The manuscript is a composite item and consists of several parts: one two-leaf fragment, and three parts consisting of one or more quires deriving from separate original manuscript sources. There is evidence to suggest that all of the parts have been together since the later Middle Ages. First, a medieval collator added alphanumeric leaf signatures in red ink in a sequence that crosses the composite parts of the manuscript. Secondly, one of the artists who worked on Part 2 added flourished initials to the empty spaces left for initials in Part 4, see e.g., f. 63v (in Part 2) and f. 122v (in Part 4). There is also evidence that quires have been lost from the volume since the composite parts were united. The current Quire 14 contains the first half of al-Khwarazmi's Arithmetic in Latin, and catchwords on the last verso of that quire f. 111v suggest that the text once continued onto a subsequent quire, now lost. Separately, the current Quire 15 ends part of the way through Chapter 10 of Hermannus Contractus' De utilitatibus astrolabii, and the opening of Quire 16 begins part of the way through Chapter 19 of that text, which suggests that there was once an intervening quire with the remainder of Chapter 10, through to the beginning of Chapter 19 of that text. Both quires, however, must have been missing since at least the late middle ages as the leaf signatures and catchwords of the medieval collator treat Quires 14-16 as a single sequence without any gaps.
Part 1 of this manuscript is an early 12th century fragment from a bible or biblical lectionary. The leaves (particularly f. i recto are coated in an adhesive residue and were probably used as binding waste in an earlier binding.
Part 2 of this manuscript is a substantial extract from a medical manuscript and may have been bound separately in its entirety when it was first made (see the stains and damage caused by metal binding fittings on f. 103). Part 2 contains several medical texts including the Uiaticum of Constantinus Africanus and De somno et uigilia by Roger Bacon.
Part 3 of this manuscript contains the first half of al-Khwarazmi's Arithmetic in a 13th century copy in Latin; catchwords at the bottom of f. 111v suggest that the text was once complete, but the second half of the text has since been lost. The text of the Arithmetic is known only from this copy and one other: New York, Hispanic Society of America, HC 397/726 , the original Arabic version and all other Latin copies have been lost.
Part 4 was copied in England in the last part of the eleventh century, or the first half of the twelfth century and contains texts on astronomy and in particular on the use of astrolabes. At the end of Part 4 there is a circular diagram on f. 127r with the circle divided into 25 segments and the centre and four cardinal points are marked a-e.
The manuscript belonged to Bury St Edmunds in the later middle ages; a list of the contents in a Bury hand is present on f. 2v which enumerates the following items:
Dr Sarah Gilbert
Project Cataloguer
Cambridge University Library
The manuscript is a composite item and consists of several parts: one 2-leaf fragment, and three parts consisting of one or more quires. The majority of the extant quires are gatherings of 8 leaves, with variation in quire size typically found at the beginning and the end of the parts. The 9th leaf of Quire 10 is an inserted singleton. The 5th leaf of Quire 13 is absent and may have been blank and later excised: following historic foliation practice at Cambridge University Library, this leaf has been assigned a folio number (f. 102), though it is not certain that text is missing as a consequence of its removal.
There are traces of at least two lost quires within the manuscript. The current Quire 14 contains the first half of al-Khwarazmi's Arithmetic in Latin, and catchwords on the last verso of that quire f. 111v suggest that the text once continued onto a subsequent quire, now lost. The current Quire 15 ends part of the way through Chapter 10 of Hermannus Contractus' De utilitatibus astrolabii, and the opening of Quire 16 begins part of the way through Chapter 19 of that text, which suggests that there was once an intervening quire with the remainder of Chapter 10, through to the beginning of Chapter 19 of that text. Both quires have been missing since at least the late Medieval period as a medieval collator has added leaf signatures and catchwords to the volume that treat Quires 14-16 as a sequence without any gaps.
There are two paper endleaves at each end of the volume, ff. [a]-[b] at the beginning, and ff. [c]-[d] at the end. The rest of the leaves are arranged as follows:
A late-medieval collator has added alphanumeric leaf signatures to several quires across the composite parts of the manuscript; these signatures demonstrate that the manuscript has been in its current composite arrangement since the later middle ages. Where the quires have late-medieval alphanumeric leaf signatures, the signatures are in red ink and appear on the rectos of the first half of each quire in the format 'letter + Roman numeral' where the Roman numeral expresses the position of the leaf within the quire, e.g., 'b iii' indicates the third leaf of quire 'b'. Quires 10 and 11 are designated 'a' and 'b' and Quires 14-16 are designated as 'x', 'y', 'z' respectively. Quires 7, 9, 12, and 13 all have Roman numerals in red ink on the leaves in the first half of each quire, but no letter designations.
