This Book of Hours was made in Flanders for the English market (see Rogers (1982), pp. 6 n. 8, 365). Following its arrival in England, various Latin and English texts were added to the manuscript by 15th-century hands. This includes a leaf of parchment containing a suffrage to St Roche that had been cut from an English illuminated prayer roll (f. 1).
The contents and specific order of the original texts in this manuscript closely match with those in another Book of Hours that was made in Flanders for the English market: this manuscript, now Chicago, Newberry Library, MS 35, was made in Bruges around the year 1460 and, in the 16th century, owned by Sir Thomas Mildmay (b. in or before 1515, d. 1566).
While the Newberry Book of Hours was decorated by the so-called Mildmay Master, this manuscript probably was decorated by a closely associated artist or group of artists. For example, the full-page miniatures of Christ with an open book (f. 9v); the Throne of Mercy (f. 15v); St George (f. 21v); St Margaret (f. 33v); and the Crucifixion (f. 62v) in Fitzwilliam MS 51 all closely resemble corresponding miniatures in Newberry Library MS 35. The textual and decorative parallels between both manuscripts strongly support the idea that Fitzwilliam MS 51 was made in Bruges.
Clarck Drieshen
Project Cataloguer for Curious Cures in Cambridge Libraries
Cambridge University Library
11r: amarissimi doloris
This manuscript is currently too tightly bound and appears to have too many irregularities (e.g. tipped in singletons) to securely establish a collation formula.
19th-century quarter binding with brown leather spine and corners with marbled paper sides over pasteboards. The spine with four raised bands and a gold-stamped title inscription on a red leather label: "Missal Illuminated"; and the fore edge incised with the monogram "TP".
Binding height: 185 mm; width: 125 mm; depth: 35 mm.
Folios 3r-8v copied by a single hand working in Northern Gothica Textualis Formata.
Folios 10r-139r copied by a single hand working in Northern Gothica Textualis Formata.
Added suffrages on folios 1v-2v, 9r, 15r, 19r, 20v-21r, 22v-23r, 24v-25r, 26v-27r, 29r, 31r, 139r by English scribes working in Northern Gothica Textualis Formata scripts.
Added suffrages on folios 32v-33r by an English scribe in a cursive sript with anglicana features.
Added medical ritual on folios 139v-140r by an English scribe in a cursive sript with anglicana and secretary features.
20th-century foliation:
i + 1-140 + ii-iii + [iv]
Numbering in pencil in the upper right-hand corner of the rectos. Folios i, ii, and iii are early modern paper flyleaves. Folio [iv] is a modern paper leaf with a printed description of the manuscript.Twenty-four full-page minatures framed in gold with full acanthus, floral, and spraywork borders.
One half-page initial in a wide decorative frame, added by an English artist: f. 1v: St Anthony with pig.
Twenty historiated initials in white-patterned pink and blue on gold grounds for lesser text divisions:
Large (6 lines) pink or blue white-patterned initials with foliage infill on gold grounds and full acanthus, floral, and spraywork borders, facing and mathing those for the full-page miniatures at major text dviisions
Large (2 lines) gold initials on pink and blue white-patterned grounds
Large (2 lines) gold initials with brown pen-flourishing on f. 1v [2x].
Small (1 line) plain initials alternatively in gold or blue with black or red pen-flourishing.
Line-fillers in gold, blue or red.
Headings of and introductions to texts of prayer copied in red ink.
One or more owners from Northern England or Scotland in the second half of the 15th century: suggested by the additional suffrages to St Ninian, Hugh of Lincoln, Cuthbert, and Armel.
An acquaintance of a certain Edward Smith (fl. 16th century): perhaps owned or accessed the manuscript, as suggested by the 16th-century inscription on f. 27r: "Edward Smith is a knave and a base rogue".
T.P., fl. ? 17th century: owned the manusript: their initials inscribed on f. 140v: "P[?er] T.B." with the number "26" inscribed above (in different ink); and incised in the manuscript's fore-edge..
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11r: amarissimi doloris
This manuscript is currently too tightly bound and appears to have too many irregularities (e.g. tipped in singletons) to securely establish a collation formula.
19th-century quarter binding with brown leather spine and corners with marbled paper sides over pasteboards. The spine with four raised bands and a gold-stamped title inscription on a red leather label: "Missal Illuminated"; and the fore edge incised with the monogram "TP".
Binding height: 185 mm; width: 125 mm; depth: 35 mm.
Folios 3r-8v copied by a single hand working in Northern Gothica Textualis Formata.
Folios 10r-139r copied by a single hand working in Northern Gothica Textualis Formata.
Added suffrages on folios 1v-2v, 9r, 15r, 19r, 20v-21r, 22v-23r, 24v-25r, 26v-27r, 29r, 31r, 139r by English scribes working in Northern Gothica Textualis Formata scripts.
Added suffrages on folios 32v-33r by an English scribe in a cursive sript with anglicana features.
Added medical ritual on folios 139v-140r by an English scribe in a cursive sript with anglicana and secretary features.
20th-century foliation:
i + 1-140 + ii-iii + [iv]
Numbering in pencil in the upper right-hand corner of the rectos. Folios i, ii, and iii are early modern paper flyleaves. Folio [iv] is a modern paper leaf with a printed description of the manuscript.Twenty-four full-page minatures framed in gold with full acanthus, floral, and spraywork borders.
One half-page initial in a wide decorative frame, added by an English artist: f. 1v: St Anthony with pig.
Twenty historiated initials in white-patterned pink and blue on gold grounds for lesser text divisions:
Large (6 lines) pink or blue white-patterned initials with foliage infill on gold grounds and full acanthus, floral, and spraywork borders, facing and mathing those for the full-page miniatures at major text dviisions
Large (2 lines) gold initials on pink and blue white-patterned grounds
Large (2 lines) gold initials with brown pen-flourishing on f. 1v [2x].
Small (1 line) plain initials alternatively in gold or blue with black or red pen-flourishing.
Line-fillers in gold, blue or red.
Headings of and introductions to texts of prayer copied in red ink.
One or more owners from Northern England or Scotland in the second half of the 15th century: suggested by the additional suffrages to St Ninian, Hugh of Lincoln, Cuthbert, and Armel.
An acquaintance of a certain Edward Smith (fl. 16th century): perhaps owned or accessed the manuscript, as suggested by the 16th-century inscription on f. 27r: "Edward Smith is a knave and a base rogue".
T.P., fl. ? 17th century: owned the manusript: their initials inscribed on f. 140v: "P[?er] T.B." with the number "26" inscribed above (in different ink); and incised in the manuscript's fore-edge..