This manuscript is a composite of multiple short parts, variously produced in the second half of the 15th and first three quarters of the 16th century, whose content consists chiefly of Greek medical texts, but also includes a commentary on the Odyssey by the ancient Greek scholar Didymus Chalcenterus, who worked in Rome in the time of Augustus, a brief text on the orations of Demosthenes by the 4th-century CE writer Libanios, and a short section of the 6th-century De aedificiis of Procopius of Caesarea, on the buildings constructed by order of the Emperor Justinian I.
The longest of the medical works is a text on urine by the leading Byzantine medical writer Ioannes Zacharias Aktouarios, whose biography is uncertain but who apparently worked in the late 13th and early 14th centuries. This text is credited with an unusual degree of originality and breadth in its use of sources from outside the Greek tradition, which became the definitive work on its subject and remained so for several centuries. There are a number of other short works, some of which are by the great ancient physicians Hippocrates and Galen, while others are anonymous.
The manuscript is made up of ten distinct physical components, written on different types of paper by as many as nine different copyists, many of which at least were clearly produced in different contexts, as their watermarks indicate that their production was spread across a range from the middle of the 15th to the middle of the 16th century. Two of these hands have been identified with known Greek scribes who both worked in north-eastern Italy: one Nikolaos, who is known to have worked in Venice and Padua at the end of the 15th and beginning of the 16th century, and Konstantinos Mesobotes, found in Venice, Padua and Bologna during the first half of the 16th.
While most of the texts here appear in only one physical component of the manuscript, that of Ioannes Aktouarios spans two, the beginning appearing in the section copied by Nikolaos (ff. 35r-66v) and the second in the following section, copied by Mesobotes (ff. 67r-141r). However, despite the fact that these scribes worked in the same region during overlapping periods, it is clear that these sections were not produced as part of a single project, nor was one produced to complete the other, since there is a large overlap between the portions of the text they contain. The watermarks also indicate that the latter portion was produced a considerable time after the former. These therefore appear to be simply fragments of two original manuscripts produced in unrelated contexts and bound together. This section by Mesobotes also contains other medical texts, while a later component of the manuscript, containing the work of Procopius, is also in his hand (ff. 176r-185r). Gamillscheg and Harlfinger state (Repetorium der Griechischen Kopisten 800-1600, I, 224) that another section (ff. 1r-4v, containing the text of Libanios) was also the work of Mesobotes, but the script does not appear very close to other examples of his work, and the likely dating of the watermarks is earlier than his known period of activity.
At some point not long after the completion of the latest portions, the components of these manuscripts were acquired by John Caius (1510-1573), the English physician and second founder of Gonville and Caius College. He evidently either acquired them as one entity or had them bound together, since a note in his hand survives recording his donation of the manuscript to the college (f. [iii] verso). This is one of a number of Greek manuscripts of wholly or partially medical content acquired by Caius from Italy.
Dr Christopher Wright
19th-century full leather binding over wooden boards attached with laced-in strips, overlaid with reused leather covering material from an earlier binding, decorated with blind tooling. The classmarks 76 and 43 are marked on patches of different date on the spine.
Binding height: 325 mm, width: 228 mm, depth: 51 mm.
The headband has been lost and the tailband is almost completely detached.The manuscript is foliated with the numbers [i] + [ii-iii] + 1-87, 89-185, 206-227 + [iv] in Arabic numerals, recto, upper right. The number 19 in this sequence has been struck through and replaced with 20, and 20 likewise replaced with 19; a note on f. 20r (in the amended sequence), explains the reordering of the folios. Until f. 66r the folio numbers are placed close to the corner of the written area, while on ff. 43r-65r there are surviving remnants of another, presumably earlier foliation, placed near the corner of the folio and partly or wholly lost to cropping. On f. 67r a number in this position has survived in full but been struck through, while the same number is written closer to the corner of the folio; on f. 68r the number in the corner of the folio has been struck through, while the same number appears close to the corner of the written area. From f. 69r onwards the sequence near the corner of the folio survives in full.
The folios of Quires 17-19 (ff. 142-175) are all foliated in a sequence covering these quires only and beginning from 1, in Arabic numerals, in black ink, recto, lower right.
