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   "label": "Origin Place",
   "value": "Gujarat."
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  {
   "label": "Provenance",
   "value": "Presented by Mrs Cecil Bendall in 1909."
  },
  {
   "label": "Extent",
   "value": "12 ff."
  },
  {
   "label": "Funding",
   "value": "AHRC"
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  {
   "label": "Date of Creation",
   "value": "Possibly, beginning of 16th century"
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  {
   "label": "Classmark",
   "value": "MS Or.845"
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  {
   "label": "Additions",
   "value": "<p><b>Marginalia<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'>Running phrase <i>maṃ° kaḍūā<\/i>, top left margin, verso. Meaning unclear, probably not the title, perhaps the name of the original owner if <i>maṃ<\/i> stands for <i>mantrin<\/i>.<\/div><\/div><p><b>Second hand<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'><a href='' onclick='store.loadPage(24);return false;'>156v<\/a><i>saṃvat 1835 varṣe māgasira māse su 10 rū. 5 māṭe becātī līdho che jī<\/i>.<\/div><\/div>"
  },
  {
   "label": "Subject(s)",
   "value": "Manuscripts, Sanskrit; Jain; Śvetāmbara, narrative"
  },
  {
   "label": "Format",
   "value": "Pothī"
  },
  {
   "label": "Data Source(s)",
   "value": "LVP Or.845, direct inspection."
  },
  {
   "label": "Language(s)",
   "value": "Sanskrit."
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  {
   "label": "Author(s)",
   "value": "Unknown"
  },
  {
   "label": "Alternative Title(s)",
   "value": "Kālikācāryakathā; Śrīvīravākyānumatam"
  },
  {
   "label": "Binding",
   "value": "<p>Paper envelope, original binding.<\/p>"
  },
  {
   "label": "Condition",
   "value": "Complete, in good condition, but edges partly torn. Bright coloured illustrations very well preserved."
  },
  {
   "label": "Script",
   "value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'>Calligraphic Jaina Devanāgarī in black ink.<\/div><\/div>"
  },
  {
   "label": "Excerpts",
   "value": "<div><b>Rubric:<\/b> <a href='' onclick='store.loadPage(2);return false;'>[145v1]<\/a>|| ||℔ || arhaṃ || <\/div><div><b>Incipit:<\/b> <a href='' onclick='store.loadPage(2);return false;'>[145v1]<\/a><i class='graphic' style='font-style:italic;'><\/i>[<i>miniature<\/i>] <i class='graphic' style='font-style:italic;'><\/i>|| || ℔ || || śrīvīravākyānumataṃ su[145v2]parva | kṛtaṃ yathā paryuṣaṇākhyam etat [145v3] śrīKālikācāryavareṇa saṃghe | ta[145v4]thā caturthyāṃ śṛṇu paṃcamītaḥ || 1 sama[145v5]gradeśāgatavastusāraṃ | puraṃ dharāvā[145v6]sam ihāsti tīraṃ | tatrāribhūpālaka[145v7]rīṃdrasiṃho bhūvallabho bhūd bhuvi va[146r1]jrasiṃhaḥ || 2 || lāvaṇyapīyūṣapavitragātrā | saddharmmapātrānuga[146r2]tiḥ sadaiva | tasyājaniṣṭātiviśiṣṭarūpā | rājñī ca nāmnā sura[146r3]suṃdarīti || 3<\/div><div><b>Explicit:<\/b> <a href='' onclick='store.loadPage(23);return false;'>[156r2]<\/a> 64 śrīmatKālikasūrayaś cirataraṃ cāritra[156r3]m ity ujvalaṃ | saṃpālya pratipadyaṃ vāṃtya-samaye bhaktapratijñāṃ mudā | śu[156r4]ddhadhyānavidhānalīnamanasaḥ <i class='error' style='font-style:normal;' title='This text in error in source'>svagaliyaṃ<\/i><i class='delim' style='font-style:normal; color:red'>(!)<\/i> ye gatā | s te kalyāṇaparaṃpa[156r5]rāśrutadharā yacchaṃtu saṃghe naghe || 65 <\/div><div><b>Colophon:<\/b> <a href='' onclick='store.loadPage(23);return false;'>[156r5]<\/a> iti śrīkālikācārya-kathā [156r6] samāptā || cha || śrīr astuḥ || yādṛśaṃ pustake dṛṣṭaṃ tādṛśaṃ li[156r7]khitaṃ mayā | yadi śuddham aśuddhaṃ vā mama doṣo na dīyate || 1 || ❈ || <\/div>"
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   "label": "Physical Location",
   "value": "Cambridge University Library"
  },
  {
   "label": "Abstract",
   "value": "<p style='text-align: justify;'>This is a manuscript of the Sanskrit anonymous version of the <i>Kālakācāryakathā<\/i> known as the <i>Śrīvīravākyānumataṃ<\/i> version, in 65 verses (see W. Norman Brown 1933: 98-101). It is valuable because of its seven finely executed miniature paintings in bright colours. Some of them are accompanied by a short caption in Gujarati. The foliation from 145 to 156 indicates that this was part of a manuscript in which the first text was almost certainly the <i>Kalpasūtra<\/i>. Like many manuscripts of these two texts, this one makes use of a quasi-calligraphic script. This Cambridge manuscript has a note by a second hand indicating that it changed hands and was sold for five rupees in V.S. 1835 = 1778. W. Norman Brown (1933: 98), who used it for his edition of this version of the story (98-102), writes: 'not dated, but from appearance might have been made about the beginning of the sixteenth century'.<\/p>"
