This 15th-century manuscript is entirely dedicated to Thucydides, History of the Peloponnesian War, which recounts the war between Sparta and Athens (431-404 BCE) down to the year 411 BCE. The manuscript is cited in editions of the text as N or Cn. The History is preceded by the brief anonymous life of Thucydides.
The manuscript was previously attributed to an unknown scribe named George the Cretan, but this erroneous identification was corrected by Diller, who identified the hand of Andronikos Kallistos (Andronicus Callistus). Kallistos was a Greek émigré and teacher of Greek literature in Bologna, Rome, Florence, Paris and London. After the fall of Constantinople in 1453, Kallistos went to Italy and entered into the circle of Palla Strozzi and Bessarion. He left Tuscany in 1475 and his presence is attested in Milan in 1475-1476, before he left Italy for France and eventually England, where he died in 1476 in London. This copy of Thucydides is linked to a copy of Herodotus now Cambridge, Emmanuel College, MS 30. The two manuscripts were conceived as pair, both for their content (the two major Greek historians) and for their physical characteristics.
The manuscript entered into Anthony Askew's collection, and was borrowed by the 18th-century classical scholar Richard Porson, who added the note on f. 1v and numbered the books in the upper margin of recto folios. According to Porson, the manuscript would appear to be the Clarendonianus used by Hudson for his 1696 edition of Thucydides.
The manuscript now consists of 39 quires: quires 1-36 are regular quaternions, quire 37 lacks four folios without loss of text, the last folio of quire 38 is missing (in all likelihood blank like the preceding verso), and one bifolium was inserted between the sixth and the seventh folios of quire 38, consistently with the text which has not been interrupted.
Henry Bradshaw (1831-1886) added modern quire signatures and a general note on collation on f. [xv] recto, and notes throughout the manuscript on lost folios.
Original quire signatures in brown ink, in Greek numerals from αον (f. 8v) to λζον (f. 289r), on lower margin of the first folio recto of quires 2-37, and on the lower margin of the last folio verso of quires 1-36.Modern quire signatures by Henry Bradshaw in pencil in the lower right-hand corner of the rectos: quires 1-23 a-z (lower-case); quires 24-39 A-P (upper-case). Quire 38 bears the sequence P1-P7, quire 39 the sequence P*1-P*2.
One horizontal catchword by a later hand on f. 302v.Binding in pale brown full leather covering over millboards. Marbled paper endleaves. The title and classmark are tooled in gold on the spine: Herodotus MS. Nn.3.18 xv. cent.. Binding signed by Wiseman of Cambridge, on lower margin of first marbled endleaf, verso.
Binding height: 226 mm, width: 155 mm, depth: 57 mm.
Andronikos Kallistos: ff. 2r-290v.
The manuscript is written by the scribe and scholar Andronikos Kallistos (RGK I 18) in a practised minuscule without any claim to aesthetic effect, related to the Druckminuskel.
Syllabic abbreviations and superscript letter endings usually appear only at the end of lines and rarely elsewhere (e.g. common abbreviation of μεν). Breathings are curved and joined to accents; circumflex accent is hat-like; almost vertical acutes and graves. Isolated trema is sometimes traced over iota and ypsilon; mute iota is present but not consisitently used. Horizontal bars over names are extended.
Kallistos' handwriting is characterized by the beta in bilobate shape, high gamma and lambda with curved elongated stroke if ligated, and enlarged lunate sigma.
Ligatures with rho are drawn up, traced in a single line and often with small closed loops.
Punctuation used includes the middle and upper point, lower comma and full stop.
Corrections and additions in brown pale ink in the margins are by the same hand.
This hand was previously identified with that of George the Cretan.
ff. 295r-305r probably written by a second hand, that displays a minuscule very closely following the model of Kallistos' handwriting, but slanting slightly to the right, with denser text.
[i-ix + ixa, x-xii] + 1-290, 295-305 + [305a, xiii-xv, xva + xvi-xxiv]. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto. A previous foliation in brown ink in Arabic numerals in the upper margin, recto starts with "2" from f. 3r, occasionally lost in trimming. Folio numbers 291-294 are assigned to leaves no longer present in the volume (as per historic foliation practices at Cambridge University Library).
Note by Richard Porson on f. 1v: "Videtur esse Hudsoni Codex Clarendonius", with reference to the 1696 edition by John Hudson. Porson also marked the number of the books in the upper margin of rectos in Greek numerals.
Henry Bradshaw added a general note on collation on f. [xv] recto, and notes throughout the manuscript on lost folios.
