1-38 48-1+1 (1st missing and replaced with a modern leaf) 5three [Three flyleaves] 68 7two | 88 9six | 104-1 (4th missing) 116-1 (6th missing) | 1216 | 1316+?one (?one added after 16) 1418-2 (1st and 17th missing) | 154 | 1612 | 1714+1 or 16-1 (one added to the second half or one missing from the first half of the quire | Collation unestablished for Part 9 | Collation unestablished for Part 10
18th- or 19th-century half vellum (white) binding with marbled paper sides.
Binding height: 250mm; width: 175mm; depth: 50mm.
Late 16th- or early 17-century pagination and 17th-century foliation: a late 16th- or early 17th-century pagination sequence (pp. 1-70) that is is supplemented by a 17th-century foliation sequence.
The latter sequence is first introduced on p. 65, where the 17th-century foliator starts with the number "62". They have then adapted the page numbers on the rectos of the next two pages to turn them into folio numbers: p. "67" has become f. "63" and p. "69" has become f. "64". However, a modern librarian has rejected these changes and re-written the original page numbers in pencil below the adapted page numbers on p. 67 and p. 69 and confirmed that this page sequence should be followed until p. 70 by duplicating the existing page number on that page. Because of this modern preference and the fact that this is where the original page number sequence ends (there is no pagination on ff. 65r-68r; pagination re-starts at '1' on f. 68v), this catalogue record follows the manuscript's pagination up to page 70 and then follows the added early modern foliation which begins with f. 65 and ends with f. 253. Subsequently, the foliation is continued by a modern librarian's hand in pencil until f. 265.
[a]-[b] + PART 1: ff. [i]-[ii] and pp. 1-70, ff. 65-78 | PART 2: ff. 79-92 | PART 3: ff. 93-95, 95a, 96-99 | PART 4: ff. 100-115 | PART 5: ff. 116-147, 147a, 148 | PART 6: ff. 149-152 | [152a] | PART 7: ff. 155-166 | PART 8: ff. 167-181 | PART 9: ff. 182-235, [235a] | PART 10: ff. 236-265, [265a], [265b] + [c]-[d]
The pagination on pp. 1-70 is written in brown ink in the upper outer corners of both the rectos and versos. The foliation on ff. 65-253 is written both on the inner and outer corners of the upper margins of the rectos.
This pagination and foliation sequence is followed for reference purposes throughout this record. All other historical pagination and foliation sequences (described below) are ignored.For reference purposes in this electronic catalogue record, the manuscript's unfoliated modern flyleaves at the beginning and end ([a]-[b] and [c]-[d]), as well as original blank flyleaves attached to the first part ([i]-[ii]), an unfoliated modern leaf between parts 6 and 7 ([152a]), a stub ([235a]) and original blank leaves (possibly flyleaves) attached to the final part ([265a], [265b]) have all been allocated folio references in square brackets.15th- or 16th-century foliation sequence:
'1'-'22' (on ff. 79-99), and continued by a later early modern hand with the numbers '23'-'102' (on ff. 100-182.
Written in dark ink in the inner corners of the upper margins of the rectos.
15th- or 16th-century foliation sequence:
'i'-'xxxj' (on ff. 119-148)
Written in brown ink at the centres of the upper margins of the rectos.
15th- or 16th-century foliation sequence:
'1'-'33' (on ff. 183-215)
Written in brown ink to the outer upper corners of the rectos.
The manuscript contains a curatorial note on f. [152a] recto about folios 153 and 154, which contain a fragment of a printed version of the Seven Sages of Rome (Pynson, 1493). These leaves were removed from the manuscript and bound separately in May 1913 (now Cambridge, Trinity College, VI.18.19).
One of the manuscripts of Thomas Gale (1635/6-1702), dean of York, antiquary and fellow of Trinity College Cambridge. The manuscript is listed as no. 120 (this number inscribed on f. [i] recto) in the list of Gale's manuscripts in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (1697).
One of the manuscripts of Roger Gale (1672-1744), antiquary and scholar, son of Thomas Gale. Inherited from his father.
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1-38 48-1+1 (1st missing and replaced with a modern leaf) 5three [Three flyleaves] 68 7two | 88 9six | 104-1 (4th missing) 116-1 (6th missing) | 1216 | 1316+?one (?one added after 16) 1418-2 (1st and 17th missing) | 154 | 1612 | 1714+1 or 16-1 (one added to the second half or one missing from the first half of the quire | Collation unestablished for Part 9 | Collation unestablished for Part 10
18th- or 19th-century half vellum (white) binding with marbled paper sides.
Binding height: 250mm; width: 175mm; depth: 50mm.
