This group of drawings were commissioned from the draughtsmen and archaeological illustrators Piet de Jong and Emile Gilléron fils, and the classical archaeologist John Percival Droop, during the excavation seasons of 1920-1923. Created in opaque watercolours (gouache) and ink and pencil line drawings, they were first published in 1932 in Chamber Tombs at Mycenae (Society of Antiquaries: Archaeologia 82), as the thirteenth and concluding instalment of the definitive report of the 1920-1923 excavations. A.J.B. Wace expressed his appreciation in the forward of that book to, ‘Miss M.B. Bright of Washington, who has borne the entire cost of the plates and text-blocks. Her generous support alone has made it possible to issue this final section in suitable form’ (p. 1). Colour illustrations in particular were expensive to reproduce but essential to convey the richness and artistry of excavated artefacts. Line drawings often enable the human eye to discern details more readily than a photograph of the actual object, for example the miniature scenes engraved on seal stones. Wace was committed to reproducing the full suite of drawings, so important are they to a complete understanding of the excavation’s findings, and had therefore delayed publication until he could source funds to underwrite the costs.
4 drawings of patterns and profiles of kylix pottery sherds (LH III) from Tomb 505, unsigned but attributed to Droop. Scale 1:1.
All these drawings, i to iv inclusive, were not used for the Chamber Tombs publication and only photographs of the objects were published, Pl. XVI a, d, e, f.
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Drawing of jewellery (the beads individually numbered) from Tomb 502, unsigned but attributed to P. de Jong. Scale 1:1. Marked on r. 'No.22'.
Drawing of a sealstone, depicting a figure and a bull, from Tomb 504. Unsigned but attributed to P. de Jong.
3 drawings of onyx sealstones from Tomb 515, unsigned but attributed to P. de Jong.
i) depicts a lion, ii) a cow suckling her calf and iii) two recumbent oxen.
Drawing of gold, amber and amethyst beads, terracotta and steatite whorls and flint arrow-heads from Tomb 515, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of bronze knives, awl and scale pan and boar's tusks from Tomb 515, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of boar's tusks from Tomb 515, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of amber beads from Tomb 518. Unsigned but attributed to Gilliéron fils. Scale 1:1.
Drawing of a carnelian sealstone, depicting a bull and a figure leaping over the bull, from Tomb 518. Unsigned but attributed to P. de Jong.
Drawing of an amethyst sealstone depicting a bull and a pole or spear, unsigned but attributed to P. de Jong.
One piece of card on which are mounted two drawings. The upper drawings depicts two ivory combs, from Tomb 518 and 529 respectively, and the lower drawings depicts an ivory pyxis from Tomb 518. Unsigned but attributed to Gilliéron fils.
Drawing of glass beads, a crystal bead and steatite spindle whorls from Tomb 520, unsigned but attributed to Gilliéron fils. Scale 1:1. Mounted on card.
Drawing of the intaglio design of two wild goats on the bezel of a gold signet ring from Tomb 520. Unsigned but attributed to P. de Jong.
Drawing of faience pommel from Tomb 529, unsigned but attributed to Gilliéron fils.
Drawing of an ivory handle/leg from Tomb 529, unsigned but attributed to Gilliéron fils. Scale 1:1.
Drawing of glass beads no. H 5 from Tomb 533, unsigned but attributed to Gilliéron fils. Scale 1:1.
Drawing of a bronze pin. H 6 from Tomb 533, unsigned but attributed to Gilliéron fils.
Drawing of an incense burner (excavation number 20/23-591) from Tomb 502, unsigned but attributed to JP Droop. Scale 3:4.
Drawing of a fragment of a larnax from Tomb 502, unsigned but attributed to J.P. Droop. Scale 1:2.
8 drawings of patterns and profiles of kylix sherds (LH III) from Tomb 505, unsigned but attributed to Droop. Scale 1:1.
Pieces i) to viii) inclusive were published as Chamber Tombs p. 17, Fig.8 a, b, c, d, e, f& g, h & k, i.
4 drawings of patterns and profiles of kylix pottery sherds (LH III) from Tomb 505, unsigned but attributed to Droop. Scale 1:1.
All these drawings, i to iv inclusive, were not used for the Chamber Tombs publication and only photographs of the objects were published, Pl. XVI a, d, e, f.
Drawing of a LH III miniature flask (excavation number 20/23-184) from Tomb 513, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of a LH III piriform jar flask (excavation number 20/23-185) from Tomb 513, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of a terracotta spindle whorl from Tomb 515, unsigned but attributed to P. de Jong.
Drawing of a LH III fragmentary bridge-spouted jar (excavation number 20/23-257) from Tomb 516, unsigned but attributed to P. de Jong. Scale 1:1.
Drawing of an alabastron (excavation number 20/23-202) with vertical sides decorated with bands of dots and crosses in blackish paint, also view of the wheel pattern of concentric circles on its base. Unsigned but attributed to P. de Jong.
Drawing of alabastron with vertical sides, pattern of dots on shoulder and wavy lines on sides in reddish paint, together with a view of its base, featuring a wheel-pattern with solid centre. Unsigned but attributed to P. de Jong. Scale 1:1.
2 drawings of a saucer fragment with a view on each drawing of the interior and exterior painted decoration. Unsigned but attricbuted to P. de Jong. Scale 1:1.
i) the drawing that was selected for publication
ii) unpublished version
4 drawings of sherds, designated by A.J.B. Wace as examples of proto-Corinthian, Orientalising, and Corthinian styles, from Tomb 522. Unsigned but attributed to J.P. Droop. Scale 1:1.
Drawing of an agate sealstone 'engraved with a design of two addorsed and rampant quadrupeds (lions? goats?)' from Tomb 535 and its lentoid profile. Unsigned but in the style of P. de Jong. Scale 2:1..
Drawing of the Vaphio cup base (excavation number 20/23-892), unsigned but attributed to P. de Jong.Scale 1:1.
Drawing of the upper part of a terracotta figurine, showing the front and back views, excavated 'between west wall, South House, and Acropolis wall'. Unsigned but attributed to P. de Jong.