Commonplace book and handbook of liturgical music (Use of Sarum) (Cambridge, Magdalene College, Pepys MS 1236)
Information about this document
- Physical Location: Pepys Library
- Classmark: Cambridge, Magdalene College, Pepys MS 1236
- Date of Creation: Copied between c. 1460-c. 1475.
- Language(s): Middle English and Latin
- Donor(s): Jackson, John, d. 1724
- Physical Description:
2r: et palpebris meis
- Extent: Codex: 2 + 128 + 2 leaves. Leaf height: 180 mm, width: 125 mm.
- Collation:
This collation deviates from that of McKitterick and Beadle in that it identifies Quire 10 as a sexternion instead of a quinternion. It also identifies the inserted leaf in Quire 13 as f. 121 instead of f. 123, based on the presence of a folded parchment stub on f. 121 and the location of the red sewing thread between f. 122 and f. 123.
- Quire 18-1+1 (ff. 1-8: 2nd leaf missing, and 1 leaf (f. 5) inserted after the 5th leaf)
- Three single leaves (ff. 9-11: three single leaves, with f. 11 pasted on the reversed stub of f. 10)
- Quire 28 (ff. 12-19)
- Quire 38-1+1 (ff. 20-27: 1st leaf cancelled and replaced with a paper leaf pasted on the parchment stub attached to f. 27)
- Quires 4-58 (ff. 28-43)
- Quire 612 (ff. 44-53)
- Quire 710 (ff. 56-64)
- Quires 8-98 (ff. 65-80)
- Quires 10-1212 (ff. 81-115)
- Quire 1312+1 (ff. 116-128: 1 leaf (f. 121) inserted after the 5th)
Modern quire numbers written in pencil in the lower right-hand corners of the first rectos of quires. The collation in this record agrees with the indicated collation in the manuscript.
18-1+1 (2nd missing and 1 leaf inserted after 5th) Three single leaves 28 38-1+1 (1st cancelled and replaced with a paper leaf) 4-58 612 710 8-98 10-1212 1312+1 (1 inserted after 5th) - Material: Paper quires with parchment inner and outer leaves, with the following exceptions: Quire 2 does not have parchment outer leaves; Quire 3 does not have parchment inner leaves; and in Quires 10 and 11, both of 12 leaves, the 3rd and 10th are also parchment leaves. The paper is folded in folio featuring as many as ten or twelve watermarks in the centre of the leaves.
- Format: Codex
- Condition: Some of the parchment leaves are a palimpsest.
- Binding:
Late 17th-century blind-tooled paneled binding with a double-line blind-tooled border frame and triple-line blind-tooled central frames with blind-stamped fleuron cornerpieces; dark brown speckled leather in the outer frame, light brown speckled leather in the inner frame and dark plain leather in the central frame; gold-stamped sides; and gold-tooled and stamped spine with 5 raised bands and Red Russia leather with the gold-stamped inscription: "OLD. MVSICK. [and]. MONKISH RIMES.". Red-speckled edges.
Binding height: 190mm; width: 135mm; depth: 30mm.
- Script:
The texts and music have been copied by a single hand writing in Anglicana (Formata) script, varying greatly in size throughout the manuscript.
The manuscript features various later 16th- and 17th-century additions in cursive and italic scripts.
- Foliation:
19th or 20th-century foliation:
[i]-[ii] + 1-56, [56a], 57-58, 58+, [58+a], 59-62, [62a], 63-96, 96bis-128 + [iii]-[iv]
Numbering in pencil in the upper right-hand corner of the rectos.ff. [58+] and 96bis were probably first misfoliated as '58' and '96'; ff. [56a], [58+a], and [62a] are inserted parchment slips with additions to the music.
17th-century foliation:
Numbering in pencil at the centre of the lower margins, often cropped off. - Layout: Written height: 140-155 mm, width: 105-110 mm. Ruled in ink, frame and line ruling. Single columns. 25 lines to the page, written below top line.
- Decoration:
A circular diagram representing a scientific instrucment drawn in brown ink on f. 94v.
Large and small (2- and 1-line) plain initials in red or brown ink.
Large capitals in brown ink decorated with cadels, including human faces (e.g. see f. 14v).
Regular initials (1 line) highlighted with red ink.
Neumes, music staves, and text rubricated in red ink.
- Additions: Quire numbers (Arabic numerals) in the lower right-hand corners of the first rectos of quires added in by pencil by a modern hand (perhaps M.R. James).
- Provenance:
Owned or accessed by Thomas Keen (fl. 17th century): his name inscribed in a flourishing 17th-century script on f. 9v.
Owned or accessed by Jack Pimp (fl. 17th century): his name inscribed in a flourishing 17th-century script on f. 27r. As Charles (1962), p. 68, notes, "Pympe" was the surname of a prominent Kentish family in the 15th century.
Owned or accessed by W.W. (fl. 17th century): their initials on f. 128r; probably the same hand that added the poem "On a Crucifix" to f. 127v.
Owned or accessed by Unknown (fl. 17th century): their name inscribed in a 17th-century flourishing script on f. 128v but obscured by Pepys's bookplate. Only the last three letters "-ker" are legible.
