This small parchment manuscript contains the Epitaphius (The Funeral Oration), for the fallen of the battle of Chaeronea (338 BCE), ascribed to the Athenian orator Demosthenes (b. 384, d. 322 BCE). The authorship of this speech is not certain, and it was first questioned by Dionysios of Halicarnassus.
The codex was written for the humanist scholar Guillaume Budé (b. 1468, d. 1540) by Georgios Hermonymos (b. c. 1430, d. c. 1511), who in addition to being a copyist, was a diplomat (he was sent to England by Pope Sixtus IV) and the first lecturer of Greek at the Collège de Sorbonne in Paris.
Hermonymos also copied CUL Kk.5.35, Kk.6.23, Ll.2.13 and Corpus Christi College, Parker Library, Cambridge, MS 224.
Dr Matteo Di Franco
The manuscript was bound by Geoffroy de Marnef, active in Paris between 1490 and 1518. Bound in brown calfskin, stamped on both boards: a rectangle containing five rows decorated with flowers and vines. The border around the inner rectangle is decorated with vegetative motifs, birds, dragons and lettered scrolls. On the top left the legend (readable on the back cover) is par le mieulx; on the top right in deum confido. In the lower right corner the binder's name is embossed: G. De Marnef.
The cover is in poor condition, almost detached.
The pasteboards are delaminanting and made of printed waste from an edition (1484?) of the Quaestiones in quattuor libros sententiarum by Johannes Baconthorpe.
The fore-, head- and tail-edges are gilded.
Binding height: 204 mm, width: 144 mm, depth: 15 mm.
Written by the 15th-century Greek scholar and scribe Georgios Hermonymos (RGK I 61) in a minuscule script in pale brown ink.
Slanting slightly to the right, Hermonymos' hand shows cursive-like ductus without variation in letter size. Ligatures and abbreviations are rare. His script is characterized by the minuscules gamma, eta, xi, rho. Sigma telikon is in Z-shape and is found sometimes in the middle of the word. Breathings are curved; accents do not join to letters or breathings.
For further details on Georgios Hermonymos' script, see Kalatzi 2009, p. 111-132.
1-14. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto.
It later entered into the library of Anthony Askew (b. 1722, d. 1774), physician and book collector.
The codex was copied by Georgios Hermonymos during his stay in Paris for Guillaume Budé (see Kalatzi 2009, p. 77) between the last quarter of 15th century and the early 16th century.
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The manuscript was bound by Geoffroy de Marnef, active in Paris between 1490 and 1518. Bound in brown calfskin, stamped on both boards: a rectangle containing five rows decorated with flowers and vines. The border around the inner rectangle is decorated with vegetative motifs, birds, dragons and lettered scrolls. On the top left the legend (readable on the back cover) is par le mieulx; on the top right in deum confido. In the lower right corner the binder's name is embossed: G. De Marnef.
The cover is in poor condition, almost detached.
The pasteboards are delaminanting and made of printed waste from an edition (1484?) of the Quaestiones in quattuor libros sententiarum by Johannes Baconthorpe.
The fore-, head- and tail-edges are gilded.
Binding height: 204 mm, width: 144 mm, depth: 15 mm.
Written by the 15th-century Greek scholar and scribe Georgios Hermonymos (RGK I 61) in a minuscule script in pale brown ink.
Slanting slightly to the right, Hermonymos' hand shows cursive-like ductus without variation in letter size. Ligatures and abbreviations are rare. His script is characterized by the minuscules gamma, eta, xi, rho. Sigma telikon is in Z-shape and is found sometimes in the middle of the word. Breathings are curved; accents do not join to letters or breathings.
For further details on Georgios Hermonymos' script, see Kalatzi 2009, p. 111-132.
1-14. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto.
It later entered into the library of Anthony Askew (b. 1722, d. 1774), physician and book collector.
The codex was copied by Georgios Hermonymos during his stay in Paris for Guillaume Budé (see Kalatzi 2009, p. 77) between the last quarter of 15th century and the early 16th century.