Secundo folio 1r: Uita breuis . Liber iste
The coincidence of quire divisions with the start and end of the main texts in the manuscript point to it being made of codicological units, which were produced at or around the same time, with identical layouts, and with the intention that they be bound together from the outset. The units are as follows:
Catchwords in ink in a medieval hand in the lower inner corner of the last verso of each quire.
?Late-13th century binding. Fully bound in undecorated alum-tawed skin over wood boards cut flush with the book-block. Head and tail bands of cream and green ?silk yarn around a thicker core; lower band repaired with blue yarn, stitches visible on the outside of the binding. Four raised bands on spine. Two small printed paper labels fixed to the spine, '24' and 'D' for the present shelfmark. Remains of former fastenings visible on both boards as puncture marks and rust stains. The arrangement of the remains of the former fastenings suggests the volume was initially fastened with a single closure across the centre of the fore-edge, and later with four strap-and-pin fastenings, two across the fore edge, one across the head edge, and one across the tail edge. All substantial remains of the fastenings are gone save for a few anchor pins in the left board, but the pattern of damage for the four-part fastening indicates that the straps were anchored in the left board and the pin plates were fixed to the right board, an arrangement typical of English bindings at this time.
Two parchment pastedowns pasted over the turn-ins, both now lifting. The left pastedown contains:
The right pastedown contains a medical recipe.
Loose paper leaf tucked between the left pastedown and f. [i]r, f. [a] with annotations in ink on the recto and verso as follows: Folio [a] recto contains a note in ink in an early modern hand that mentions St John's College, Cambridge. Folio [a] verso contains a partial and partially numbered list of the contents of the volume in ink in an early modern hand as follows:
A small paper scrap (c. 100 mm x 20 mm (w x h)), perhaps used as a bookmark with a note in ink on its recto: "'Galeni M.S Q Agidius de Urinis . M S ."'
Written in a small and relatively informal northern textualis libraria.
Annotated extensively by several scribes writing various forms of northern textualis currens. One of the annotators appears to be the same scribe who added directions for the rubricator, see e.g., 285v marginal annotations, instructions in the lower corners, and rubrics.
Annotations in the hand of John of London (fl. c. 1290-1330). John of London was a major donor of manuscripts to St Augustine's Canterbury, and his annotations and sometimes his name appear in several volumes belonging to Canterbury that are not recorded as part of his original donation. Precise biographical details about John of London have not been been firmly established at the time of the composition of this record (2023), but John seems to have been active at Canterbury c. 1290-1330, and several plausible historical figures have been put forward for identification with his cognomen. John's annotations appear in this volume on ff. [i] verso, 276r, 281v etc.
19th/20th-century foliation
[a] + [loose paper leaf] + [i] + 1-74, 75-186, 187-275, 276-353
Foliated in pencil in the upper outer corner of the first recto of each quire, starting at the second quire. The digital images of a medieval flyleaf at the start of the volume have been assigned the folio designation [i] by the Curious Cures Project in 2023 during the preparation of this online catalogue record.Historiated initials depiciting scenes of medical treatment or daily life present at the beginning of some texts in the volume:
Decorative initials throughout at the major divisions of some of the texts, most in the style of the initial S on 124v, or with touches of gold. On f. 187r, there is an initial Q with a winged grotesque and foliate interlace.
Flourished initials at major and minor divisions of the text throughout the volume. The flourished initials are typically red with blue labrynthine flourishing (or the reverse), but the bodies of some of the flourished initials are rendered in the 'puzzle' style in red and blue and accompanied by labrynthine flourshing in red or blue.
Lombardic capitals in white on blue or pink grounds for the first few words immediately following a major decorative initial.
Paraph marks in red or blue throughout
Owned by the monastic community at St. Augustine's Abbey in Canterbury, England by c. 1330. The volume has annotations in the hand of John of London (fl. c. 1290-1330), a donor of manuscripts to St Augustine's and possibly also a member of that community.
Recorded in the St Augustine's Library Catalogue designated as 'BA1' in the CBMLC (see vols. 13.1-3). The history of this St Augustine's Library Catalogue is complex and it only survives in a single later witness, but the original version is believed to have been compiled c. 1375-1420 and to reflect the extant library holdings at the time of its original compilation.
Purchased at an unknown time before 1624 by William Crashaw, a lawyer, book collector, and former Johnian. Crashaw's collection numbered around 200 manuscripts and 1000 printed books.
The manuscripts and printed books owned by William Crashaw were purchased by Henry Wriothesley, 3rd Earl of Southampton, at an unknown time before Wriothesley's death in 1624. Wriothesley had been a student-contemporary of Crashaw at St John's College and he purchased Crashaw's collection with the intention to present the volumes as a gift to the Library of St John's College. The library was still partly under construction at the time of the purchase resulting in the Wriothesley family storing Crashaw's collection and delivering it piecemeal to the College over a number of years.
After Henry Wriothesley's death in 1624 and William Crashaw's death in 1626, care of Crashaw's books and manuscripts passed to Wriothesley's son, Thomas Wriothesley, 4th Earl of Southampton. Although Crashaw's printed books seem to have passed swiftly to the College, Thomas Wriothesley seems to have taken a particular interest in the manuscripts, adding his name (typically in the form Tho: C. S. for 'Thomas comes southamptoniensis') to most of them, and apparently exhibiting such reluctance to deliver the manuscripts that the College wrote to his mother, Elizabeth Vernon to ask her to encourage her son to hand over the volumes.
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Secundo folio 1r: Uita breuis . Liber iste
The coincidence of quire divisions with the start and end of the main texts in the manuscript point to it being made of codicological units, which were produced at or around the same time, with identical layouts, and with the intention that they be bound together from the outset. The units are as follows:
Catchwords in ink in a medieval hand in the lower inner corner of the last verso of each quire.