Acquired before 1700 by Samuel Pepys (1633–1703), naval officer and diarist: f. 1r features a pasted bookplate bearing a portrait of Pepys, his motto "Mens cujusque is est Quisque", the text: "SAM. PEPYS. CAR. ET IAC. ANGL. REGIB. A SECRETIS ADMIRALIÆ.", and the initials "R.W. sculp:", referring to the London engraver Robert White (1645-1703); f. 128v features a paper pastedown with Pepys's bookplate engraved with two anchors and the motto "Mens cujusque is est Quisque". Since the manuscript is not listed in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (c. 1697), the manuscript may have come into his possession at some point after 1694.
- Origin: Copied between c. 1460-c. 1475. Probably compiled and copied by and for a priest of the chapel of the almonry of Christ Church Cathedral Priory in Canterbury.
The music in this manuscript is attributed to a number of composers who were active in or had connections with Kent during the 1460s and 1470s. These include William Corbrond and John Nesbet who were Masters of the Lady Chapel choir at Canterbury Cathedral Priory (respectively 1470-1474; and 1474-1488). The music includes unusual blessings sung by the Boy Bishop at the feast of St Nicholas. According to Bowers (1982), the prominence of these blessings and the text Stans puer ad mensam point to an intended use at the chapel of the almonry of Christ Church, Canterbury: the almonry buildings housed a boarding school for eight boys who sang in the Lady Chapel choir, and participated in services in the almonry chapel. Here, they celebrated the Boy Bishop ceremonies annually. Bowers (1982) suggests that the manuscript may have been compiled and owned by one of the priests who was responsible for the upbringing of the boys.
Charles (1962)Bower (1982) - Acquisition:
Acquired by Magdalene College, Cambridge upon the death of John Jackson (d. 1724): in his will (The National Archives, PROB 1/9, Will of Samuel Pepys, Codicil, 13th May 1703), Pepys left a bequest of approximately 3000 manuscripts and printed books to Magdalene College and instructed his nephew John Jackson to arrange for this but they only came to the college after Jackson died. Jackson respected the instructions given in the codicil to the will as can be evidenced from Magdalene College Archives A/41/1: an indenture between Anne Jackson, widow and executrix of John Jackson (nephew and residuary legatee of Samuel Pepys) and the Master and Fellows, being a deed of covenant as to providing a Library at the College for the reception of the collection of the books and papers bequeathed to the College by Samuel Pepys, 1 June 1724. It is here that the manuscript's current shelfmark "N.o 1236" was added in red ink to the inside of the front cover, replacing an older shelfmark "802 [? B] 665" in brown ink on f. [i] recto, now crossed out with red ink.
- Funding: Wellcome
- Data Source(s): This catalogue entry draws on M.R. James, A Descriptive Catalogue of the Manuscripts in the College Library of Magdalene College, Cambridge (Cambridge: Cambridge University Library, 1909); the Catalogue of the Pepys Library at Magdalene College, Cambridge, 7 vols (Woodbridge: Brewer, 1978-1994), V (1992): Manuscripts, Part I: Medieval, ed. by Rosamond McKitterick and Richard Beadle, pp. 25-27; and a draft of Kari Anne Rand's description of the manuscript's contents for a forthcoming volume on the Pepys Library in the Index of Middle English Prose.
- Author(s) of the Record: Dr Clarck Drieshen, Project Cataloguer in Curious Cures in Cambridge Libraries, Cambridge University Library
- Bibliography:Skeat, Walter W., Chaucerian and Other Pieces, The complete works of Geoffrey Chaucer, 7 (Oxford: 1897) 7.Spalding, Mary Caroline, The Middle English Charters of Christ (Bryn Mawr: Bryn Mawr College, 1914).James, M.R., Bibliotheca Pepysiana: A Descriptive Catalogue of the Library of Samuel Pepys, Volume 3: Mediaeval Manuscripts (London: Sidgwick and Jackson, 1914).Brown, Carleton Fairchild, Religious lyrics of the XVth century (Oxford: Clarendon Press, 1939).Handschin, Jacques, "Aus der alten Musiktheorie 1-5", Acta Musicologica 14 1-10 (1944).Robbins, Rossell Hope, Secular lyrics of the XIVth and XVth centuries 2nd edition (Oxford, Clarendon Press, 1955) Accessed: 2023-08-22T10:35:30Z.Harrison, Frank Llewellyn, "Music for the Sarum Rite: Ms. 1236 in the Pepys Library, Magdalene College, Cambridge", Annales Musicologiques 6 99-144 (1958).Robbins, Rossell Hope, Historical poems of the XIVth and XVth centuries (New York: Columbia University Press, 1959).Harrison, Frank Llewellyn, Music in medieval Britain (Praeger, 1959).Charles, Sidney