Late 16th- or early 17-century pagination and 17th-century foliation: a late 16th- or early 17th-century pagination sequence (pp. 1-70) that is is supplemented by a 17th-century foliation sequence.
The latter sequence is first introduced on p. 65, where the 17th-century foliator starts with the number "62". They have then adapted the page numbers on the rectos of the next two pages to turn them into folio numbers: p. "67" has become f. "63" and p. "69" has become f. "64". However, a modern librarian has rejected these changes and re-written the original page numbers in pencil below the adapted page numbers on p. 67 and p. 69 and confirmed that this page sequence should be followed until p. 70 by duplicating the existing page number on that page. Because of this modern preference and the fact that this is where the original page number sequence ends (there is no pagination on ff. 65r-68r; pagination re-starts at '1' on f. 68v), this catalogue record follows the manuscript's pagination up to page 70 and then follows the added early modern foliation which begins with f. 65 and ends with f. 253. Subsequently, the foliation is continued by a modern librarian's hand in pencil until f. 265.
[a]-[b] + PART 1: ff. [i]-[ii] and pp. 1-70, ff. 65-78 | PART 2: ff. 79-92 | PART 3: ff. 93-95, 95a, 96-99 | PART 4: ff. 100-115 | PART 5: ff. 116-147, 147a, 148 | PART 6: ff. 149-152 | [152a] | PART 7: ff. 155-166 | PART 8: ff. 167-181 | PART 9: ff. 182-235, [235a] | PART 10: ff. 236-265, [265a], [265b] + [c]-[d]
The pagination on pp. 1-70 is written in brown ink in the upper outer corners of both the rectos and versos. The foliation on ff. 65-253 is written both on the inner and outer corners of the upper margins of the rectos.
This pagination and foliation sequence is followed for reference purposes throughout this record. All other historical pagination and foliation sequences (described below) are ignored.For reference purposes in this electronic catalogue record, the manuscript's unfoliated modern flyleaves at the beginning and end ([a]-[b] and [c]-[d]), as well as original blank flyleaves attached to the first part ([i]-[ii]), an unfoliated modern leaf between parts 6 and 7 ([152a]), a stub ([235a]) and original blank leaves (possibly flyleaves) attached to the final part ([265a], [265b]) have all been allocated folio references in square brackets.15th- or 16th-century foliation sequence:
'1'-'22' (on ff. 79-99), and continued by a later early modern hand with the numbers '23'-'102' (on ff. 100-182.
Written in dark ink in the inner corners of the upper margins of the rectos.
15th- or 16th-century foliation sequence:
'i'-'xxxj' (on ff. 119-148)
Written in brown ink at the centres of the upper margins of the rectos.
15th- or 16th-century foliation sequence:
'1'-'33' (on ff. 183-215)
Written in brown ink to the outer upper corners of the rectos.
The manuscript contains a curatorial note on f. [152a] recto about folios 153 and 154, which contain a fragment of a printed version of the Seven Sages of Rome (Pynson, 1493). These leaves were removed from the manuscript and bound separately in May 1913 (now Cambridge, Trinity College, VI.18.19).
One of the manuscripts of Thomas Gale (1635/6-1702), dean of York, antiquary and fellow of Trinity College Cambridge. The manuscript is listed as no. 120 (this number inscribed on f. [i] recto) in the list of Gale's manuscripts in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (1697).
One of the manuscripts of Roger Gale (1672-1744), antiquary and scholar, son of Thomas Gale. Inherited from his father.
3: Nunquid ergo
Leaf signatures written in brown ink at the centres of the lower margins of the rectos of the first halves of quires plus the first rectos of the second halves. These consist of combinations of letters from the Roman alphabet and Roman numerals: Quires 1-5: "A" to "E"; and Quires 6-7: "A" to "B".
The main text is copied by (?)1 hand working in an italic script.
The texts on p. 1, and ff. 65r, 66v-67v, 78r-78v were added by different hands working in a mixture of cursive scripts.
Written height: 170-180 mm, width: 110-120 mm. Ruled in hardpoint, frame only. 28-30 lines to the page, written below top line.
This part of the manuscript does not contain any significant forms of decoration.
Pages 1-70 and folios 68r-77v may have been copied separately, as is suggested by the two different paperstocks and the re-start of the letter sequence of the leaf signatures at f. 68r, but they were pobably produced by the same scribe and joined or kept together from an early stage onwards.
80r: ffor savssflem
Folios 79r-92v: Hand with a five-pointed star (and one other unidentified watermark: see f. 79).
Various cursive scripts added by 15th- and 16th-century hand, typically contianing both anglicana and secretary features.
Written height: 150-160 mm, width: 110-115 mm. No ruling. Single colums. The original texts of this quire contain c. 35-c. 45 lines to the page.