  },
  {
   "label": "Title",
   "value": "Kālakācāryakathā"
  },
  {
   "label": "Author(s) of the Record",
   "value": "Nalini Balbir., CUDL PID Workflow"
  },
  {
   "label": "Material",
   "value": "Paper. <p> Folio height: 12 cm, width: 28 cm. <\/p>"
  },
  {
   "label": "Decoration",
   "value": "<p>Miniature paintings in the Western Indian style, in bright colours, finely executed and well preserved.<\/p><ul><li> On <a href='' onclick='store.loadPage(2);return false;'>f. 145v<\/a>, top: Kālaka, the son of King Vajrasiṃha and Queen Surasundarī, goes to a park and meets a Jain monk; he listens to him respectfully and is convinced that he should also become a monk. On <a href='' onclick='store.loadPage(2);return false;'>f. 145v<\/a>, bottom: Prince Kālaka exercises his horse. Later on he becomes a monk and is shown throughout the story and the paintings in the robe of a Śvetāmbara monk.<\/li><li> On <a href='' onclick='store.loadPage(4);return false;'>f. 146v<\/a>, caption <i>hīrai<\/i> \u2018is taken away\u2019, top: King Gardhabhila on his horse faces two nuns folding their hands in respect. One of them is Kālaka\u2019s sister. On <a href='' onclick='store.loadPage(4);return false;'>f. 146v<\/a>, bottom: she is now being kidnapped by one of Gardabhilla's men who carries her on his shoulders while the king follows on his horse.<\/li><li> On <a href='' onclick='store.loadPage(6);return false;'>f. 147v<\/a>, caption <i>mahā apaharī<\/i> \u2018the nun is being taken away\u2019. Rather, the image shows the Sāhi in his palace. Kālaka is standing in front of him with hands joined. Below Kālaka, one of the Sāhi's men holding a kind of black snake (?) in his hands. Kālaka, who has become a monk, is determined to seek revenge after his sister has been kidnapped by the wicked king Gardabhilla; during his wandering, Kālaka goes to the distant country of the Sākas and meets their king, the Sāhi. <\/li><li> On <a href='' onclick='store.loadPage(8);return false;'>f. 148v<\/a>, top: Kālaka stands in front of a heap of bricks within a kiln. He is shown to transform them into gold with a gesture of his fingers. One of the Sāhi's men carries bricks on his head. On <a href='' onclick='store.loadPage(8);return false;'> f. 148v<\/a>, bottom: bricks are being carried. <\/li><li> On <a href='' onclick='store.loadPage(14);return false;'>f. 151v<\/a>, the siege of Ujjayinī. The she-ass magic power used by the wicked king Gardabhilla is shown through the depicition of an ass. Kālaka on a horse is shooting an arrow. <\/li><li> On <a href='' onclick='store.loadPage(16);return false;'> f. 152v<\/a>, caption in very faint script, probably from a hand different than the one used for other captions: (<i>garda° pāgi ghātira bāṃdhiu (?)<\/i>) King Gardabhilla, hands bound in the back and hair firmly grasped by the Sāhi shown on the right, is brought as a captive to Kālaka. The monk is seated under a canopy on a raised seat, with a hand towards Gardabhilla. Compare Norman Brown 1933: fig. 17. <\/li><li> On <a href='' onclick='store.loadPage(22);return false;'>f. 155v<\/a>, caption <i>Indra pragaṭa<\/i> 'Indra reveals' (his identity). At the end of the story, Kālaka, who has succeeded in taking revenge from king Gardabhilla with the help of the Sāhi is questioned on a very difficult and profound question of Jain doctrine by God Śakra. It relates to the very minute beings called <i>nigoda<\/i>s. In the upper scene, the god is disguised as a Brahmin to put Kālaka to test. As the latter has been able to answer the question, the god (he has four hands) reveals his identity and shows his respect to the monk.<\/li><\/ul>"
  },
  {
   "label": "Layout",
   "value": "Written area height: 7.5 cm, width: 21.5 cm. <p>7 lines per page, approximately 21 <i>akṣara<\/i>s per line on non-illustrated sides, 11 on illustrated sides. Large calligraphic script.<\/p> Akṣara height: 7 mm. Interlinear space height: 3 mm. One central red disc on rectos, three on versos. <p> Text divided into two parts by a central margin. Margins delineated by black lines and filled with red. Red ink used for the colophon and for <i>daṇḍa<\/i>s.<\/p>"
  },
  {
   "label": "Date of Acquisition",
   "value": "1909."