Robinson, "The Provenance and Date of the Peppys MS 1236", Musica Disciplina 16 57-71 (1962).Charles, Sidney Robinson, The Music of the Pepys MS 1236, Corpus Mensurabilis Musicae 4 (Rome: American Institute of Musicology, 1967).Asser, Michael, Music for the Sarum Rite: English Vocal Polyphony 1453-1558 A Bibliography of Manuscript and Printed Sources (1971).Luria, Maxwell Sidney and Richard L. Hoffmann, Middle English Lyrics (New York: Norton, 1974).Benham, Hugh, Latin Church Music in England, c. 1460-1575 (London: Barrie and Jenkins, 1977).Ward, Tom R., The polyphonic office hymn 1400-1520: a descriptive catalogue contributor: American Institute of Musicology, Renaissance Manuscript Studies 3 (Neuhausen-Stuttgart: Hänssler for the American Institute of Musicology, 1980).Bowers, Roger D., "Magdalene MS Pepys 1236", in Iain Fenlon (ed.), Cambridge Music Manuscripts, 900–1700 (Cambridge: Cambridge University Press, 1982) 111-113.Nicholls, Jonathan, "A courtesy poem from Magdalene College Cambridge Pepys MS 1236", Notes & Queries 227 3-10 (1982).Temperley, Nicholas, The Music of the English Parish Church: Volume 1, Cambridge Studies in Music (Cambridge: Cambridge University Press, 1983).Robinson, P.R., Catalogue of dated and datable manuscripts c. 737-1600 in Cambridge libraries, 2 (Cambridge: D.S. Brewer, 1988).Taavitsainen, Irma, Middle English Lunaries: A Study of the Genre, Mémoires de la Société Néophilologique de Helsinki 47 (Helsinki: 1988).McKitterick, Rosamond and Richard Beadle, Manuscripts (Medieval), ed. Robert Latham, Catalogue of the Pepys Library at Magdalene College Cambridge (Cambridge: Brewer, 1992) V.i.Meyer, Christian, Michel Huglo and Nancy C. Phillips, Manuscripts from the Carolingian era up to c.1500 in Great Britain and the United States of America, RISH: The theory of music from the Carolingian Era up to c.1500 B/III, 6 (Munich: Henle, 1992) 4.Means, Laurel, Medieval lunar astrology: a collection of representative Middle English texts (Lewiston, N.Y.: Mellen, 1993).Benham, Hugh, "‘Stroke’ and ‘strene’ notation in fifteenth- and sixteenth-century equal-note cantus firmi", Plainsong and Medieval M 2 2 153-167 (1993).Bowers, Roger, "To Chorus from Quartet: the Performing Resource for English Church Polyphony, c.1390-1559", in John Morehen (ed.), English choral practice, 1400-1650, Cambridge studies in performance practice 5 (Cambridge: Cambridge University Press, 1995).Bowers, Roger, "Canterbury Cathedral: The Liturgy of the Cathedral and Its Music, c. 1075-1642", in Patrick Collinson, Nigel Ramsey and Margaret Sparks (eds), A History of Canterbury Cathedral (Oxford: Oxford University Press, 1995) 408-450.Meyer, Christian, Mensura monochordi: la division du monocorde, IXe-XVe siècles, Publications de la Société française de musicologie Second Series, 15 (Paris: Société française de musicologie : Editions Klincksieck, 1996).Bowers, Roger, English Church Polyphony: Singers and Sources from the 14th to the 17th Century, Variorum Collected Studies Series (Aldershot: Ashgate, 1999).Meyer, Christian, Giuliano Di Bacco, Pia Ernstbrunner, Alexander Rausch and Cesarino Ruini, Manuscripts from the Carolingian Era up to c. 1500: Descriptive Catalogue of Manuscripts: Addenda, Corrigenda, RISM: The theory of music from the Carolingian Era up to c.1500 B/III, 6 (Munich: Henle, 2003) 6.Salter, Elisabeth, Six Renaissance men and women: innovation, biography and cultural creativity in Tudor England, c.1450-1560 / by Elisabeth Salter. (Aldershot: Ashgate, 2007).Fallows, David, Henry V and the earliest English carols: 1413-1440 (Abingdon: Routledge, 2018).Buckle, Alexandra, "English Liturgical Composers in the Fifteenth Century", in Mark A. Lamport, Benjamin K. Forrest and Vernon M. Whaley (eds), Hymns and Hymnody: Historical and Theological Introductions. Volume 1: From Asia Minor to Western Europe (Eugene, Oregon: Cascade Books, 2019) 1 265-280.
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- Physical Location: Pepys Library
- Classmark: Cambridge, Magdalene College, Pepys MS 1236
- Date of Creation: Copied between c. 1460-c. 1475.
- Language(s): Middle English and Latin
- Donor(s): Jackson, John, d. 1724
- Physical Description:
2r: et palpebris meis
- Extent: Codex: 2 + 128 + 2 leaves. Leaf height: 180 mm, width: 125 mm.
- Collation:
This collation deviates from that of McKitterick and Beadle in that it identifies Quire 10 as a sexternion instead of a quinternion. It also identifies the inserted leaf in Quire 13 as f. 121 instead of f. 123, based on the presence of a folded parchment stub on f. 121 and the location of the red sewing thread between f. 122 and f. 123.
