Emmanuel College, MS 14 was probably copied in the 11th or 12th century, and is the first volume of a set of two (the second being Emmanuel MS 15). It contains 21 homilies by the Patriarch of Constantinople, John Chrysostom, In Matthaeum homiliae (48-68) (Emmanuel MS 15 contains homilies 68-90). Emmanuel MSS 12-15, which all contain copies of Chrysostom's homilies on the Gospel of Matthew, share a common provenance and history, and were used by Frederick Field for his edition of the homilies (Cambridge 1839; see vol. 1, p. XVIII and XXI).
Dr Matteo Di Franco
The manuscript consists of 19 quires, all quaternia. The signatures indicate that a further two quires have been lost at the beginning of the manuscript.
Signatures in Greek numerals in brown ink on first recto, lower internal corner, from quire 3 (f. 15r) from εʹ to καʹ, continuing on Emmanuel MS 15.
Later signatures in Greek numerals in light-brown ink on the outer margins of the first recto and last verso of quires 14-19, numbered α-ε and 6 from f. 101r, continuing in Emmanuel MS 15.
Modern signatures in Greek numerals in pencil on first recto of quires 3-9 from εʹ to ιαʹ from f. 15r.
18th-century full leather binding over millboards, sewn with cord on single raised supports, boards attached with laced-in slips Separate-sewn endbands, the outermost and the pastedowns of marbled paper. Hatched leather on the boards, with decorative gold tooling on boards and spine. The title "Chrysostomi Homiliae Vol. III. MS" is tooled in gold on black labels on the spine, and the classmark appears on patches.
Binding height: 363 mm, width: 283 mm, depth: 60 mm.
The left outer joint is split at the tail, both endcaps are damaged and the tailband is starting to unravel. The leather covering has become flaky.Description slip from F. Field's edition (1839) pasted on f. [i] verso.
The manuscript is written in a mixed minuscule script, upright or slanting slightly to the right, in brown and dark brown ink, pending from the ruling line. There is only moderate variation in letter size. Tails are occasionally flourished into the lower margins.
Syllabic abbreviations and superscription appear only at the ends of lines. Breathings are round and mute iota is not in use.
Punctuation used includes the middle and upper point and full stop.
The manuscript is foliated with the numbers [i-iii] + 1, [2-4], 5, [6-12], 15, [16-20], 21, [22-26], 27, [28], 29, [30-35], 36-37, [38-44], 45, [46-52], 53, [54-60], 61, [62-68], 69, [70-76], 77, [78-84], 85, [86-92], 93, [94-100], 101, [102-104], 105, [106-112], 113, [114-120], 121, [122-128], 129, [130-136], 137, [138], 139, [140-144] + [iv-vi], in Arabic numerals, in pencil, recto, upper right. The thirteenth folio is erroneously numbered as f. 15, and all numbers thereafter are too large by two.
A notes on f. [iii] verso: A reference to the edition by Henry Savile, Sancti Ioannis Chrysostomi opera Graece, Eton College, 1612-13: "Vide Editionem Sancti Chrysostomi Etonae impressam curante Henrico Savilio Anno MDCXII. Vol. 2. p. 113. l. 35 ἀλλὰ καὶ λίθων καὶ πάσης εὐκόλως κ.τ.λ."
A note of provenance on lower margin of f. 1r: "απο το μοναστηρι του κασταμονητη".
Eventually presented to Emmanuel College by Samuel Parr in 1814.
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The manuscript consists of 19 quires, all quaternia. The signatures indicate that a further two quires have been lost at the beginning of the manuscript.
Signatures in Greek numerals in brown ink on first recto, lower internal corner, from quire 3 (f. 15r) from εʹ to καʹ, continuing on Emmanuel MS 15.
Later signatures in Greek numerals in light-brown ink on the outer margins of the first recto and last verso of quires 14-19, numbered α-ε and 6 from f. 101r, continuing in Emmanuel MS 15.
Modern signatures in Greek numerals in pencil on first recto of quires 3-9 from εʹ to ιαʹ from f. 15r.
18th-century full leather binding over millboards, sewn with cord on single raised supports, boards attached with laced-in slips Separate-sewn endbands, the outermost and the pastedowns of marbled paper. Hatched leather on the boards, with decorative gold tooling on boards and spine. The title "Chrysostomi Homiliae Vol. III. MS" is tooled in gold on black labels on the spine, and the classmark appears on patches.
Binding height: 363 mm, width: 283 mm, depth: 60 mm.
The left outer joint is split at the tail, both endcaps are damaged and the tailband is starting to unravel. The leather covering has become flaky.Description slip from F. Field's edition (1839) pasted on f. [i] verso.
The manuscript is written in a mixed minuscule script, upright or slanting slightly to the right, in brown and dark brown ink, pending from the ruling line. There is only moderate variation in letter size. Tails are occasionally flourished into the lower margins.
Syllabic abbreviations and superscription appear only at the ends of lines. Breathings are round and mute iota is not in use.
Punctuation used includes the middle and upper point and full stop.
The manuscript is foliated with the numbers [i-iii] + 1, [2-4], 5, [6-12], 15, [16-20], 21, [22-26], 27, [28], 29, [30-35], 36-37, [38-44], 45, [46-52], 53, [54-60], 61, [62-68], 69, [70-76], 77, [78-84], 85, [86-92], 93, [94-100], 101, [102-104], 105, [106-112], 113, [114-120], 121, [122-128], 129, [130-136], 137, [138], 139, [140-144] + [iv-vi], in Arabic numerals, in pencil, recto, upper right. The thirteenth folio is erroneously numbered as f. 15, and all numbers thereafter are too large by two.
A notes on f. [iii] verso: A reference to the edition by Henry Savile, Sancti Ioannis Chrysostomi opera Graece, Eton College, 1612-13: "Vide Editionem Sancti Chrysostomi Etonae impressam curante Henrico Savilio Anno MDCXII. Vol. 2. p. 113. l. 35 ἀλλὰ καὶ λίθων καὶ πάσης εὐκόλως κ.τ.λ."
A note of provenance on lower margin of f. 1r: "απο το μοναστηρι του κασταμονητη".
Eventually presented to Emmanuel College by Samuel Parr in 1814.