  },
  {
   "label": "Foliation",
   "value": "<p>1. Original: Devanāgarī numerals, right-hand margin, verso, from 145 to 156<\/p>"
  },
  {
   "label": "Bibliography",
   "value": "<p><b>Descriptions of the manuscript<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;' id=\"Handlist_1900\"><i>List of Oriental MSS. Class Catalogue of Oriental MSS.<\/i> (Cambridge: 1900\u2013).<\/div><div style='display: list-item; margin-left: 20px;' id=\"de_La_Vallée_Poussin1916\">LVP = de La Vallée Poussin, Louis and Caroline Mary Ridding, <i>U[niversity.L[ibrary].C[ambridge]. Catalogue of Sanskrit MSS [unpublished card catalogue]<\/i> (Cambridge: 1916).<\/div><\/div><br /><p><b>Manuscripts<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'>Cambridge, Cambridge University Library: <a target='_blank' class='externalLink' href='http://cudl.lib.cam.ac.uk/view/MS-ADD-02377/1'>Add. 2377 <\/a><\/div><div style='display: list-item; margin-left: 20px;'>London, British Library: Balbir 2006 No. 709 (Or. 13475, illustrated; online on <a target='_blank' class='externalLink' href='http://www.jainpedia.org'>Jainpedia<\/a>). <\/div><div style='display: list-item; margin-left: 20px;'>Velankar 1944: p. 88.<\/div><\/div><br /><p><b>Edition<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;' id=\"Ballini1925\">Norman Brown, William, \"Śrīvīravākyānumataṃ Version - Edition\", <i>The story of Kālaka,<\/i> vol. Washington issue. pp. 98-102 (1933).<\/div><\/div><br /><p><b>Secondary Literature<\/b><\/p><div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;' id=\"Balbir2006\">Balbir, Nalini, Kanhaiyalal Sheth, Kalpana Sheth and C. B. Tripathi, <i>Catalogue of the Jain manuscripts of the British Library: including the holdings of the British Museum and the Victoria & Albert Museum<\/i> (London: British Library & The Institute of Jainology, 2006).<\/div><div style='display: list-item; margin-left: 20px;' id=\"Brown1933\">Brown, William Norman, <i>The story of Kālaka: texts, history, legends, and miniature paintings of the Svetāmbara Jain hagiographical work, the Kālakācāryakathā<\/i>, Oriental studies / Smithsonian Institution, Freer Gallery of Art ; 1 (Washington: 1933).<\/div><div style='display: list-item; margin-left: 20px;' id=\"Sah1949\">Śāh, Ambālāl Premacand, <i>Śrīkālikācāryakathāsaṃgraha<\/i> (Ahmedabad: Sarabhai Manilal Nawab, 1949).<\/div><div style='display: list-item; margin-left: 20px;' id=\"Velankar1944\">Velankar, Hari D. (ed.), <i>Jinaratnakosa: an alphabetical register of Jain works and authors : Vol. I. works<\/i>, Government oriental series C; 4 (Poona: Bhandarkar Oriental Research Institute, 1944).<\/div><\/div><br />"
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