?Late-13th century binding. Fully bound in undecorated alum-tawed skin over wood boards cut flush with the book-block. Head and tail bands of cream and green ?silk yarn around a thicker core; lower band repaired with blue yarn, stitches visible on the outside of the binding. Four raised bands on spine. Two small printed paper labels fixed to the spine, '24' and 'D' for the present shelfmark. Remains of former fastenings visible on both boards as puncture marks and rust stains. The arrangement of the remains of the former fastenings suggests the volume was initially fastened with a single closure across the centre of the fore-edge, and later with four strap-and-pin fastenings, two across the fore edge, one across the head edge, and one across the tail edge. All substantial remains of the fastenings are gone save for a few anchor pins in the left board, but the pattern of damage for the four-part fastening indicates that the straps were anchored in the left board and the pin plates were fixed to the right board, an arrangement typical of English bindings at this time.
Two parchment pastedowns pasted over the turn-ins, both now lifting. The left pastedown contains:
The right pastedown contains a medical recipe.
Loose paper leaf tucked between the left pastedown and f. [i]r, f. [a] with annotations in ink on the recto and verso as follows: Folio [a] recto contains a note in ink in an early modern hand that mentions St John's College, Cambridge. Folio [a] verso contains a partial and partially numbered list of the contents of the volume in ink in an early modern hand as follows:
A small paper scrap (c. 100 mm x 20 mm (w x h)), perhaps used as a bookmark with a note in ink on its recto: "'Galeni M.S Q Agidius de Urinis . M S ."'
Written in a small and relatively informal northern textualis libraria.
Annotated extensively by several scribes writing various forms of northern textualis currens. One of the annotators appears to be the same scribe who added directions for the rubricator, see e.g., 285v marginal annotations, instructions in the lower corners, and rubrics.
Annotations in the hand of John of London (fl. c. 1290-1330). John of London was a major donor of manuscripts to St Augustine's Canterbury, and his annotations and sometimes his name appear in several volumes belonging to Canterbury that are not recorded as part of his original donation. Precise biographical details about John of London have not been been firmly established at the time of the composition of this record (2023), but John seems to have been active at Canterbury c. 1290-1330, and several plausible historical figures have been put forward for identification with his cognomen. John's annotations appear in this volume on ff. [i] verso, 276r, 281v etc.
19th/20th-century foliation
[a] + [loose paper leaf] + [i] + 1-74, 75-186, 187-275, 276-353
Foliated in pencil in the upper outer corner of the first recto of each quire, starting at the second quire. The digital images of a medieval flyleaf at the start of the volume have been assigned the folio designation [i] by the Curious Cures Project in 2023 during the preparation of this online catalogue record.Historiated initials depiciting scenes of medical treatment or daily life present at the beginning of some texts in the volume:
Decorative initials throughout at the major divisions of some of the texts, most in the style of the initial S on 124v, or with touches of gold. On f. 187r, there is an initial Q with a winged grotesque and foliate interlace.
Flourished initials at major and minor divisions of the text throughout the volume. The flourished initials are typically red with blue labrynthine flourishing (or the reverse), but the bodies of some of the flourished initials are rendered in the 'puzzle' style in red and blue and accompanied by labrynthine flourshing in red or blue.
Lombardic capitals in white on blue or pink grounds for the first few words immediately following a major decorative initial.
Paraph marks in red or blue throughout
Owned by the monastic community at St. Augustine's Abbey in Canterbury, England by c. 1330. The volume has annotations in the hand of John of London (fl. c. 1290-1330), a donor of manuscripts to St Augustine's and possibly also a member of that community.
Recorded in the St Augustine's Library Catalogue designated as 'BA1' in the CBMLC (see vols. 13.1-3). The history of this St Augustine's Library Catalogue is complex and it only survives in a single later witness, but the original version is believed to have been compiled c. 1375-1420 and to reflect the extant library holdings at the time of its original compilation.
Purchased at an unknown time before 1624 by William Crashaw, a lawyer, book collector, and former Johnian. Crashaw's collection numbered around 200 manuscripts and 1000 printed books.
The manuscripts and printed books owned by William Crashaw were purchased by Henry Wriothesley, 3rd Earl of Southampton, at an unknown time before Wriothesley's death in 1624. Wriothesley had been a student-contemporary of Crashaw at St John's College and he purchased Crashaw's collection with the intention to present the volumes as a gift to the Library of St John's College. The library was still partly under construction at the time of the purchase resulting in the Wriothesley family storing Crashaw's collection and delivering it piecemeal to the College over a number of years.
After Henry Wriothesley's death in 1624 and William Crashaw's death in 1626, care of Crashaw's books and manuscripts passed to Wriothesley's son, Thomas Wriothesley, 4th Earl of Southampton. Although Crashaw's printed books seem to have passed swiftly to the College, Thomas Wriothesley seems to have taken a particular interest in the manuscripts, adding his name (typically in the form Tho: C. S. for 'Thomas comes southamptoniensis') to most of them, and apparently exhibiting such reluctance to deliver the manuscripts that the College wrote to his mother, Elizabeth Vernon to ask her to encourage her son to hand over the volumes.
List of the contents of the volume added in a late-15th century hand, with pressmark and ownership declaration. The pressmark is in a slightly different ink and ?perhaps a different hand to the list of the contents of the volume and the ownership declaration. The list of the contents is as follows:
This item can be found on p. 88 of the 15th century catalogue of the St Augustine's library, see CBMLC 13.2 BA1.1218, the list of the contents described in the 15th century library catalogue is almost an exact match for the list of the contents given in this volume, and both omit the Liber graduum of Constantinus Africanus found on ff. 3v-10v