Quire signatures in the lower outer corner of the first recto of each quire in pencil in Hindu-Arabic numerals, added in the 19th century. Small + signs added to the lower outer corner of the first recto in the second half of each quire (i.e., on the 5th recto of a typical quire of 8 leaves).
A late-medieval collator has added catchwords to several quires acrss the composite parts of the manuscript; these catchwords demonstrate that the manuscript has been in its current composite arrangement since the late middle ages. At f. 111v there are both the catchwords for a lost quire in the hand of the main scribe of that text 'Sicque constitues .viii.', and catchwords by the later-medieval collator 'est quidem' which reproduces the text on the following recto which belongs to a separate composite part.
Rebound by John P. Gray and Son in July 1958; stamp on the left pastedown. Quarter bound in dark brown Morocco with marbled-paper sides and parchment-tipped fore-edge corners over millboard. Marbled paper has a wave design and is in shades of muted sunset oranges and pinks with touches of ochre, cream, and light blue. Four raised bands with blind single-fillets along the upper and lower perimeter of each band. Spine is capped at head and tail by the backing leather and no head or tail bands are visible. Title and shelfmark tooled in gold in separate compartments: "CONSTANTINUS AFRICANUS etc." and "Ii.6.5". All quires taken down and remounted on guard strips during the 1958 rebinding.
Paper pastedowns pasted over the turn ins. The left pastedown contains:
Two paper endleaves added at each end of the volume during the rebinding, ff. [a]-[b] and [c]-[d]; all paper endleaves blank.
The leaves f. i recto and 127v may be former pastedowns as both have adhesive residue on their sides adjacent to the boards.
20th century foliation.
[a-b] + i-ii | 1-101, 103 | 104-111 | 112-127 + [c-d]
Foliated in the upper outer corner of each recto in pencil in Hindu-Arabic numerals, mostly by H.L. Pink.
Folio number f. 102 assigned to leaf no longer present in the volume (as per historic foliation practice at Cambridge University Library).Folio designations enclosed in [square brackets] have been assigned by the CUL cataloguers to leaves that have not been numbered physically in the volume.An ownership inscription and list of the contents of the volume in a ?15th century hand on 2v under the siglum 'U' for 'Uiaticum' - 'Liber Sancti Edmundi Regis in quo continentur
This list of the contents, and the later-medieval sequences of quire designations, catchwords, and flourished initials that cross the composite parts of the volume indicate that all of the extant parts were together in Bury St Edmunds by the later middle ages. Quires 15 and 16, which contain a note on the calculation of the meridian of Bury St Edmunds, were almost certainly written there, but whether Quires 1-14 were written at Bury St Edmunds, or copied elsewhere and combined in Bury St Edmunds by the later middle ages is not clear.
A later medieval artist has added missing initials in the 'flourished' decorative style across several parts of the manuscript. The first of these additional pen-flourished initials appears on f. 49v and the artist continues to fill in missing initials throughout the volume, taking over the majority of the work on the major initials from f. 63r to the end of the volume, and even added the missing initials to the late-11th or early-12th century Quires 15 and 16.
Collation formula written on the right pastedown by H.L. Pink.Ownership inscription on 2v showing that the volume (i.e., all composite parts) belonged to the Abbey of Bury St Edmunds in the later middle Ages.
John Moore (1646-1714), bishop of Ely: no. 911 (f. 3r) in the handwritten supplementary list of Moore's manuscripts, now MS Oo.7.50(2), compiled by Thomas Tanner (1674-1735) after the publication of Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (c. 1697). Also recorded as no. 57 (on p. 390) in the Appendix to Moore's library in Bernard.
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The manuscript is a composite item and consists of several parts: one 2-leaf fragment, and three parts consisting of one or more quires. The majority of the extant quires are gatherings of 8 leaves, with variation in quire size typically found at the beginning and the end of the parts. The 9th leaf of Quire 10 is an inserted singleton. The 5th leaf of Quire 13 is absent and may have been blank and later excised: following historic foliation practice at Cambridge University Library, this leaf has been assigned a folio number (f. 102), though it is not certain that text is missing as a consequence of its removal.
