Burgers, J. W. J. (ed.), John Johnson: Collected lute music<\/i> (Lübeck: Tree Edition, 2001) vol. 1-2.<\/div>
Burgers, Jan (ed.), Francis Cutting: Collected lute music<\/i> Complete edition. (Lübeck: Tree Edition, 2002).<\/div><\/div>

Secondary Literature<\/b><\/p>

Lumsden, David, \"The Sources of English Lute Music (1540-1620)\", The Galpin Society Journal<\/i> vol. 6 pp. 14-22 (1953) http://www.jstor.org/stable/841713<\/a>.<\/div>
Harwood, Ian, \"The Cambridge Lute Manuscripts: A Postscript\", Lute Society Journal<\/i> vol. 6 pp. 29ff. (1964).<\/div>
Boetticher, Wolfgang, Handschriftlich überlieferte Lauten- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts: beschreibender Katalog<\/i>, International inventory of musical sources (RISM). B vol. 7 (München: Henle, 1978).<\/div>
Spencer, Robert, CUL Add. 2764(2) Lute Manuscript fragments c. 1585-1590<\/i> (unpublished notes, 1994).<\/div>
Craig-McFeely, Julia, English Lute Manuscripts and Scribes 1530-1630<\/i> (2000) http://www.ramesescats.co.uk/thesis/<\/a>.<\/div>
Gale, Michael and Tim Crawford, English Lute Manuscripts and Scribes 1530-1630<\/i> (2002) http://www.doc.gold.ac.uk/~mas01tc/web/ECOLMtest/IMSweb/Dow2wd95REV.htm<\/a>.<\/div><\/div>
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Cambridge, University Library, MS Add. 2764(2) is a collection of fragments of pages from a single lute manuscript that was cut up, of which half-pages were reused in the seventeenth century as strengthening material in the bindings of other books now in Cambridge University Library. The first fragments were discovered in 1915, more in 1942 and then the remainder during a further search by Robert Spencer. He assembled them all in order as far as possible and they were bound together in 1972 and rebound in 1979. The number of folios in the original lute book is not now known, but fragments survive of 12 folios and at least 21 lute solos, two duet or consort parts and a song accompaniment, including settings of a few popular ballads and psalms as well as music by Francis Cutting (2), and two Elizabethan court lutenists, John Dowland (5) and John Johnson (2). All but two (Dowland's Captain Candish's galliard<\/i> and Cutting's A Toy<\/i>) are incomplete although other versions are known for all of the music except for one lute solo (f. 9r<\/a>) and an unidentified psalm setting (f. 12r<\/a>). The music was copied by a single hand in French tablature for a 6-course renaissance lute, probably c. 1585-90. There is no clue to the manuscript's owner or its provenance, yet its contents seem to belong to the mainstream of Elizabethan lute music, since they include the music of some of England's greatest lute composers.<\/p>

John H. 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