- Quire 18-1+1 (ff. 1-8: 2nd leaf missing, and 1 leaf (f. 5) inserted after the 5th leaf)
- Three single leaves (ff. 9-11: three single leaves, with f. 11 pasted on the reversed stub of f. 10)
- Quire 28 (ff. 12-19)
- Quire 38-1+1 (ff. 20-27: 1st leaf cancelled and replaced with a paper leaf pasted on the parchment stub attached to f. 27)
- Quires 4-58 (ff. 28-43)
- Quire 612 (ff. 44-53)
- Quire 710 (ff. 56-64)
- Quires 8-98 (ff. 65-80)
- Quires 10-1212 (ff. 81-115)
- Quire 1312+1 (ff. 116-128: 1 leaf (f. 121) inserted after the 5th)
Modern quire numbers written in pencil in the lower right-hand corners of the first rectos of quires. The collation in this record agrees with the indicated collation in the manuscript.
18-1+1 (2nd missing and 1 leaf inserted after 5th) Three single leaves 28 38-1+1 (1st cancelled and replaced with a paper leaf) 4-58 612 710 8-98 10-1212 1312+1 (1 inserted after 5th) - Material: Paper quires with parchment inner and outer leaves, with the following exceptions: Quire 2 does not have parchment outer leaves; Quire 3 does not have parchment inner leaves; and in Quires 10 and 11, both of 12 leaves, the 3rd and 10th are also parchment leaves. The paper is folded in folio featuring as many as ten or twelve watermarks in the centre of the leaves.
- Format: Codex
- Condition: Some of the parchment leaves are a palimpsest.
- Binding:
Late 17th-century blind-tooled paneled binding with a double-line blind-tooled border frame and triple-line blind-tooled central frames with blind-stamped fleuron cornerpieces; dark brown speckled leather in the outer frame, light brown speckled leather in the inner frame and dark plain leather in the central frame; gold-stamped sides; and gold-tooled and stamped spine with 5 raised bands and Red Russia leather with the gold-stamped inscription: "OLD. MVSICK. [and]. MONKISH RIMES.". Red-speckled edges.
Binding height: 190mm; width: 135mm; depth: 30mm.
- Script:
The texts and music have been copied by a single hand writing in Anglicana (Formata) script, varying greatly in size throughout the manuscript.
The manuscript features various later 16th- and 17th-century additions in cursive and italic scripts.
- Foliation:
19th or 20th-century foliation:
[i]-[ii] + 1-56, [56a], 57-58, 58+, [58+a], 59-62, [62a], 63-96, 96bis-128 + [iii]-[iv]
Numbering in pencil in the upper right-hand corner of the rectos.ff. [58+] and 96bis were probably first misfoliated as '58' and '96'; ff. [56a], [58+a], and [62a] are inserted parchment slips with additions to the music.
17th-century foliation:
Numbering in pencil at the centre of the lower margins, often cropped off. - Layout: Written height: 140-155 mm, width: 105-110 mm. Ruled in ink, frame and line ruling. Single columns. 25 lines to the page, written below top line.
- Decoration:
A circular diagram representing a scientific instrucment drawn in brown ink on f. 94v.
Large and small (2- and 1-line) plain initials in red or brown ink.
Large capitals in brown ink decorated with cadels, including human faces (e.g. see f. 14v).
Regular initials (1 line) highlighted with red ink.
Neumes, music staves, and text rubricated in red ink.
- Additions: Quire numbers (Arabic numerals) in the lower right-hand corners of the first rectos of quires added in by pencil by a modern hand (perhaps M.R. James).
- Provenance:
Owned or accessed by Thomas Keen (fl. 17th century): his name inscribed in a flourishing 17th-century script on f. 9v.
Owned or accessed by Jack Pimp (fl. 17th century): his name inscribed in a flourishing 17th-century script on f. 27r. As Charles (1962), p. 68, notes, "Pympe" was the surname of a prominent Kentish family in the 15th century.
Owned or accessed by W.W. (fl. 17th century): their initials on f. 128r; probably the same hand that added the poem "On a Crucifix" to f. 127v.
Owned or accessed by Unknown (fl. 17th century): their name inscribed in a 17th-century flourishing script on f. 128v but obscured by Pepys's bookplate. Only the last three letters "-ker" are legible.
Acquired before 1700 by Samuel Pepys (1633–1703), naval officer and diarist: f. 1r features a pasted bookplate bearing a portrait of Pepys, his motto "Mens cujusque is est Quisque", the text: "SAM. PEPYS. CAR. ET IAC. ANGL. REGIB. A SECRETIS ADMIRALIÆ.", and the initials "R.W. sculp:", referring to the London engraver Robert White (1645-1703); f. 128v features a paper pastedown with Pepys's bookplate engraved with two anchors and the motto "Mens cujusque is est Quisque". Since the manuscript is not listed in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (c. 1697), the manuscript may have come into his possession at some point after 1694.
- Origin: Copied between c. 1460-c. 1475. Probably compiled and copied by and for a priest of the chapel of the almonry of Christ Church Cathedral Priory in Canterbury.