This part of the manuscript does not contain any significant forms of decoration.
For a likely terminus ante quem non, see the list of monarchs on f. 90r. Added to by various hands in the 15th century and/or in the first half of the 16th century.
94r: The fourme
Folios 93-99: Jug with a cross (and one other unidentified watermark: see f. 79).
Various cursive scripts added by 15th- and 16th-century hands, typically containing both anglicana and secretary features.
Written height: 150 mm, width: 115 mm. No ruling. Single colums. The original texts of this quire contain c. 30 lines to the page.
This part of the manuscript does not contain any significant forms of decoration.
101r: Tak Betayne
Leaf signatures in brown ink at the centres of the lower margins of the rectos of the first half of the quire. These consist of a Roman numeral ("[i]"-"viij") followed by the letter "A".
Folios 100-115: Mountain with cross.
The larger part of the recipes are copied by one 15th-century hand working in a cursive script with both anglicana and secretary features (additions on ff. 115r-115v were made by comprable cursive hands).
Written height: 190 mm, width: 110 mm. Ruled in ink, frame only. Single columns. 41-43 lines to the page, written below top line.
One large (4 lines) green initial on f. 100r.
Large (2 to 3 lines) plain initials in red ink throughout.
Headings for recipes written in red ink.
Linefillers consiting of horizontal wavy lines in red ink.
Regular initial in brown ink occasionally highlighted with red ink.
Underlining in red ink.
Paraphs in red ink.
Crosses in charms drawn in red ink.
John Norton (d. 1459): perhaps copied the larger portion and owned this part of the manuscript. Three medical recipes attributed to him on ff. 100r and 113r. His note about a total solar eclipse on Sunday 17 June 1433 on f. 115r. Signed the copy of "De navicula" on ff. 114v-115r with his initials encoded as numbers (9.13). For Norton, see Owen Manning and William Bray, The History and Antiquities of the County of Surrey, II (London: Nichols, 1809; repr. East Ardsley, Wakefield: EP Publishing, 1974), p. 504.
The collection includes various charms: One charm, entitled "A good medycyn for the ffeueres" (f. 100r) invokes seven types of fevers that are named after their durations, starting with a one-day fever ("cotidianas") and going up to a seven-day fever ("septanas"). Another charm, entitled "Another for þeo same" (ff. 100r-100v) instructs one to write holy names of God on three oblates and feed them to a patient over the course of three consecutive days. One for curing a morbid growth in the eye, entitled "Coniuracyoun for þe hawe in þe ye a souereyn medycyn" (f. 101v) involves a formula that needs to be recited over the eye and yellow juice of celandine that needs to be applied with a goose feather ("þe fether of a gos wynge þat þis goldesmythe vses to soude with") that needs to be bound over the eye all night for a duration of ten days. There is also a charm for curing toothache, entitled "A nobell charm for tothache" (f. 102v) that recounts the apocryphal tale of Christ on a marble stone healing St Peter from the tootache. A charm against dysentery, entitled "A good charme for þe menysoun" (f. 104r), conjures the ailment with the apocryphal story about how the River Jordan stopped flowing at Christ's baptism.
Under a heading, entitled "A good charme to staunche blode of man or woman" (f. 105r six charms for bloodstaunching are given: the first one invokes the apocryphal story of Longinus piercing Christ's side; the second to fifth charms involve liturgical formula and prayers often in combination with herbs; and the sixth charm involves two strips of parchment inscribed with magical characters that need to be bound between the patient's shins (including a test to prove the efficacy of these charaters by writing them on a knife and subsequently cutting a swine with it). It also contains a magical method for determining whether a patient shall live or die, entitled "ȝef þy gode frend be seke and þou wylt wyte wheþer he schal lyue oþer dye" (ff. 107r), in which one needs to recite five Pater Nosters over five shoots of vervain in honour of the Five Wounds and then conjure the shoots that the patient shall tel them truthly whether they will live or die, place the herb in one's right hand and then hold the patient's right hand with the herb in between the joint hands. The medical practitioner should then ask the patient wheter they will live or die and "he schal say þe sothe". A charm, entitled "ffor þe ffalyng euell" (f. 110r), instructs one to take blood from the patient's little finger and use it to write the names of the Three Magi either on a parchment amulet or, for a child below the age of seven, in a drinking cup. Another charm to help patient's sleep, entitled "ffor hym þat not slepe for sykenus wryte þes wordes on a lorere leeff" (f. 112r), involves an amulet inscribed with the words: "+ Ymael + Ysmahet + Adiuro te per angelum dei vt soporet homo iste" that needs to be placed secretly under the patient's head.
