skip to content

Shahnama Project : Shahnama

Firdausi

Shahnama Project

<p style='text-align: justify;'><p>Binding modern, European, pale blue boards with dark blue leather spine, on which is written title and shelfmark in gold. The doublures are of plain thick creamy paper.</p><p>The margins are ruled in dark blue, space, two thick yellow ochre lines (imitating gold); the columns are of the same colour, a single ruled line, as are the frames for the rubrics. The titles are in nasta'liq, in dark crimson red.</p><p>The opening folios are damaged and have been remargined. The ms. opens with a sarlauh (f.1v), with a space left blank for an inscription. There is no preface.Incipit: Siyavush gar-ash ruz baz amadi (?) perhaps to be equated with Mohl: 13g: 2211: Siyavush ruzi kih baz amadi. The folios are possibly a little disturbed, but the text begins with the end of the reign of Kay Khusrau. There are no catchwords.</p><p>The paper is thick and of a bluish tinge, with a watermark. The paintings, of characteristic Qajar style, are typically spread over three of the four columns, rather than the full width of the text block.</p><p>Twice seen briefly and preliminary notes by Ch.M., February 2007 and February 2008.It has only been possible to acquire a handful of images and not, as yet, a full list of the paintings. For a brief description - without illustrations - see Bagher Najafi, p. 137.</p></p>

Page: 001r

Shahnama (Dar al-Kutub Ms. Ta'rikh Farisi Tal'at, no. 71)

Binding modern, European, pale blue boards with dark blue leather spine, on which is written title and shelfmark in gold. The doublures are of plain thick creamy paper.

The margins are ruled in dark blue, space, two thick yellow ochre lines (imitating gold); the columns are of the same colour, a single ruled line, as are the frames for the rubrics. The titles are in nasta'liq, in dark crimson red.

The opening folios are damaged and have been remargined. The ms. opens with a sarlauh (f.1v), with a space left blank for an inscription. There is no preface.Incipit: Siyavush gar-ash ruz baz amadi (?) perhaps to be equated with Mohl: 13g: 2211: Siyavush ruzi kih baz amadi. The folios are possibly a little disturbed, but the text begins with the end of the reign of Kay Khusrau. There are no catchwords.

The paper is thick and of a bluish tinge, with a watermark. The paintings, of characteristic Qajar style, are typically spread over three of the four columns, rather than the full width of the text block.

Twice seen briefly and preliminary notes by Ch.M., February 2007 and February 2008.It has only been possible to acquire a handful of images and not, as yet, a full list of the paintings. For a brief description - without illustrations - see Bagher Najafi, p. 137.

Information about this document


Want to know more?

Under the 'More' menu you can find , and information about sharing this image.

Zooming image © National Library and Archives of Egypt.
No Contents List Available

Share

If you want to share this page with others you can send them a link to this individual page:
http://cudl.lib.cam.ac.uk/view/MS-CAIRODAK-MS-TARIKH-FARISI-TALAT-NO-00071/1
Alternatively please share this page on social media

You can also embed the viewer into your own website or blog using the code below:
<div style='position: relative; width: 100%; padding-bottom: 80%;'><iframe type='text/html' width='600' height='410' style='position: absolute; width: 100%; height: 100%;' src='https://cudl.lib.cam.ac.uk/embed/#item=MS-CAIRODAK-MS-TARIKH-FARISI-TALAT-NO-00071&page=1&hide-info=true' frameborder='0' allowfullscreen='' onmousewheel=''></iframe></div>