The music in this manuscript is attributed to a number of composers who were active in or had connections with Kent during the 1460s and 1470s. These include William Corbrond and John Nesbet who were Masters of the Lady Chapel choir at Canterbury Cathedral Priory (respectively 1470-1474; and 1474-1488). The music includes unusual blessings sung by the Boy Bishop at the feast of St Nicholas. According to Bowers (1982), the prominence of these blessings and the text Stans puer ad mensam point to an intended use at the chapel of the almonry of Christ Church, Canterbury: the almonry buildings housed a boarding school for eight boys who sang in the Lady Chapel choir, and participated in services in the almonry chapel. Here, they celebrated the Boy Bishop ceremonies annually. Bowers (1982) suggests that the manuscript may have been compiled and owned by one of the priests who was responsible for the upbringing of the boys.
Charles (1962)Bower (1982) - Acquisition:
Acquired by Magdalene College, Cambridge upon the death of John Jackson (d. 1724): in his will (The National Archives, PROB 1/9, Will of Samuel Pepys, Codicil, 13th May 1703), Pepys left a bequest of approximately 3000 manuscripts and printed books to Magdalene College and instructed his nephew John Jackson to arrange for this but they only came to the college after Jackson died. Jackson respected the instructions given in the codicil to the will as can be evidenced from Magdalene College Archives A/41/1: an indenture between Anne Jackson, widow and executrix of John Jackson (nephew and residuary legatee of Samuel Pepys) and the Master and Fellows, being a deed of covenant as to providing a Library at the College for the reception of the collection of the books and papers bequeathed to the College by Samuel Pepys, 1 June 1724. It is here that the manuscript's current shelfmark "N.o 1236" was added in red ink to the inside of the front cover, replacing an older shelfmark "802 [? B] 665" in brown ink on f. [i] recto, now crossed out with red ink.
- Funding: Wellcome
- Data Source(s): This catalogue entry draws on M.R. James, A Descriptive Catalogue of the Manuscripts in the College Library of Magdalene College, Cambridge (Cambridge: Cambridge University Library, 1909); the Catalogue of the Pepys Library at Magdalene College, Cambridge, 7 vols (Woodbridge: Brewer, 1978-1994), V (1992): Manuscripts, Part I: Medieval, ed. by Rosamond McKitterick and Richard Beadle, pp. 25-27; and a draft of Kari Anne Rand's description of the manuscript's contents for a forthcoming volume on the Pepys Library in the Index of Middle English Prose.
- Author(s) of the Record: Dr Clarck Drieshen, Project Cataloguer in Curious Cures in Cambridge Libraries, Cambridge University Library
- Bibliography:Skeat, Walter W., Chaucerian and Other Pieces, The complete works of Geoffrey Chaucer, 7 (Oxford: 1897) 7.Spalding, Mary Caroline, The Middle English Charters of Christ (Bryn Mawr: Bryn Mawr College, 1914).James, M.R., Bibliotheca Pepysiana: A Descriptive Catalogue of the Library of Samuel Pepys, Volume 3: Mediaeval Manuscripts (London: Sidgwick and Jackson, 1914).Brown, Carleton Fairchild, Religious lyrics of the XVth century (Oxford: Clarendon Press, 1939).Handschin, Jacques, "Aus der alten Musiktheorie 1-5", Acta Musicologica 14 1-10 (1944).Robbins, Rossell Hope, Secular lyrics of the XIVth and XVth centuries 2nd edition (Oxford, Clarendon Press, 1955) Accessed: 2023-08-22T10:35:30Z.Harrison, Frank Llewellyn, "Music for the Sarum Rite: Ms. 1236 in the Pepys Library, Magdalene College, Cambridge", Annales Musicologiques 6 99-144 (1958).Robbins, Rossell Hope, Historical poems of the XIVth and XVth centuries (New York: Columbia University Press, 1959).Harrison, Frank Llewellyn, Music in medieval Britain (Praeger, 1959).Charles, Sidney Robinson, "The Provenance and Date of the Peppys MS 1236", Musica Disciplina 16 57-71 (1962).Charles, Sidney Robinson, The Music of the Pepys MS 1236, Corpus Mensurabilis Musicae 4 (Rome: American Institute of Musicology, 1967).Asser, Michael, Music for the Sarum Rite: English Vocal Polyphony 1453-1558 A Bibliography of Manuscript and Printed Sources (1971).Luria, Maxwell Sidney and Richard L. Hoffmann, Middle English Lyrics (New York: Norton, 1974).Benham, Hugh, Latin Church Music in England, c. 1460-1575 (London: Barrie and Jenkins, 1977).Ward, Tom R., The polyphonic office hymn 1400-1520: a descriptive catalogue contributor: American Institute of Musicology, Renaissance Manuscript Studies 3 (Neuhausen-Stuttgart: Hänssler for the American Institute of Musicology, 1980).Bowers, Roger D., "Magdalene MS Pepys 1236", in Iain Fenlon (ed.), Cambridge Music Manuscripts, 900–1700 (Cambridge: Cambridge University Press, 1982) 111-113.Nicholls, Jonathan, "A courtesy poem from Magdalene College Cambridge Pepys MS 1236", Notes & Queries 227 3-10 (1982).Temperley, Nicholas, The Music of the English Parish Church: Volume 1, Cambridge Studies in Music (Cambridge: Cambridge University Press, 1983).Robinson, P.R., Catalogue of dated and datable manuscripts c. 737-1600 in Cambridge libraries, 2 (Cambridge: