Cambridge, Corpus Christi College, MS 224 contains the Gospel of St Mark in Greek, copied by Georgios Hermonymus of Sparta in the late 15th century, when he was working in Paris. As Kalatzi has shown by relating the signatures, the manuscript was originally the second part of a complete Tetraevangelium that contained all Four Gospels, and which was dismembered in the early 16th century. The other three parts are:
These three manuscript are recorded in Aland's list of New Testament manuscripts at no. 288, and Corpus MS 224 at no. 2532 (for a different opinion on the existence of a complete Tetraevangelium, cf. Mondrain (1998), p. 46).
Georgios Hermonymos (c. 1430-1511), in addition to being a copyist, was a diplomat: he was sent in England by Pope Sixtus IV. He was also the first lecturer in Greek at the Collège de Sorbonne in Paris. In addition to Corpus MS 224, shown here, he also copied the following manuscripts:
Folios 26r-56v (containing Mk 8:17-end) have not been photographed due to the fragility of the binding.
Dr Matteo Di Franco
The manuscript consists of 7 quaternions: quires 1-78 ff. 1r-56v
Vertical catchwords in the hand of the scribe placed along the inner bounding line, underlined, reading from top to bottom.Original quire signatures in Greek numerals in red ink, from ιγον (f. 1r) to ιθον (f. 52r), remain in the middle of the lower margin of the recto of the first leaf and the verso of the last leaf of each quire.Leaf signatures in Greek numerals in dark brown ink in the lower margin of the rectos, from f. 1r φύλλ. αον τοῦ ιγου to f. 52r φύλλ. δον τοῦ ιθου (mistakenly spelled τοῦ θι).
In generally fair condition: leaves have yellowed slightly with age; there are occasional stains and small worm holes.
Bound with couched-laminate boards. The binding re-uses panels by Julien des Jardins, active in Paris ca. 1510. Stamped on both boards: on the front cover SS. Sebastian and Barbara with the inscription: Tout se passe fors aymer Dieu. Julien des Jardins; on the back cover St. Yves, holding a open book and a scroll and dressed as a canon with a cloack of ermine, stands between two trees underneath a cusped arch. Belowe him, his name is stamped. Oxford, Bodleian Library, Canon. Gr. 33 presents an identical binding.
Fore-edges are gilded and gauffered
Binding height: 250 mm, width: 160 mm, depth: 20 mm.
Georgios Hermonymos: the text is written by the 15th-century Greek scholar and scribe (RGK I 61) in a minuscule script in pale brown ink.
Slanting slightly to the right, Hermonymos' hand shows cursive-like ductus without variation in letter size. Ligatures and abbreviations are rare. His script is characterized by the minuscules gamma, eta, xi, rho. Sigma telikon is in Z-shape and is found sometimes in the middle of the word.
Breathings are curved; accents do not join to letters or breathings.
The running headlines, the marginal summaries (numbered from α' to μη'), the quire signature are written in red ink.
For further details on Georgios Hermonymos' script, see Kalatzi (2009), p. 111-132.
iii + 56. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto.
The codex was copied by Georgios Hermonymos during his stay in Paris for Guillaume Budé (see Kalatzi (2009), p. 77) between the the last quarter of 15th century and the early 16th century.
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The manuscript consists of 7 quaternions: quires 1-78 ff. 1r-56v
Vertical catchwords in the hand of the scribe placed along the inner bounding line, underlined, reading from top to bottom.Original quire signatures in Greek numerals in red ink, from ιγον (f. 1r) to ιθον (f. 52r), remain in the middle of the lower margin of the recto of the first leaf and the verso of the last leaf of each quire.Leaf signatures in Greek numerals in dark brown ink in the lower margin of the rectos, from f. 1r φύλλ. αον τοῦ ιγου to f. 52r φύλλ. δον τοῦ ιθου (mistakenly spelled τοῦ θι).
In generally fair condition: leaves have yellowed slightly with age; there are occasional stains and small worm holes.
Bound with couched-laminate boards. The binding re-uses panels by Julien des Jardins, active in Paris ca. 1510. Stamped on both boards: on the front cover SS. Sebastian and Barbara with the inscription: Tout se passe fors aymer Dieu. Julien des Jardins; on the back cover St. Yves, holding a open book and a scroll and dressed as a canon with a cloack of ermine, stands between two trees underneath a cusped arch. Belowe him, his name is stamped. Oxford, Bodleian Library, Canon. Gr. 33 presents an identical binding.
Fore-edges are gilded and gauffered
Binding height: 250 mm, width: 160 mm, depth: 20 mm.
Georgios Hermonymos: the text is written by the 15th-century Greek scholar and scribe (RGK I 61) in a minuscule script in pale brown ink.
Slanting slightly to the right, Hermonymos' hand shows cursive-like ductus without variation in letter size. Ligatures and abbreviations are rare. His script is characterized by the minuscules gamma, eta, xi, rho. Sigma telikon is in Z-shape and is found sometimes in the middle of the word.
Breathings are curved; accents do not join to letters or breathings.
The running headlines, the marginal summaries (numbered from α' to μη'), the quire signature are written in red ink.
For further details on Georgios Hermonymos' script, see Kalatzi (2009), p. 111-132.
iii + 56. Modern foliation in pencil in Arabic numerals in the top right-hand corner, recto.
The codex was copied by Georgios Hermonymos during his stay in Paris for Guillaume Budé (see Kalatzi (2009), p. 77) between the the last quarter of 15th century and the early 16th century.