On f. [iii] verso are notes of content and two notes regarding the donation of the manuscript by John Caius: "Iohannes Caius dono dedit" and "Collegio suo de Goneville et Caius in Cantabrigia, Ioannes Caius dono dedit". The beginning of a similar note has been written on f. [i] recto: "Iohannes Caius meque d".
There are a series of notes on f. [iv] verso, apparently handwriting practice, including the repetition of the name William Harrington and references to Gonville and Caius College.
This part consists of 4 quires, all quaternia.
ff. 35r-66v were copied by Nikolaos (RGK I 330, II 447) (Hand C), in upright mixed minuscule script, in black ink, with modest variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent or occasionally subscript. There is decorative use of the double dot. Accents are sometimes joined to letters.
The modern eta, modern nu, sigma telikon and loop epsilon are present.
Punctuation used includes the middle and upper points, lower and middle commas and full stop.
Later hands have added occasional headings and annotations in Greek.
Marginal chapter numbers in Latin have been added to some but not all chapters.
There are a notes in Latin on ff. 41v and 66v regarding the relationship of the portion of the text in this copy to that in the following Part IV of the manuscript.
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19th-century full leather binding over wooden boards attached with laced-in strips, overlaid with reused leather covering material from an earlier binding, decorated with blind tooling. The classmarks 76 and 43 are marked on patches of different date on the spine.
Binding height: 325 mm, width: 228 mm, depth: 51 mm.
The headband has been lost and the tailband is almost completely detached.The manuscript is foliated with the numbers [i] + [ii-iii] + 1-87, 89-185, 206-227 + [iv] in Arabic numerals, recto, upper right. The number 19 in this sequence has been struck through and replaced with 20, and 20 likewise replaced with 19; a note on f. 20r (in the amended sequence), explains the reordering of the folios. Until f. 66r the folio numbers are placed close to the corner of the written area, while on ff. 43r-65r there are surviving remnants of another, presumably earlier foliation, placed near the corner of the folio and partly or wholly lost to cropping. On f. 67r a number in this position has survived in full but been struck through, while the same number is written closer to the corner of the folio; on f. 68r the number in the corner of the folio has been struck through, while the same number appears close to the corner of the written area. From f. 69r onwards the sequence near the corner of the folio survives in full.
The folios of Quires 17-19 (ff. 142-175) are all foliated in a sequence covering these quires only and beginning from 1, in Arabic numerals, in black ink, recto, lower right.
On f. [iii] verso are notes of content and two notes regarding the donation of the manuscript by John Caius: "Iohannes Caius dono dedit" and "Collegio suo de Goneville et Caius in Cantabrigia, Ioannes Caius dono dedit". The beginning of a similar note has been written on f. [i] recto: "Iohannes Caius meque d".
There are a series of notes on f. [iv] verso, apparently handwriting practice, including the repetition of the name William Harrington and references to Gonville and Caius College.
This part consists of 1 quire, a binion.
ff. 1r-4v were copied by Hand A, in upright mixed minuscule script, in brown ink, with modest variation in letter size. There are deletions by expunctuation.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot. Accents are sometimes joined to letters and breathings.
The letter iota is often linked to the following letter, the connecting line rising at an acute angle from the foot of the elongated iota.
Punctuation used includes the middle and upper points, lower comma and full stop.
Headings are written in the same style in red ink.
This part consists of 3 quires, all quinia.
ff. 5r-29v were copied by Hand B, in mixed minuscule script with variable slant, in brown ink, with modest variation in letter size. The curves of letters and abbreviations are often filled with red ink.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot. Accents are sometimes joined to letters, breathings and abbreviations.
Punctuation used includes the middle and upper points, question mark and full stop.
Headings and annotations are written in the same style in red ink.
This part consists of 4 quires, all quaternia.
ff. 35r-66v were copied by Nikolaos (RGK I 330, II 447) (Hand C), in upright mixed minuscule script, in black ink, with modest variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent or occasionally subscript. There is decorative use of the double dot. Accents are sometimes joined to letters.