There are traces of at least two lost quires within the manuscript. The current Quire 14 contains the first half of al-Khwarazmi's Arithmetic in Latin, and catchwords on the last verso of that quire f. 111v suggest that the text once continued onto a subsequent quire, now lost. The current Quire 15 ends part of the way through Chapter 10 of Hermannus Contractus' De utilitatibus astrolabii, and the opening of Quire 16 begins part of the way through Chapter 19 of that text, which suggests that there was once an intervening quire with the remainder of Chapter 10, through to the beginning of Chapter 19 of that text. Both quires have been missing since at least the late Medieval period as a medieval collator has added leaf signatures and catchwords to the volume that treat Quires 14-16 as a sequence without any gaps.
There are two paper endleaves at each end of the volume, ff. [a]-[b] at the beginning, and ff. [c]-[d] at the end. The rest of the leaves are arranged as follows:
A late-medieval collator has added alphanumeric leaf signatures to several quires across the composite parts of the manuscript; these signatures demonstrate that the manuscript has been in its current composite arrangement since the later middle ages. Where the quires have late-medieval alphanumeric leaf signatures, the signatures are in red ink and appear on the rectos of the first half of each quire in the format 'letter + Roman numeral' where the Roman numeral expresses the position of the leaf within the quire, e.g., 'b iii' indicates the third leaf of quire 'b'. Quires 10 and 11 are designated 'a' and 'b' and Quires 14-16 are designated as 'x', 'y', 'z' respectively. Quires 7, 9, 12, and 13 all have Roman numerals in red ink on the leaves in the first half of each quire, but no letter designations.
Quire signatures in the lower outer corner of the first recto of each quire in pencil in Hindu-Arabic numerals, added in the 19th century. Small + signs added to the lower outer corner of the first recto in the second half of each quire (i.e., on the 5th recto of a typical quire of 8 leaves).
A late-medieval collator has added catchwords to several quires acrss the composite parts of the manuscript; these catchwords demonstrate that the manuscript has been in its current composite arrangement since the late middle ages. At f. 111v there are both the catchwords for a lost quire in the hand of the main scribe of that text 'Sicque constitues .viii.', and catchwords by the later-medieval collator 'est quidem' which reproduces the text on the following recto which belongs to a separate composite part.
Rebound by John P. Gray and Son in July 1958; stamp on the left pastedown. Quarter bound in dark brown Morocco with marbled-paper sides and parchment-tipped fore-edge corners over millboard. Marbled paper has a wave design and is in shades of muted sunset oranges and pinks with touches of ochre, cream, and light blue. Four raised bands with blind single-fillets along the upper and lower perimeter of each band. Spine is capped at head and tail by the backing leather and no head or tail bands are visible. Title and shelfmark tooled in gold in separate compartments: "CONSTANTINUS AFRICANUS etc." and "Ii.6.5". All quires taken down and remounted on guard strips during the 1958 rebinding.
Paper pastedowns pasted over the turn ins. The left pastedown contains:
Two paper endleaves added at each end of the volume during the rebinding, ff. [a]-[b] and [c]-[d]; all paper endleaves blank.
The leaves f. i recto and 127v may be former pastedowns as both have adhesive residue on their sides adjacent to the boards.
20th century foliation.
[a-b] + i-ii | 1-101, 103 | 104-111 | 112-127 + [c-d]
Foliated in the upper outer corner of each recto in pencil in Hindu-Arabic numerals, mostly by H.L. Pink.
Folio number f. 102 assigned to leaf no longer present in the volume (as per historic foliation practice at Cambridge University Library).Folio designations enclosed in [square brackets] have been assigned by the CUL cataloguers to leaves that have not been numbered physically in the volume.An ownership inscription and list of the contents of the volume in a ?15th century hand on 2v under the siglum 'U' for 'Uiaticum' - 'Liber Sancti Edmundi Regis in quo continentur
This list of the contents, and the later-medieval sequences of quire designations, catchwords, and flourished initials that cross the composite parts of the volume indicate that all of the extant parts were together in Bury St Edmunds by the later middle ages. Quires 15 and 16, which contain a note on the calculation of the meridian of Bury St Edmunds, were almost certainly written there, but whether Quires 1-14 were written at Bury St Edmunds, or copied elsewhere and combined in Bury St Edmunds by the later middle ages is not clear.
A later medieval artist has added missing initials in the 'flourished' decorative style across several parts of the manuscript. The first of these additional pen-flourished initials appears on f. 49v and the artist continues to fill in missing initials throughout the volume, taking over the majority of the work on the major initials from f. 63r to the end of the volume, and even added the missing initials to the late-11th or early-12th century Quires 15 and 16.