D.S. Brewer, 1988).Taavitsainen, Irma, Middle English Lunaries: A Study of the Genre, Mémoires de la Société Néophilologique de Helsinki 47 (Helsinki: 1988).McKitterick, Rosamond and Richard Beadle, Manuscripts (Medieval), ed. Robert Latham, Catalogue of the Pepys Library at Magdalene College Cambridge (Cambridge: Brewer, 1992) V.i.Meyer, Christian, Michel Huglo and Nancy C. Phillips, Manuscripts from the Carolingian era up to c.1500 in Great Britain and the United States of America, RISH: The theory of music from the Carolingian Era up to c.1500 B/III, 6 (Munich: Henle, 1992) 4.Means, Laurel, Medieval lunar astrology: a collection of representative Middle English texts (Lewiston, N.Y.: Mellen, 1993).Benham, Hugh, "‘Stroke’ and ‘strene’ notation in fifteenth- and sixteenth-century equal-note cantus firmi", Plainsong and Medieval M 2 2 153-167 (1993).Bowers, Roger, "To Chorus from Quartet: the Performing Resource for English Church Polyphony, c.1390-1559", in John Morehen (ed.), English choral practice, 1400-1650, Cambridge studies in performance practice 5 (Cambridge: Cambridge University Press, 1995).Bowers, Roger, "Canterbury Cathedral: The Liturgy of the Cathedral and Its Music, c. 1075-1642", in Patrick Collinson, Nigel Ramsey and Margaret Sparks (eds), A History of Canterbury Cathedral (Oxford: Oxford University Press, 1995) 408-450.Meyer, Christian, Mensura monochordi: la division du monocorde, IXe-XVe siècles, Publications de la Société française de musicologie Second Series, 15 (Paris: Société française de musicologie : Editions Klincksieck, 1996).Bowers, Roger, English Church Polyphony: Singers and Sources from the 14th to the 17th Century, Variorum Collected Studies Series (Aldershot: Ashgate, 1999).Meyer, Christian, Giuliano Di Bacco, Pia Ernstbrunner, Alexander Rausch and Cesarino Ruini, Manuscripts from the Carolingian Era up to c. 1500: Descriptive Catalogue of Manuscripts: Addenda, Corrigenda, RISM: The theory of music from the Carolingian Era up to c.1500 B/III, 6 (Munich: Henle, 2003) 6.Salter, Elisabeth, Six Renaissance men and women: innovation, biography and cultural creativity in Tudor England, c.1450-1560 / by Elisabeth Salter. (Aldershot: Ashgate, 2007).Fallows, David, Henry V and the earliest English carols: 1413-1440 (Abingdon: Routledge, 2018).Buckle, Alexandra, "English Liturgical Composers in the Fifteenth Century", in Mark A. Lamport, Benjamin K. Forrest and Vernon M. Whaley (eds), Hymns and Hymnody: Historical and Theological Introductions. Volume 1: From Asia Minor to Western Europe (Eugene, Oregon: Cascade Books, 2019) 1 265-280.
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 1-5
- Title: The Short Charter of Christ
- Language(s): English and Latin
- Note(s): Added in the 17th century by the same hand that added the Christ-Pelican couplets on f. 7v. Perhaps in imitation of the format of an indenture, the text is written continuously across ff. 7v-8r instead of beginning on f. 7v and continuing on f. 8r. Below the text are two circles, one containing a heart and the other with the word "Pellican" written inside it.
- Excerpts:Rubric: 7v Magna Charta de libertatibus mundiIncipit: 7v-8r Christ hath cancelled the writteinge of all mans dett / And by this greatt Charter him free hath settExplicit: 7v-8r And for the more sickernesse: the wound in my side the seale it is: / this was yeu at Caluerie, the first day of the great merritt
- Bibliography:Spalding (1914), pp. 5-6 [for another copy with a heart-pelican seal but without this manuscript]DIMEV 993-1 [Introductory couplet]
- Title: Two couplets comparing Christ to a pelican
- Language(s): English
- Note(s): Added in the 17th century by the same hand that copied The Short Charter of Christ on ff. 7v-8r. Below the couplets, in the same hand, is written the date "feb: 2.o .1637.".; Full transcription.
- Title: Paschal Table for the years 1464-1519
- Language(s): Latin
- Note(s): Robinson (1988), I, p. 78, notes that a red crayon cross next to the year 1475 may indicate that the manuscript was produced between Easter of 1474 and that of 1475.
- Bibliography:Robinson (1988), I, p. 78
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 6-93
- Title: Music
- Note(s): A single line of music with the text "many tymes have I bene in" at the bottom of the page (perhaps the opening words of the melody). The music was added by the same hand that added the music to ff. 57r, 65r, 71r, and 72v. The text was added by the same 17th-century hand has added an anti-Catholic poem to f. 127v.
- Title: Dieta ypocratis
- Language(s): Middle English
- Excerpts:Rubric: 87v This techith Galyen the good leche to all maner of men. and wymmen. How they shall vse her metis and drynkys yn all the monethes in the yereIncipit: 87v In January. drynke whyte wyne forbere bloodletyng for anythyng. ffor ther been .vij. dayes of grete perell . that ys to say. 1. 2. 4. 5. 10. 15. and .19.Explicit: 88r In Decembre vse hote metis for nede thow may lete þe blood ffor bere coole wortys . and hoo so thus ledys hys lyfe of hele he may be sekyr. and .2. dayes ther ben of peryll. that is the .16. and the .17.