Two childbirth charms, one is an instruction for making an amulet (unspecified material) inscribed with "Maria peperit christum" formula, including reference to St Celine [Cecilia] and St Remigius, and the formula "Sator Arepo Tenet Opera Rotas", that needs to be bound to the pregnant woman's belly. The other involves inscribed the Pater noster in a drinking bowl and making the pregnant woman drink ale or wine from it. A charm for the toothache, entitled "A charm for þe totake or for what worme þat be in þe hed or in any place of þe body" (f. 113r), an amulet inscribed with a charm that invokes "vermin" by the Virgin Mary and St Cassian; and a charm to heal fever, entitled "ffor þe feuerez a good medycyne" (f. 113r) that invokes the names of God.
Two recipes are attributed to a certain John Norton: one (f. 113r). was initially attributed to "J. Weston" but this name has been crossed out and replaced for: "9.13", which has been decrypted to "J. Norton" to the right. Another recipe on f. 100r has also been attributed to him: "Quod ix. xiij".
117r: all brende lyme
Written height: 165 mm, width: 110-115 mm. Ruled in hardpoint, frame only. Single columns. c. 30-c. 36 lines to the page.
One large (3 lines) plain red initial on f. 117r.
Regular initials in brown ink highlighted with red ink throughout.
Underlining in red ink.
Date of production indicated by the different paperstocks used for the two quires that make up this part of the manuscript. Given that the two main hands are responsible for exactly one quire each, the two quires were probably produced separately from one another. However, they were joined together shortly after their original production, as is suggested by the 15th- or early 16th-century foliation sequence that has been added to the centres of the upper margins of the rectos of ff. 119-148: "[i]"-"xxxj".
150r: Goo hens
Folios 149-152: [Unestablished].
Bevis of Hampton is copied by a single 15th-century hand in a cursive script with both anglicana and secretary features.
The French letter on f. 152v is copied by a single 15th-century hand in a cursive script with both anglicana and secretary features.
Written height: 185-195 mm, width: 80 mm. No ruling. Single columns. 36-41 lines to the page.
This part of the manuscript does not contain any significant forms of decoration.
156r: Item present. quod
Folios 155-166: crown.
Copied by a scribe working in a cursive script with both anglicana and secretary features.
Written height: 150-160 mm, width: 100-110 mm. Ruled in (?)leadpoint, frame only. Single columns. 26 28 lines to the page.
This part of the manuscript does not contain any significant forms of decoration.
168r: X M l d
Folios 167r-181v: ? antlers and horns .
Written height: 175-180 mm, width: 120 mm. No ruling visible. Single columns. 34-36 lines to the page.
This part of the manuscript does not contain any significant forms of decoration.
184r: Si autem
Unestablished due to the tight binding, but identifiable tackets between ff. 225 and 226 and ff. 232 and 233 suggest that both ff. 222-229 and ff. 230-235 are quaternions. The presence of stubs between ff. 231-232 and after f. 235 indicate that the latter quire is 8-2 (missing the 3rd and 8th leaves).
Folios 183-235: ?Crowned vase with the letter B inside and below the letters "AONOSO" or "ACNOSO" .
Copied by a single hand in a humanistic cursive script.
Written height: 195 mm, width: 125 mm. Ruled in ink, frame only. Single columns. 30-35 lines to the page, written below top line.
This part of the manuscript does not contain any signficant forms of decoration.
237r: Be bytten with
Collation unestablished (although tackets are visible between ff. 239-240 and ff. 252-253).
Folios 236-265: bottle, jug and hand with five-pointed star.
Folios 236r-249r were copied by a single hand working in a very cursive anglicana script.
Folios 249v-252r were copied by a single hand working in a cursive script with both anglicana and secretary features.
Folios 264v-265r were copied by a single hand working in a cursive script with both anglicana and secretary features.
Written height: 185-190 mm, width: 140-145 mm. No ruling visible. Single columns. lines to the page.
An illustration of the "Eye of Abraham", drawn ink dark ink in the upper outer corner of f. 240v.
An illustation of alchemical vessels connected to a furnace, drawn ink dark ink in the upper inner corner of f. 240r.
Two magical (circular) seals, drawn in dark ink below and illustrating the magical on f. 248r.
Astrological diagrams drawn ink in dark ink on ff. 239r-239v.
Decorative banderols inscribed with text in dark ink (e.g. ff. 240v, 246r, 246v, etc.).
Simon Forman (1552–1611), astrologer and medical practitioner: the name "Si. Forman" is inscribed in brown ink in the upper margin of f. 236r. Comparison with name inscriptions by Simon Forman (1552-1611) in Cambridge, King's College, MS 16 suggests that this part of MS O.2.13 was owned by him.