The manuscript belonged to the library of the copyist and later to Baldassar Migliavacca active as commentator and book collector in last quarter of the 15th century in Milan; his ex libris remains on f. 1v: "κτῆμα ἐμοῦ Βαλτάσορος τοῦ Μελιαβακκοῦ". Kallistos sold most of his library in Milan in 1475-1476, before he left for France and England. Migliavacca probably purchased the manuscript from Kallistos himself or from Giovanni Francesco della Torre, who bought Kallistos' library (cf. Botley 2018). Kallistos' collection was sold again between 1481 and 1483, but Migliavacca could have been in possession of the manuscript as early as 1475.
The manuscript later entered the collection of Anthony Askew (1722-1774), physician and book collector.
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The manuscript now consists of 39 quires: quires 1-36 are regular quaternions, quire 37 lacks four folios without loss of text, the last folio of quire 38 is missing (in all likelihood blank like the preceding verso), and one bifolium was inserted between the sixth and the seventh folios of quire 38, consistently with the text which has not been interrupted.
Henry Bradshaw (1831-1886) added modern quire signatures and a general note on collation on f. [xv] recto, and notes throughout the manuscript on lost folios.
Original quire signatures in brown ink, in Greek numerals from αον (f. 8v) to λζον (f. 289r), on lower margin of the first folio recto of quires 2-37, and on the lower margin of the last folio verso of quires 1-36.Modern quire signatures by Henry Bradshaw in pencil in the lower right-hand corner of the rectos: quires 1-23 a-z (lower-case); quires 24-39 A-P (upper-case). Quire 38 bears the sequence P1-P7, quire 39 the sequence P*1-P*2.
One horizontal catchword by a later hand on f. 302v.Binding in pale brown full leather covering over millboards. Marbled paper endleaves. The title and classmark are tooled in gold on the spine: Herodotus MS. Nn.3.18 xv. cent.. Binding signed by Wiseman of Cambridge, on lower margin of first marbled endleaf, verso.
Binding height: 226 mm, width: 155 mm, depth: 57 mm.
Andronikos Kallistos: ff. 2r-290v.
The manuscript is written by the scribe and scholar Andronikos Kallistos (RGK I 18) in a practised minuscule without any claim to aesthetic effect, related to the Druckminuskel.
Syllabic abbreviations and superscript letter endings usually appear only at the end of lines and rarely elsewhere (e.g. common abbreviation of μεν). Breathings are curved and joined to accents; circumflex accent is hat-like; almost vertical acutes and graves. Isolated trema is sometimes traced over iota and ypsilon; mute iota is present but not consisitently used. Horizontal bars over names are extended.
Kallistos' handwriting is characterized by the beta in bilobate shape, high gamma and lambda with curved elongated stroke if ligated, and enlarged lunate sigma.
Ligatures with rho are drawn up, traced in a single line and often with small closed loops.
Punctuation used includes the middle and upper point, lower comma and full stop.
Corrections and additions in brown pale ink in the margins are by the same hand.
This hand was previously identified with that of George the Cretan.
ff. 295r-305r probably written by a second hand, that displays a minuscule very closely following the model of Kallistos' handwriting, but slanting slightly to the right, with denser text.
[i-ix + ixa, x-xii] + 1-290, 295-305 + [305a, xiii-xv, xva + xvi-xxiv]. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto. A previous foliation in brown ink in Arabic numerals in the upper margin, recto starts with "2" from f. 3r, occasionally lost in trimming. Folio numbers 291-294 are assigned to leaves no longer present in the volume (as per historic foliation practices at Cambridge University Library).
Note by Richard Porson on f. 1v: "Videtur esse Hudsoni Codex Clarendonius", with reference to the 1696 edition by John Hudson. Porson also marked the number of the books in the upper margin of rectos in Greek numerals.
Henry Bradshaw added a general note on collation on f. [xv] recto, and notes throughout the manuscript on lost folios.
The manuscript belonged to the library of the copyist and later to Baldassar Migliavacca active as commentator and book collector in last quarter of the 15th century in Milan; his ex libris remains on f. 1v: "κτῆμα ἐμοῦ Βαλτάσορος τοῦ Μελιαβακκοῦ". Kallistos sold most of his library in Milan in 1475-1476, before he left for France and England. Migliavacca probably purchased the manuscript from Kallistos himself or from Giovanni Francesco della Torre, who bought Kallistos' library (cf. Botley 2018). Kallistos' collection was sold again between 1481 and 1483, but Migliavacca could have been in possession of the manuscript as early as 1475.
The manuscript later entered the collection of Anthony Askew (1722-1774), physician and book collector.