- Bibliography:Rand (forthcoming) [identification text, other witness and editions]
- Title: Prognostications for the year based on which day of the week the first day of the new year falls
- Language(s): Middle English
- Excerpts:Incipit: 88v A. An hoot wynter. A somer with tempestes. whete shall yelde good busshels. habundaunce of gardyn frute and hony. deth of yong folke. deth of bestis. ffyghtyng of pelours. som newe tydyngys fallyng to the kyngExplicit: 88v G. A hoote wynter. A somer with tempestys. A temperat heruest. greet brennyng feueres shall regne. habundaunce of hony. cheryte shall be lyght.
- Bibliography:Rand (forthcoming) [identification text, other witness and editions]
- Title: Experimenta de corio serpentis [Tract on the Twelve Virtues of the adder's skin]
- Author(s): Johannes Paulinus
- Language(s): Middle English
- Excerpts:Rubric: 89r Here folowith the vertues of the edder skyn. Take the edder skyn in the wyxing of Mone. when the mone ys yn the full gree of the syngne of Arietys. and make powdyr thereof. and that powder hath .xij. vertues.Incipit: 89r The furst vertu is. If thow fynde a fresshe wonde of man or woman that may not be cured nother helede. putt of [t]e powder in the wounde and within thre dayes he shall be hole.Explicit: 89v The .xij. vertu ys. Who so beryth of that powder abowte hym. ther shall noon adder byte hym nother doo to hym noo harme.
- Bibliography:Rand (forthcoming) [identification text, other witness and editions]
- Title: Collection of sixteen magical and practical recipes
- Language(s): Middle English
- Note(s): The recipes contain instructions for drawing an egg through a ring, keeping cherries fresh, 'for to do as thow wost', to make trees remain green and keep their leaves, to make a man or a woman look like a leper, to make hens fall off their perch, to stop others eating a good morsel of meat, to establish whether a young woman is a virgin, to stop dogs barking at you, to make a man dream of devils, to know whether something is stolen and who has it, to make a man or woman fart, to make invisible ink, gold or silver ink, transluscent ink, and (once more) silver ink.
- Excerpts:Incipit: 89v ffor to make an egg. may be draw throgh a golde ryng other a syluer ryng. Take an egg and put hym .ix. nyghttis in strong veneger and thenne take it out and [t]ou mayst put it esely thorgh a ryng or in a glas.Explicit: 90v And with grounde cynglas and gumme water [t]ou may wryte fayre syluer and pulshyd with a toth drye.
- Bibliography:Rand (forthcoming) [other witnesses of the thief charm]
- Title: Prophecy in verse
- Language(s): Middle English
- Note(s): According to Beadle and McKitterick, this prophecy is elsewhere attributed to Merlin and Chaucer.
- Bibliography:Skeat (1897), p. 450 [edited from another manuscript]IMEV 3943Robbins (1955), p. 241Robbins (1959), pp. 316-317NIMEV 3943DIMEV 6299-13
- Title: Prophecy in verse
- Language(s): Middle English
- Note(s): According to Beadle and McKitterick, this prophecy is elsewhere attributed to Merlin and Chaucer.
- Bibliography:Skeat (1897), p. 450 [edited from another manuscript]IMEV 3951.5Robbins (1955), p. 241Robbins (1959), pp. 316-317NIMEV 3951.5DIMEV 6314-1
- Title: Maxims on physiology and behaviour
- Language(s): Middle English
- Excerpts:Rubric: 91r The condycyons that be in man.Incipit: 91r The lyuer maketh a man to loue / The longys cawsyth the tonge to speke / The galle cawsyth a man to wrathe / The splyn maketh a man lawght / The stomake ys comyn cokeExplicit: 91r In thy herte there ys thy drede / In thy veynnys is thy thowght / Vnderstondyng is in mannys forhede / Mynde is in the brayn / Wrath cometh fro the gall / Couetyse cometh fro the stomake / Loue cometh fro the splene
- Bibliography:IMEV 3413.6NIMEV post-medievalDIMEV 5379-1
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 94-97
- Title: A planetary table
- Language(s): Latin
- Excerpts:Rubric: 93r Tabula planetarum
- Title: A list for identifying benign and malign planets
- Language(s): Latin
- Note(s): Full transcription.
- Excerpts:Incipit: 93r Jubiter et Venus sunt boni . Saturnus et Mars sunt mali. Sol . Mercurius. et Luna . sunt mediocres
- Title: On planets governing the hours of the day
- Language(s): Latin
- Note(s): Full transcription.
- Title: Introduction to a lunar table
- Language(s): Middle English
- Note(s): Full transcription; the text refers to the lunar table on f. 94r.
- Excerpts:Incipit: 93v If thow wylt know in what sygne and in what degree and of what signe euermore the mone ys yn. See in the table that folowith and ther thow mayst se evydently how hyt ys. ffor the mone hath most affecte in bodyes here in erthe.