Collation formula written on the right pastedown by H.L. Pink.Ownership inscription on 2v showing that the volume (i.e., all composite parts) belonged to the Abbey of Bury St Edmunds in the later middle Ages.
John Moore (1646-1714), bishop of Ely: no. 911 (f. 3r) in the handwritten supplementary list of Moore's manuscripts, now MS Oo.7.50(2), compiled by Thomas Tanner (1674-1735) after the publication of Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (c. 1697). Also recorded as no. 57 (on p. 390) in the Appendix to Moore's library in Bernard.
ii recto: recensuit moyses sicut Dominus praecepit primogenitos filiorum Israhel
Text lost to trimming. Both leaves stained and rubbed - some text lost to rubbing. Lower part of f. i torn away and repaired with silk and parchment.
Traces of adhesive on i recto suggest that it was once used as a pastedown in a former binding. The lower portion of f. ii has dark orange rust stains probably caused by metal fittings (e.g., a plate for a fastening or a chain staple) attached to a former binding.
Written in protogothic minuscule by a single scribe.
Offset of a light blue initial (perhaps a 'C' or an 'O') in the inner margin of ii recto, but actual initial not present on the adjacent leaf.
4r prosunt et spuma marina et quidam adddunt nitrum cum olio amigdalino amaro
Catchwords in the hand of one of the main scribes in the lower margins of the final versos of Quires: 1-2, 4-5, 7-13.
Part 2 of this manuscript (ff. 1-103) was probably once bound separately, and f. 103, was probably the right pastedown in that former binding. The leaf f. 103 has adhesive residue and stains from the turn ins of the earlier binding, however, the leaf must have been free by the late-medieval period as it has later additions on f. 103v and has a catchword for the text on f. 104r in a late medieval hand.
Written in northern textualis libraria by several scribes working closely together and who occasionally begin their stints mid-sentence, e.g., f. 25r.
Puzzle initial f. 3r. Simple flourished initials in red and blue ff. 3r-62v at major divisions of the text. Some initials unfilled, and then later filled (e.g., f. 49v) by the artist who supplied missing initials throughout the volume, and who supplied all of the major initials from f. 63v onward.
Plain initials in red or blue at some minor divisions of the text, e.g., ff. 3r-4r. Plain initials in alternating red and green or red and blue for each entry in the list of chapters at the beginning of each book.
Occasional paraph marks in red or blue. Some initials at the start of sentences touched with red.
105r Et ita usque ad .ix. erit scilicet circulus in prima differentia
One quire of 8 leaves
Although this part consists of a single quire (Quire 14) there are two sets of catchwords in the lower inner corner of the last verso of the quire. The upper catchwords are by the scribe of the main text and supply the appropriate continuation of the text; the subsequent quire suggested by these catchwords has been lost. The lower catchwords are the work of the late-medieval collator who supplied catchwords throughout the volume across its composite parts.
Written in a northern textualis libraria of the mid-13th century, by at least two scribes.
Inhabited initial - animal head with emerging foliage and flowers in the counterspace of the initial 'D', and marginal pen-flourishing (f. 104r).
Blue initials with red marginal flourishing at divisions of the text.
113r cursibus limitem ponunt . Inter quos extremos
Two quires of 8 leaves.
Alphanumeric leaf signatures in red ink in the lower outer corner of the rectos in the first half of each quire: Quire 15 designated 'y' and Quire '16' perhaps designated 'z' with a Greek zeta (ζ). These alphanumeric leaf signatures cross several 'parts' of the composite manuscript, but are not present throughout the extant volume.
Catchwords in ink in the lower inner corner of the last verso of Quire 15.
Adhesive residue on f. 127v suggesting it was a pastedown in a former binding.
Diagram of an astrolabe: 3 concentric circles, 12 segments, 5 locations in the diagram designated as 'a'-'e' on f. 127r.
Spaces for initials left unfilled by original scribes, see e.g., f. 123v ln. 3 and filled in later middle ages by the scribe who added flourished initials to the unfilled initial spaces throughout the volume.
Plain initial in text-ink f. 125r.
Line fillers in red in a loose foliate style on f. 120r.
According to Charles Burnett (1980), p. 344, the text on ff. 127rv adapts the text on the astrolabe in order to give the calculation of the meridian of Bury Saint Edmunds.