The modern eta, modern nu, sigma telikon and loop epsilon are present.
Punctuation used includes the middle and upper points, lower and middle commas and full stop.
Later hands have added occasional headings and annotations in Greek.
Marginal chapter numbers in Latin have been added to some but not all chapters.
There are a notes in Latin on ff. 41v and 66v regarding the relationship of the portion of the text in this copy to that in the following Part IV of the manuscript.
This part consists of 8 quires, of which one is a ternion, one a quaternion and the rest are quinia.
ff. 67r-141r were copied by Konstantinos Mesobotes (RGK I 224, II 315, III 363) (Hand D), in mixed minuscule script with variable slant, in black ink, with moderate variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot. Accents are sometimes joined to letters and abbreviations.
The modern eta, modern nu, sigma telikon and loop epsilon are present.
Punctuation used includes the middle and upper points, lower and middle commas and full stop.
Later hands have added annotations in Greek and Latin. One of these hands has added the word "Τέλος" marking the end of a text and a heading for the following text on f. 138v.
There are notes on the first folio of each quire indicating its extent.
This part consists of one quire, of fourteen folios.
ff. 142r-155v were copied by Hand E, in mixed minuscule script with variable slant, in brown ink, with minimal variation in letter size.
Superscript word endings appear only at the end of lines. Breathings are round and mute iota is absent. There is decorative use of the double dot. Accents are sometimes joined to letters and abbreviations.
The modern nu and sigma telikon are present.
Punctuation used includes the middle point, lower comma and full stop.
This part consists of two quires, both quinia.
ff. 156r-175r were copied by Hand F, in mixed minuscule script, slanting slightly to the right, in brown ink, with little variation in letter size.
Superscript word endings and syllabic abbreviations are not used. Breathings are round and mute iota is subscript. Use of the double dot is functional only.
The modern eta, modern nu and sigma telikon are present.
Punctuation used includes the lower and upper points, lower and middle commas, question mark and full stop.
A later hand has added a note regarding content in Greek on f. 157v.
This part consists of one quire, a quinion.
ff. 176r-185r were copied by Konstantinos Mesobotes (RGK I 224, II 315, III 363) (Hand D), in mixed minuscule script with variable slant, in brown ink, with moderate variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot and accentuation of all nomina sacra. Accents are sometimes joined to letters, breathings and nomina sacra strokes. Horizontal strokes appear above proper names.
The modern eta, modern nu and sigma telikon are present. Chi is formed with a pronounced upward curve at the end of the lower right-hand stroke.
Punctuation used includes the lower, middle and upper points, lower and middle commas and full stop.
Headings are written in the same style in red ink.
As part of the original production of this part, marginal section numbers to part of the text have been in red ink, and the scribe has placed small guide letters in brown ink further out into the margin to indicate which should appear where. There are marginal ση(μείωσαι) marks highlighting notable passages.
There are occasional brief annotations in Greek by a later hand.
A note in Latin on f. 185v records that this is the end of the description of the present building.
There is a note on the first folio of the quire indicating its extent.
This part consists of one quire, a ternion.
ff. 206r-211v were copied by Hand G, in mixed minuscule script, slanting to the right, in brown ink, with modest variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is subscript. There is decorative use of the double dot . Accents are sometimes joined to letters.
The modern eta, modern nu and loop epsilon are present.
Punctuation used includes the middle points, lower comma and full stop.
This part consists of one quire, a quaternion.
ff. 213r-219r were copied by Hand H, in mixed minuscule script, slanting to the right, in black ink, with moderate variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is occasional decorative use of the double dot. Accents are sometimes joined to letters.
The modern eta and modern nu.
Punctuation used includes the lower and middle points, lower comma and full stop.
This part consists of one quire, a quaternion.
ff. 220r-227v were copied by Hand I, in mixed minuscule script, slanting slightly to the right, in black ink, with modest variation in letter size.
Superscript word endings and syllabic abbreviations appear throughout the line. Breathings are round and mute iota is subscript. There is occasional decorative use of the double dot.
The modern eta, modern nu and loop epsilon.
Punctuation used includes the middle and upper points, lower comma and full stop.