- Title: A (?) motto
- Language(s): Latin
- Note(s): Added in a (?) 16th-century hand.
- Excerpts:Incipit: 93v Parvis negatur gloria / Magnis quies
- Title: Lunar table
- Title: Instructions for the use of a lunar table
- Language(s): Middle English
- Note(s): Full transcription; the text refers to the lunar table on f. 94r.
- Excerpts:Incipit: 94r Take the age of the mone in oo syde of the tabyll. and take hede in what moneth thow art in. and in the same sygne is the mone and in the same gree as the noumbre evyn forun ayenst the age of the mone tellyth
- Title: An astrological verse
- Language(s): Latin
- Note(s): Full transcription; the text has been added by a 16th- or 17th-century hand that may also be responsible for additions to f. 64r and f. 127v.
- Excerpts:Incipit: 94r Astra regunt Homines
- Title: Instructions for making a scientific instrument
- Language(s): Latin
- Note(s): Full transcription; the text accompanies and refers to circular diagram with, inside it a circular paper pastedown with an X and Y axis and three concentric circles in brown ink drawn on it; possibly this paper disk originally was part of a volvelle. However, the disk also resembles a part of an astrolabe.
- Excerpts:Incipit: 94v Si vis facere hoc instrumentum fac quot circulos tibi placererit et diuidite maiorem circulum in .iiij.or partes equi porciones et fac ij. lineas rectas cruciatym a profunditate circuli diuidite in .x. partes in linea recta usque medium circuli et a medio circuli diuidite .ij. partes eadem proporcione ultra medium circuli et fac ex .vij. partibus .xxviijo. gradus et signate sicus signatum est.Explicit: 94v Ab hac vsque ad vltimum punctum de orsum est altitudo vmbraculi .i. a .xvij gradus vsque ad profunditate in circuli.
- Title: Two staves of music
- Title: Distich on the symbols of the evangelists
- Language(s): Latin
- Note(s): Full transcription; reverse text for "Ama [? amo] et salue cordis mei amor Margareta".
- Excerpts:Incipit: 95r Ateragram roma jem sidroc eulas et ama
- Title: Distich on the symbols of the evangelists
- Language(s): Latin
- Note(s): Full transcription.
- Excerpts:Incipit: 95r Virgo Johannes auis. Vitulus lucas. Leo Marcus / Est homo Matheus. quatuor ista deus
- Title: Notes and a table on fixing the date of Easter, mentioning the years 1573, 1600, 1604, and 1607.
- Language(s): English and Latin
- Note(s): The table consists of two columns, entitled "aureus numerus" and "Epacte"; the text contains instructions "To find ye prime for euery year" and "To knowe the age of ye moone for euer".; Added in a late 16th-century hand; with a later addition: "Easter Sunday the first yt happens after the full moon after March 21."
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 98-102
- Title: Macaronic hymn to the Virgin Mary
- Language(s): Middle English and Latin
- Bibliography:Brown (1939), pp. 49-52IMEV 2800NIMEV 2800DIMEV 4452-1
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 103-106.
- Title: A table
- Language(s): Latin
- Note(s): A table of 4 columns and 4 rows of numbers.
- Excerpts:Rubric: 110r Numerum multipliciter malleorum
- Title: Stans puer ad mensam
- Language(s): Middle English and Latin
- Excerpts:Rubric: 110v Stans puer ad mensam domini bona dogmata discas / Dum loqueris digiti que manus in pace pedes sintRubric: 110v In maner whyche enlumynyth euery astate / to discerne the doctrine chylde geue attendaunceExplicit: 114v among them þat ben of þe contre of fame / he taught me this Grostede was is name
- Bibliography:IMEV 1501Nicholls (1982), pp. 5-10NIMEV 1501DIMEV 2532-1
- Title: The Storia Lune
- Language(s): Middle English
- Bibliography:IMEV 3342Taavitsainen (1988), pp. 63-65NIMEV see 4264DIMEV 5269-2
- Title: Music
- Language(s): Latin
- Bibliography:Charles (1967), nos 107-120
- Title: Liturgical text of the prophecies of the Adventrama
- Language(s): Middle English
- Note(s): Two full stanzas and three lines of a third, attributed to "Ieremias", "Ysayas", and "David" (their names are inscribed in red ink to the right of each stanza).; The last four lines have been erased and replaced with an anti-Catholic poem by a 17th-century hand: "on a Crucifix: why not the picture of our dying Lord as of a friend not this nor that and adored does not the Eternal law command that thou Shalt euen as well forbeare to make as hon.". The same hand has added a line of music and text to f. 64r.
- Bibliography:IMEV 2600NIMEV 2600DIMEV 4116-1
- Title: Music
- Language(s): Latin
- Bibliography:Charles (967), no. 121
- Title: Number puzzle in verse on the name "HIESUS"
- Language(s): Middle English
- Excerpts:Incipit: 128r In .8. is all my loue / and .9. be y sette by fore / so .8. be yclosyd aboue / than .3. is good therefore - JHS
- Bibliography:James (1923), 3, p. 11Robbins (1955), p. 80Luria (1974), p. 121IMEV 717NIMEV 717DIMEV 1180-3
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